Glass Cabinets

Elegant Pink 115.05 Ash Cabinet With Glass Shelf and Brass Top by Cara Davide Dimensions: D 51 x W 153 x H 115 cm Materials: Cabinet in aniline colored and transparent varnished ash...

Warm light brown oak and rich copper form a beautiful color palette in this cabinet vaisselier from the 1950s. On the front and top of the cabinet, the oak displays a striped lightwood/dark wood pattern that feels fun and very much of the era, while the recessed portions of the oak appear to shift into burnt orange for a subtle injection of natural color. Opening the door at the front of the cabinet, a series of small drawers are revealed for hidden storage and organization; the left side of the cabinet is formed by transparent glass, ideal for stowing decorative items or glassware, as well as giving the piece a sense of being filled with light. Though it was created by an unknown French craftsman, this piece is reminiscent of avant-garde designer Jean Royere’s work. Place it in your living room for a unique midcentury French modernist...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

French Art Deco Dry Bar Cabinet, Attributed to Jules Leleu. This elegant and captivating French Art Deco display cabinet, attributed to the renowned designer Jules Leleu, embodies ...

A French elm vitrine cabinet from the 19th century, with chapeau de gendarme top, glass doors, carved décor and three drawers. Created in France du...

Classic black and white Art Deco stye! What we love about this piece, is the elegance added in the design details: the exceptional cast hardware, the gold rims and to add the choice ...

A display cabinet in the manner of Thomas Chippendale. Constructed in a well-figured Honduras mahogany, with carved highlights; rising from cabriole leg 'ball and claw' feet, with acanthus carving at the knees, with swept and carved corner blocks; over, a running 'egg-and-dart moulding with a central leaf carved cartouche centred about a scallop shell, are two lockable glazed doors, with astragals delineating fifteen panes enclosing a shelved interior; surmounted by a pierced swan neck pediment with paterae teminals set about a turned finial, circa 1910. Thomas Chippendale the Elder (1718-1779) Yorkshire born, a highly skilled cabinet maker and designer, published in 1754 his 'Gentleman & Cabinet Maker's Director', a volume of instantly recognisable and idiosyncratic designs, that was reprinted time and again, serving as an essential manual for cabinet makers the length and breadth of England. Working from 60-62 St Martins Lane, London his output is regarded as the ne plus ultra of 18th century...

Very fine handmade sideboard by a master artisan. Brass frame with handmade and hand-cut black glass , four doors with fish shaped brass handles.  

Antique French Renaissance Dark Walnut Triple Bowed Glass China Cabinet. Item features 2 lower drawers, raised on cabriole stretcher base leg...

An Exceptional Early 20th Century Louis XVI Style Gilt Bronze Mounted Parquetry Vitrine By François Linke François Linke – Index no. 458 The fleur de pêcher marble top above a scro...

This exquisite Black Forest cabinet is a masterpiece of craftsmanship, featuring richly detailed hand-carved wood panels and stately architectural elements. The grand scale and impre...

Elegant French display cabinet from the 20th century featuring a warm wood frame with two glass-paneled doors and five glass shelves. The interior is painted in a soft blue tone, off...

Mesmerising, inspiring blue of Yves Klein led us to Ultramarine Blue in this spectacular bar cabinet. Bar Cabinet with two rounded doors on cylinder base. Gold mirror inserts on the ...

Add style with an artistic draped design highboy! What we love about this piece, is the fun and sophisticated design details, the exceptional cast hardware, the gold brass trims and ...

High quality two-door cabinet with open shelf on top. Single wood shelf on large bottom section. Sliding glass doors can be added to mirrored top section. Hole has been drilled in t...

An English nicely-carved and tall wooden display and closed storage cabinet. This vintage cabinet from England is nicely sized, standing approxi...

The Milano bar cabinet by Ercole Home has a 2-door front, with a Painted White wood finish on oak. Handcut glass mosaics in Light ivory/white glass mosaic decorate the surface in a c...

Beautiful white lacquered wood and mirrors sideboard attributed to the magnificent artist Paolo Buffa. The sideboard has a rectangular shape, supported by a base, as if it were a special frame, which puts it on a pedestal, given its spectacular beauty. There are 12 small square shaped inserts in light blue mirrored...

A very rare Regency period ebonised, brass inlaid and ormolu-mounted cabinet, with mirrored doors and Calacatta viola marble top, in the manner of James Newton. English, c. 1815. An outstanding opportunity to own a piece of history that will beautifully fit in both classical and modern interiors. Why we like it One of the most elegant designs from the early 19th century, inspired by the ancient Egyptian motifs. The brass ball-feet and ormolu mounted columns are rare and unusual features, and the beautifully oxidised mirror plates and antique marble tops add to their timeless elegance. Attribution Designed in the early 19th century ‘antique’ manner, popularised by Percier and Fontaine and relate to patterns for 'Chiffoniers' and 'Drawing Room' pier tables published in George Smith's Collection of Designs for Household Furniture, 1808, pls. 114 and 122. Ebonised in the Egyptian taste and with the stylised palm-flowered pillars, relating to those of tripod torcheres in Thomas Hope's Household Furniture and Interior Decoration, 1807, pl. 22. Identical columns and ball-feet are seen on a group of pier cabinets, including a pair, sold Sotheby’s London, 29 June 2005, Lot 125, which is traditionally associated with the output of the London firm of James Newton. He labelled a suite of very similar chiffoniers sold from the collection of Maureen, Marchioness of Dufferin and Ava, Christie's, London, 25 March 1999, lots 320-321. While stylistically these cabinets relate to the pieces ascribed to James Newton, their constructional features, such as the use of cedar linings for the secretaire fittings, is relevant to the practice of another highly esteemed London firm of the Regency period, John McLean and Son. James Newton (1773-1821) Upholder and cabinet maker, trained in the celebrated workshops of Lawrence Fell and William Turton - business rivals of the great Thomas Chippendale - and, in the tradition of ambitious men, married the daughter of the latter, which in part accounts for his meteoric rise to prominence; executing commissions, inter alia, for Matthew Boulton at Soho House, the Earl of Jersey at Osterley, and Sir Gilbert Heathcote; familiar with the fashions of the Regency period, he is listed as a subscriber to Thomas Sheraton’s 1803 ‘Cabinet Dictionary’; a pair of chairs with close concordances to a design of Thomas Hope’s Household Furniture’ (plate 22), and bearing his label may be viewed at the Royal Pavilion Brighton...

English Regency mahogany book case with an arched cornice, corner urn finials resting on oval floral satinwood inlaid plinths, centered satinwood in...

A Pair of Early Victorian Rosewood Side Cabinets by the esteemed firm Johnstone & Jeanes, dating back to the era of 1840. Originating in London, Johnstone & Jeanes became synonymous ...

Solomia 2 Cabinet by Ruda Studio Dimensions: D 45 x W 170 x H 75 cm. Materials: Solid wood (ash), rye straw inlay, plywood, glass and brass. Weight: 80 kg. Dimensions are customizable. Please contact us. Inspired by the wealth of Ukrainian land, RUDA Studio has created an interior object – the Solomia cabinet...

We are delighted to offer for sale this lovely hand carved Victorian Ebonised and Giltwood library bookcase Please note the delivery fee listed is just a guide, it covers within t...

A Mid-Century Modern bamboo and rattan cabinet / cupboard with a removable original Smoked glass top, Spain, circa 1970. In very good vintage condition commensurate of age.

Pair of Wall Mounted Cabinets in Rosewood, Glass and Brass by Poul Østergaard Front and sides with red profiles and brass fittings. Interior with blue...

Powder Coated Steel, Glass And Oak Wood Decorative Cabinet 5 by JSPR Designed by Jasper van Grootel. Dimensions: D 53 x W 80 x H 125 cm. Materials: Powder-coated steel, glass, and oa...

A Fine French Art Deco small bar with a drop front sunburst walnut veneered door and glass handles.

This sculptural lemon yellow metal cabinet is a fun, unique, and rare organic Modern Art Design cabinet, sculpted and signed AS - by the Italian artist, Anacleto Spazzapan (Luino, Italy - 1943). The handmade structure, consisting of hand-welded thin iron tubes, typical of Spazzapan creations, is cold painted in a happy gold canary color. The iron tubes create a 3-D Rococo design and the transparency brings this piece to life. Suitable for all types of environments, indoors and outdoors, thanks to the use of epoxy powder paint which protects the iron from rusting with a preparation base in zinc black paint. Door opening 12in H x 13.5in W Cosulich Interiors & Antiques Store Front...

Fine quality antique Victorian French boulle display cabinet having a quality rectangular shaped ebonies top with a ornate ormolu mounted frieze fantastic single brass inlaid boulle ...

vintage secretary cabinet chest of drawers 1960s Danish period 1960s design unknown Denmark condition good minor signs of use size 101 x 82 x 45 (hxbxd) details teak; gl...

The Oblong Gold Cabinet is a fusion of modern and classic elements into a highly detailed and exquisite limited edition furniture piece. The modern cabinet was specifically designed ...

Bar designed by Orfeo Quagliata in collaboration with Taracea Furniture. An object of fused glass created with the exclusive barcode technique. The Bar's simple and retro design mixe...

Materials and finishes: Lacquered fiberglass reinforced resin in black high gloss and gold leaf interior. Glass shelves and lighting. Measures: Height 162 cm Width 60 cm Depth 60 cm...

Unusual narrow Wabi Sabi glass cabinet. Originally used for storing spices. Light enough to hang on a wall. Original hard ware intact including the key...

Early 20th Century American Oak China Cabinet with Curved Glass and Claw Feet Dimensions: Width: 49" Depth: 19.25" Height: 51.75" This elegant antique china cabinet dates to the ea...

This is a 1970s Italian pencil bamboo etagere. It was finished by George Pazzano, but the maker’s mark is somewhat illegible. The shelves are glass. It is illuminated. From the floor...

Smoked Modern bar cabinet, this architectural bar cabinet fuses form and function in an intriguing mix of materials and finishes. Its linear design...

Pair of antique Victorian quality ebonised and amboyna inlaid side cabinets, having ebonised tops above an amboyna inlaid frieze single glazed door opening to reveal two glass displa...

The Milano Terrazzo 2-door bar cabinet by Ercole Home is a 2 door touch latch bar cabinet that is outfitted with two pull out drawers, four interior shelves for storage space, and a wine glass holding rack on top. Perfect for anyone who loves hosting, this piece has a exterior wood finish in a bright painted white and a terrazzo mix of glass covering...

Antique English 19th Century Walnut Two Door Glazed Cabinet C.1850 A walnut cabinet, mid-19th century, in the French style, with applied gilt brass mounts, on a shaped plinth base. ...

English Mahogany Wood & Veneer Cabinet Circa 1890 A two-part piece of furniture consisting of a base on tall, turned legs and an upper section. The base features three doors, with t...

The special tree is a tree in which two lovers write the promise of an everlasting love. The craftsmanship work in exotic roots emphasizes each volume of The Special Tree cabinet...

This exquisite original bar cabinet by Jean Pascaud (1891-1945) reflects the refined elegance of mid-20th-century French design. Crafted with a high-gloss black lacquer finish, the c...

Large French antique brass vitrine with 2 glass shelves, mirrored top and bottom as well as back. The vitrine is made by renowned Parisian manufa...

Let's bring inside some shimmering elegance! What is special about this piece, it's not only the functionality with 3 drawers and 3 doors (options for sizes) but the artistic impact with metallic hues (very difficult to photograph as they change from blue to aqua green) and the exceptional cast hardware, the choice of colors is yours! as this is a piece entirely customizable. This particular wardrobe / chest with Art...

Pair of vintage wooden cabinets entirely restored and customized with tainted mirrors and brass inlays. Italy, 1970s.

Pair of Mid-Century Modern Italian glass cabinets designed by Willy Rizzo. Smoked glass with accenting brass hardware. Please confirm location.

21st Century Art Déco Elie Saab Maison Leather Marble Essence Bar Cabinet, Italy A design element that fits seamlessly in contemporary or classical environments, the Essence High Ca...

Contemporary style Joyce sideboard made of ashwood Two central doors with Vienna straw and two side sliding doors with handmade brass handles. The top ...

An impressive and unusually tall Venetian black walnut and burled walnut secretary. The mirrored top cabinet doors opening to reveal a multi dr...

Art Deco Eliel Saarinen Sliding Glass Door Display Cabinet for Rway The hutch has 2 lower book-matched storage cabinet doors with ...

High gloss and lacquered, this stunning Etagere is a showstopper in any dining or living room space. Beveled glass doors and brown framing are illuminate the interior. Dimensions:...

Large smoked glass and chrome cabinet or vitrine by Pierre Cardin. Three doors and six compartments. Can be backlighted (optional). A spectacu...

Cylindrical cabinet that develops vertically. The vertical and geometric rigor of the external inlay in grey tones contrasts with the decoration of the interior. A small black fragme...

Fantastic large sized wall mounted cabinet with a front beaded astragal glazed front door and an elaborate Georgian arched pedimant top Making it perfect for displaying china Vintage...

Elevate your space with this striking vintage Mid-Century Modern teak cabinet by Drylund, crafted in Denmark. A two-piece masterpiece, this hutch features clean Scandinavian lines, r...

Illusion dresser mirror by Luis Pons. Dimensions: W 119 x D 53 x H 76 cm. Materials: glass, metal, wood, bronzed,hand-crafted, painted. Also available in different colors. The traditional french mirror cabinet...

Jules Leleu (1883 - 1961) : A fine French Art Deco bar cabinet with palisander and metal marquetry, and brass mounted details. Interiors in sycamore, mirror and chrome. Inlaid plaque...

A very Fine Irish Mahogany bookcase and/or collector's cabinet. Circa 1750. Provenance: Portaferry House, Northern Ireland. Portaferry house is a Georgian country house built aroun...

Bar made of wood lined with parchment, hand painted and lacquered. Inside it has a mirror decoration, glass shelves and lighting. The top tray is glass with bronze details. Designs b...