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16th Century Gothic Chest, Pinewood, Metal

About the Item

The relief of folded cloths was common in the Gothic furniture, coming from Flanders in the 15th century and used in Spain in a common way well into the 16th century, although 17th century examples are preserved that maintain this decorative element. As for wood, although walnut is common in Spanish furniture, it is not unusual to find examples carved in pine wood. Gothic arches can now be found in several prominent museums: the National Archaeological Museum of Madrid preserves four Gothic arches from the 15th century (with Gothic architectural decoration and other carved elements); the Lázaro Galdiano Museum has an Italian example of the 15th century with work of skylights and arches reminding the cloths of Muslim diamonds (Inventory 2141); the Museum of Navarre has a wedding ark of wood and embossed and polychrome leather of the last third of the 15th century (inventory CE000115); etc. The National Museum of Decorative Arts has an oak wood sideboard (CE01616) decorated with panels "carved" or "parchment", dated circa 1500, and an ark with similar decoration dated between 1476 and 1525 (CE19287)." Size: 189 x 62 x 90 cms.
  • Dimensions:
    Height: 35.44 in (90 cm)Width: 74.41 in (189 cm)Depth: 24.41 in (62 cm)
  • Style:
    Renaissance (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    16th Century
  • Condition:
    Wear consistent with age and use. Minor losses. Minor structural damages. Minor fading.
  • Seller Location:
    Madrid, ES
  • Reference Number:
    Seller: ZE1481stDibs: LU2951312525681

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This type of elements are basic in churches, chapels, etc. since they contain the Sacred Forms, reason why it is logical the abundance, with a series of typologies more habitual and traditional or old than others. There are also iconographies more common than others, a certain thematic preference according to the date or school to which the work belongs, etc., always related to the Sacrifice of Christ, Salvation, Transubstantiation, Eucharist, etc. for being a key element for Christianity (especially the Catholic) what they will always contain. The present work shows a chalice with Sacred Form in what would originally be the interior of the door (very usual iconography) and a somewhat more striking relief to the exterior. Inside that it is a Eucharistic Christ or Eucharistic Savior, the way of presenting it is more usual of the scenes of the Last Supper, being not so frequent to find it alone like this. Compare for example with works such as the door of the tabernacle attributed to Alonso Cano...
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Wedding chest. Wood, textile, metal, polychrome. Salamanca, Spain, 17th century. Area of rectangular body with flat top made in carved wood that preserves remains of original polychrome, corners and other metal fittings and textile details in certain places. It is decorated to the outside with a molding in its lower area based on curved motifs and a simple carved decoration of vegetable theme arranged according to a rigid symmetry enhancing an inscription in capital letters on the front ("Viva María / Fernandez") allusive to the owner original of the piece. The interior has no decoration or more elements than the parts of the fittings of the corresponding hinges and the wood seen. The model of a flat-topped ark, with a rectangular shape, was very common in Spanish art as early as the Middle Ages, varying in its decorative elements as time and styles progressed. The metallic elements of the furniture (corner corners on red textile, lock shield on the front, hinges on the inside, handles on the sides to move it, etc.) have a decoration of waves and auctions that refers to models of the Baroque, in addition to columns (flanking the keyhole). The carved decoration of the front (flowers, leaves stems and birds simplified posadas, with simple polychrome in three colors -red, green, yellow-) is not too fine (something usual in popular specimens), and follows a composition and very colorful habitual in the popular coffers of the area of Salamanca, being common the use of walnut for its realization (as in all the Spanish furniture, for the resistance of the wood and its abundance then). The addition of a feminine name in capital letters (detail that would indicate that the present piece of furniture is an ark made to keep a wedding trousseau, hence the abundance of decoration in a popular utilitarian piece and the presence of a lock with a key) is another element to be highlighted in this piece of furniture. Similar model is mentioned in one of the most used reference books of the Spanish furniture, ENRIQUEZ ARRANZ, Maria Dolores. The Spanish furniture in the 15th, 16th and 17th century. 1951. p. 39; cat. no. 74; The m. 74; Beautiful example of chest or ark of bridal, popular Spanish style of century XVII...
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