Mahogany Cabinets

Chic pair of streamline Art Moderne dressers designed by Gilbert Rohde, for Herman Miller c 1936. The dressers feature opposing right and left c...

Elegant and sophisticated drop front desk designed by Gilbert Rohde for Herman Miller as part of the much sought after Palladio series, circa 1940’s. The desk features a burl veneer ...

First year production George Nelson Steel Frame Case series cabinet. Sky blue sides and facade available with either the white steel frame/black linoleum top configuration or the b...

Voguish, chic and sophisticated storage cabinet designed by Gilbert Rohde for Herman Miller as part of the sought after Palladio series, c. 1940’s. The piece features a walnut case, with burl veneer picture frame molding that surrounds the gold and black marbleized mirrored...

For your consideration is this ESU ( Eames Storage Unit 200 ) designed by Charles and Ray Eames for Herman Miller. This is the first series with multicolored panels c 1950. Original...

Beautifully refinished mahogany vanity/coiffeuse by Gilbert Rohde for Herman Miller with original off-white "leather cloth" (Fabrikoid) top and padded drawers. Kneehole: 26" high x 22" wide x 17.5" deep See our separate listings for other pieces from this same collection. See pages from original 1941 Herman Miller catalog.

Fabulous and hard to find server/étagère cabinet by Gilbert Rohde for Herman Miller. C1930 early days of Gilbert and Herman Miller collaboration. Two drawers stacked alongside two doors with two large open shelves...

This well composed and materially stunning Art Deco Bookcase/Cabinet by Gilbert Rohde in East Indian Laurel for the Herman Miller Company- Model No. 344 originates from the United St...

For your consideration is this rare Gilbert Rohde EOG No. 17 Receptionist Desk manufactured by Herman Miller in the 1940s. The desk is in original, unrestored condition. It's compose...

Bookcase with drop-front secretary desk and storage drawers in paldao wood. Glass dividers separate storage compartments, and cork-lined back. Retains Herman Miller tag. Great origin...

Gilbert Rohde sideboard from the “Paldao” series. Features a pedestal base, pull-out cutting surfaces and four cabinets with carved nobs. In...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...