Chrome Cabinets

First year production George Nelson Steel Frame Case series cabinet. Sky blue sides and facade available with either the white steel frame/black linoleum top configuration or the b...

A smaller scale teak wood cabinet / credenza with double sliding doors having great long pulls . Inside a contrasting birch wood interior with one non adjustable shelve and a finishe...

Vind is one of our 'social media hit' high-end furniture designs. Having had such a positive feedback on social media so soon, this cabinet manages to make its presence known even th...

Vind is one of our 'social media hit' high-end furniture designs. Having had such a positive feedback on social media so soon, this cabinet manages to make its presence known even th...

Cabinet Ollo Collection, glossy polyester lacquered wood panels, glossy white and black lacquered top and bottom discs, matte black lacquered interior, crystal shelves. Publication: A. Mendini e A. Guerriero, "Collezione Ollo", Catalogo Museo Alchimia 1988; Raffaella Poletti, Atelier Mendini "Una utopia visiva", Fabbri Editori 1992. Biography In 1976 Alessandro and Adriana Guerriero established Alchimia, the first example of manufacturing designers in Milan. In 1978 and 1979 they presented the Bau haus and Bau haus II collections. Lamps, armchairs, chairs, tables, cabinets, and so on. Artists involved: Alessandro Mendini, Ettore Sottsass, Bruno and Giorgio Gregori, Michele De Lucchi, Andrea Branzi, UFO, Paola Navone, Daniela Puppa, Franco Raggi. The prevalent decorative material is laminated plastic. Alchimia’s culture, which is against the Italian design (Casabella magazine) changes the base of all previous design theories, resulting in a profound and radical change in the mindset of architects. Visual Alphabets, Redesign, Trivial Design, Cosmetics and Sentimental Robot are the slogans underlying the exuberant and vast production of Alchimia city. In the theoretical manifesto of the group, Alessandro Mendini writes “Alchimia is not interested in disciplines because they are considered to be within their rules. Indeed, it is important to look into the existing large free spaces between them. Alchimia weighs the assumption that conception and confused production methods should coexist where craftsmanship, manufacturing, information technology, techniques and current and obsolete materials can get mixed up. “They are handcrafted objects, recycled, mass, improbable, provocative, Kitsch, all very theory-laden. It operates and experiences in many sectors: the Pensione Ideale (Franco Raggi), the Copertine di Domus (Occhiomagico), the Abito Sonoro and the performance of Persone Dipinte (Anna Gili), the Stilismo della Moda (Cinzia Ruggeri...

Pelegrins Gate, a room-dividing cabinet in 3/8 inch thick aluminum plate can house vinyl records on one side and wine glasses on the other. Custom hinged bi-fold doors can close any ...

Brazilian rosewood and aluminum floating top desk by Roger Sprunger for Dunbar. Three shallow drawers are carved out of the desk top: two side drawers and one wide center drawer. I...

French Design; Industrial Design; 1950s; France; Aluminum; Brutalist; Mid-Century; Craftsmanship; French aluminum cabinet that once served as a refr...

Designed by Edward Wormley for Dunbar, this trim mid-century cabinet in walnut-stained mahogany features recessed door pulls and a matching leather...

The cabinet from the BUGS collection is a bright example of emotional design. The cabinet is like a bug, which flew past the house, decided to visit. An...

A unique and sizeable cabinet or sideboard. Designed by Richard Neutra for the Brown Sidney House, Holmby Hills, Los Angeles, c. 1955. Detailed provenance available upon request,

The curved cabinet by Jonathan Nesci is cut, rolled, and machined aluminum with a waxed finish. The doors, back and sides have a slight curve. The doors are cut and are welded to mac...