French Richly Carved Sideboard Buffet - Renaissance- circa 1580 France

Very important Renaissance chest transformed into a two-door sideboard in the 19th century. Composed of numerous carved wooden details. This sideboard is richly decorated and testifi...

Important Renaissance sideboard-credence. This piece of furniture, originally a very large chest from the 16th century chest from the 16th century has three panels carved with mascar...

Small cabinet, wooden hosiery from the 19th century. The four doors are carved with geometric patterns, the hinges and locks are hand-forged iron. very decorative and pratical

Wonderful castle sideboard, dresser, cabinet, sideboard-credenza in richly carved oak with two-bodies with openings with 2 doors in the upper part and 4 doors in the lower part. The piece of furniture has 3 drawers carved into belts. The 3 drawers are almost invisible on the central belt, they are secret drawers. Richly carved with lions, scrolls of foliage, plants, cornucopia and fruit. The 2 lion heads at the upper ends of the furniture are fascinating, and almost seem to be moving because they are so well executed. The sculptures are delicate and fine, yet deep. Beautiful storage space with doors and drawers and display space in the credenza. Henry II style, Renaissance, Renaissance Revival. French Renaissance furniture...

A very nice and elegant 19 th century French renaissance cabinet ALL SALES ARE FINAL, STORE CREDIT OR EXCHANGE ONLY

A tall walnut cabinet buffet, having a plank top with dentil moulding above a single drawer. The recessed paneled doors with iron pulls, flanked by Doric columns sitting on multi-moi...

This rare Renaissance cabinet is richly decorated on the doors and drawers with carvings depicting the four seasons, and on the uprights and the entablature, alternating flower bouquets inlaid with mother of pearl. This is a beautifully conceived piece of furniture, representing a crowned portico with its entablature and cornice. The upper body Articulated separately in a ternary rhythm, as with the lower body, the upper part opens with two carved doors. The doors are framed by both the lateral uprights and the casing. There are cartouches carved into the casing in which mythological figures are depicted with flower bouquets. On the doors: On the right: Spring, a female figure crowned with a wreath of leaves, holding a basket full of flowers. She is wearing necklaces and bracelets on each arm, with drapery discretely wrapped around her body and is standing on a winged putti’s head. On each side are depicted a tree and a village with a steepled church. Above her head floats the three signs of the zodiac corresponding to the season: Aries, Taurus and Gemini. On the left: Summer, a bearded man crowned with ears of corn and bearing armfuls of corn. He is standing on a similar winged putti, flanked by a tree and an ear of corn. The following three signs of the zodiac appear: Cancer, Leo and Virgo. On the uprights and the central casing a number of smaller figures seem to represent virtues and vices that newly wedded couples should aspire to and avoid. On each side, at the bottom of the uprights, there is a dog representing fidelity. Above, a lion embodies power, wisdom, and justice. In between, on the left upright, there is a figure of noncombatant Athena wearing a helmet and holding a spear, an arrow pointing down and in her left hand, a shield, symbol of protective power. On the right upright, the goddess Venus controls the arrow of Cupid. The iconography here acts as a clear reminder of the required virtues that both parts of a young couple need to fulfill: fidelity, power, wisdom and justice. For him, the goddess Athena focuses on the power. Whereas for her, it is Venus who shows how to control Cupid’s arrow. On the central casing at the bottom, by way of contrast, there is a peacock, a symbol of pride and at the top, a monkey representing lust and mischief. In between, a woman holding a chain and a cup full of precious stones while on the floor sits a half empty opened casket. This can be interpreted as a symbol of extravagance. Above, the entablature, decorated with male figures resting on leaking urns, may symbolize the passing of time. They are flanked by two consoles decorated with acanthus leaves and separated by flower bouquets (inlaid with mother of pearl). Finally on top, a cornice acts as a crown for the piece of furniture. The lower body The moulded base stands on four round, flattened feet. Represented on the doors: On the left: Autumn, a stocky, naked man crowned with vine leaves, holding fruits in his right hand and with his left, picking a bunch of grapes from a climbing vine. Standing on a mound, he is surrounded by a vine and a hill, at the foot of which a man presses the grapes in a big vat after the harvest. Above the climbing vine appear the signs of Libra, Scorpio and Sagittarius. On the right: Winter, an elderly man wearing a fur cloak...

This large Neo-Renaissance style richly carved oak sideboard was made at the end of the 19th century. It is composed of three distinct parts, all decorated with numerous plant arabes...