Matched Set of Two Early Low back Yew Wood Windsor Chairs

An exceptional example of an early and rare caquetoire chair with carved cresting over an unusually narrow back, inscribed ‘I.M.I., I.H.S., ANNO 1718, G.B.’, with large outward scrol...

A beautiful set of Mouseman furniture – an adzed oak 6ft refectory table, with rectangular planked top raised on twin octagonal end supports on sledge feet united by a floor stretcher carved with fat mouse signature, and accompanied with six oak dining chairs, Circa 1960-70, adzed paneled back, upholstered in navy blue leather with studded band, each octagonal front support is carved with mouse signatures, by the workshop of Robert Thompson, Kilburn Robert (Mouseman) Thompson (7 May 1876 – 8 December 1955), was also known as ‘Mousey’ Thompson...

A lovely pair of heavily carved Victorian oak wing back armchairs. These chairs have intricate carvings on the back panels, side wings and exterior sides panels all done in the style of the 17th. Circa 1850 Provenance: These were acquired from “The Wodehouse”, Wombourne, Staffordshire The Wodehouse is a Grade II listed English country house near Wombourne, Staffordshire, notable as the family seat of the Georgian landscape...

A wonderful Victorian Wellington Chest Circa 1850 With eight graduated ash lined drawers, hinged locking arm to the right. The Wellington Chest was named aptly after the Duke of W...

This is a wonderful pair of French bronzes, Lorenzo di' Piero de' Medici also known as Lorenzo the Magnificent, and his younger brother Giuliano. Lorenzo is the larger of the two figures measuring 8.3" in height and 3.7" wide, and 3.4" deep, Giuliano is 8" high and 2.7" wide and 3.2" deep. Both are modelled opposing, seated, and clad in armor. These bronzes are from the 19th century, but from differing parts of the century. The model of Lorenzo is late 19th century, and the quality of the casting is good but not as good as that of Giuliano who would appear to be from the mid part of the 19th century. They make a good companion pair, but did not form part of the same casting run, and have been later paired up. Both have great coloring, with a similar dark brown and green patina. Provenance: These were part of the Fulwood Collection The Fulwood Collection comes from a Grade II listed rectory in the North of England. Formerly the childhood home of Sir Douglas Bader. The rectory was acquired by the late owner approximately 15 years ago. The house was formerly split into two separate houses, and with care he lovingly refurbished it back into a single house and refurnished in a blend of the Grand Tour style with Welsh and English provincial tastes. This property contained fine furniture, works of art, paintings, ceramics and other miscellaneous items some of which have been purchased by  “The Englishman’s Antiques”

AN EARLY OAK CLOTHES PRESS, BEARING THE DATE 1724 Carved into the frieze ‘EBB 1724’. Condition Report: This appears to have had some adaptions over the years, there is a hanging rai...

St042 Early Victorian Windsor chair in ash and elm wood, having arched back with centre splat flanked by spindles, open arms and ash seat, standing on turned legs united by crinoline...

Sn5240 Victorian, yew wood and elm, low back Windsor chair with fretted central splat to back, standing on turned, ringed legs united with stret...

Rare low back Windsor chairs from the 19th century found as props in an old theatre. Identical model, one chair comes in a lighter and other in ...

Fine English yew wood and elm windsor hoop back or double bow armchair, the shaped back splat with honeysuckle pattern, the front arm supports with bold turnings over shaped seat, th...

This is a very good quality Country Windsor arm chair with a low back, made in England and attributed to a North east Yorkshire maker, in the mid-19th c...

Antique Victorian quality yew wood broad arm Windsor chair having yew wood turned columns and spindles, shaped splat to the back with scroll arms, elm seat and standing on yew wood t...