French Stone Overlay Ormolu Mounted Cabinet, 19th Century

Unusual French pair of 19th century beautifully cut crystal ormolu-mounted two-light sconces with crystal urns in the center. Possibly Baccarat.

Spectacular and unique French Napoleon III ormolu mounted white marble mantel clock, 19th century. The clock is surmounted by a gilt bronze pineapple finial with ribbons over a porcelain clock face with Roman Numerals enclosed into an ormolu egg...

Lovely French Louis XV style gilt bronze mounted commode. Late 19th-early 20th century. Serpentine-fronted mottled marble top, above a veneer...

Spectacular large French Louis XV style ormolu and fine cut crystal two-tier twenty light chandelier, 19th century. The chandelier is surmounted with a gilt bronze flame, above a...

A Vernis Martin cabinet in the Louis XVI manner Constructed in mahogany, with extensive ormolu mounts; the square rectangular tapering legs, d...

Rustic; Robust; Organic; Wabi Sabi; Travail Populaire; Folk Art; Travail Art Populaire; Cabinet; Storage Piece; Storage Unit; Cupboard; Wood; Axel Vervoordt; Zen; Luxury Chalet Style...

A very fine late 19th century gilt bronze-mounted Louis XV style Vernis Martin cabinet. By Joseph Zwiener. The central section finely decorated door panel displaying an allegorical 'Vernis Martin' scene, within a gilt bronze banded frame. With finely cast acanthus and figurative gilt bronze mounts. Stamped ‘NZ’ for Zwiener on the back of the escutcheons and reverse of the bronze mask to the base. Born in Herdon, Germany, in 1849, Joseph Emmanuel Zwiener followed the tradition of some of the best ébnistes of the 19th century. He moved to Paris establishing a workshop at 12, rue de la Roquette, between 1880 and 1895. He produced a wide array of the very finest furniture, modelling in his own interpretations of the 18th century Louis XV Rococo style, veneered with the highest and finest quality marquetry and 'Vernis Martin' panels. Exhibiting at the Exposition Universelle, Paris, in 1889, Zwiener was awarded a Gold Medal for what the jury reported as 'dè ses dèbuts à une Exposition Universelle, [il] s'est mi au premier rang par la richesse, la hardinesse, et le fini de ses meubles incrustés de bronze et fort habilment marquetés.' Zwiener was closely associated with François Linke and the two houses produced work which, at first glance, is remarkably similar and with occasionally identical mounts. The similarities are made more likely by the fact that the brilliant sculptor, Léon Messagé, worked initially for Zwiener and subsequently, upon Zwiener's departure for Berlin to work on furniture commissioned by Freidrich Wilhelm II, he was employed in the workshop of François Linke. It appears that Zwiener, unlike Linke, did not sign all his work, although some stamped pieces with his name and/or his "Z" initial are documented. There is some uncertainty between the recorded stamp E. Zwiener and the work of a Julius Zwiener...

An Interesting Late 19th Century Gilt Bronze Mounted Transitional Style Chinoiserie Cabinet by L. Bontemps L. Bontemps The rectangular breakfront pink quartz top above three high d...