European Cabinets

19th century faux bamboo wash stand from France with the original attached mirror, framed by gorgeous faux bamboo molded framing, sitting atop a marble shelf, which is supported on m...

18th century French walnut armoire, peg construction, newer interior shelves.

Mogens Koch cabinets in oak. Executed by Rud. Rasmussen. Reverse with paper labels ‘RUD. RASMUSSENS/SNEDKERIER/KØBENHAVN/DANMARK.

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. For t...

- Item has been carefully refurbished - The mirror dimensions are: height: 125cm, width: 60cm, depth: 6cm - Quality craftsmanship work.

17th century William and Mary burr walnut cabinet on chest, circa 1690. England. Concealing two secret compartments. The Cabinet The cross-grain cornice...

An Extremely Attractive Early 19th Century, Regency Period, Simulated Rosewood Side Cabinet, Having Elegant Parcel Gilt Decoration Throughout, The One Long Drawer Over Two Upholstere...

High Storet chest of drawers in walnut and black by Nanda Vigo for Acerbis, 1994. Known for her work in visual arts, design, and architecture Nanda Vigo was a trailblazing Italian p...

Solid teak mid century Danish highboard by H.W.Klein for Bramin. Labelled at the back The quality and craftmanship is stunning. It features 2 big sliding doors, a fold down door a...

Stunning Identical Pair of French Twin Drawer Marquetry and Kingwood marble topped Bedside Lockers Nightstands of outstanding quality, last quarter of the Nineteenth Century. Each...

Bar Cabinet with Tambour Doors in Rosewood, Brass and Glass by Kurt Østervig, 1960's Additional Information: Material: Rosewood, brass and glass Style: Mid century, Scandinavian Pro...

A set of mid century modern oak chest of drawers by Bertril Fridhagen for Bodafors, circa 1960s. Designed by Bertil Fridhagen and manufactured for Bodafors in Sweden. In very good or...

A new innovative sideboard/credenza, entirely hand-crafted in Italy and completely customizable in sizes, finishes, colors and functions, part of a bespoke collection created as a ca...

Around the world, Döttling luxury safes find homes among select connoisseurs and enthusiasts of the finest locksmith artisanry. They originate from the Döttling manufactory in Sindel...

Rare Escande cabinet manufactured by Marcel Yvroud for Cité Universitaire, Antony, France circa 1954. Oak frames with sliding doors and open niche bookshelves Signature perforated bl...

Outstanding quality large antique Victorian mahogany inlaid satinwood display cabinet having a quality carved mahogany shaped top above three bevelled edge shaped mirrors and turned ...

Montana cabinet, model 1118, designed by Peter J. Lassen and finished in a grey colour. The cabinet is part of Montana's flexible storage system, which is known for its functional an...

This bookcase is presented in cherry wood and can also be made in oak. We can deliver it in 3 modules everywhere and also assemble the modules and install it directly at your plac...

A Swedish Rococo period two-part vitrine cabinet circa 1780 with bonnet top, glass doors, two drawers and additional wooden doors. Showcasing elegant craftsmanship, this exquisite two-part vitrine cabinet from the Swedish Rococo period circa 1780, is an embodiment of refined sophistication. Featuring a stately bonnet top with delicately molded accents, the cabinet lends a distinguished air to any setting. The top section houses two glass doors that reveal a subtly painted grey-blue interior, adorned with shelving for display or storage purposes. Nestled below the glass doors, the central section holds two gracefully crafted drawers...

Belgium / 1920s / filing cabinet / wood and mint site panels, cardboard boxes / mid-century / industrial / vintage design An exquisite filing cabinet in warm dark wood with 30 origi...

Great looking mid century bar cabinet with beautiful veneer wood and a chrome and wooden base. The bar cabinet consists of 2 doors and 2 drawers providing loads of storage space. V...

A Swedish Rococo painted wood display and storage cabinet from the 18th century. This antique cabinet from Sweden, which stands just over 7 feet in height, features a gracefully arch...

Ico Parisi for Fratelli Rizzi, Intimiano, cabinet or vanity, a desk from the same series referenced under cat. no, '1950.56', chestnut, mahogany, brass, mirrored glass, Italy, 1950 ...

Superb Davenport in walnut and burl walnut from England from the 19th century V ery elegant small travel desk in walnut and burl walnut which has a very elegant base The right side...

Very elegant Italian desk, writing table, with slant drop front, with the beautiful light and dark wood inlay decors in classic figures all around the piece and the amazing bronze sc...

A grand scale 18th century French Louis XV Period bibliothe`que, or bookcase, from the Loire Valley. Made of solid cherry wood with chestnut as a secondary wood and constructed in tw...

This mid-18th century cabinet is a so called 'kussenkast' or pillow cabinet. The pillow refers to the shape of the raised panels in the doors. It is a ...

A spectacular and large scale Flemish early 19th century Rosewood, Mahogany, Ebony, ivory, Tortoiseshell and ormolu specimen cabinet. The fifteen drawer one door cabinet is raised by its original base with six exceptional most decorative turned legs with topie shaped feet below block supports adorned with foliate ormolu mounts each connected by similar beautiful turned stretchers. Above each leg are additional lovely pierced foliate ormolu mounts flanking three drawers each displaying two superb ivory and Tortoiseshell inlaid plaques with intricately detailed scenes depicting hunting and soldiers below the French polished top with a delicate inlaid ivory border. The cabinet above is raised by striking richly chased ormolu claw feet grasping Rosewood balls with a fine double mottled border. At the center is a single door decorated with a beautiful brick like design with soldiers on horses within an arched gateway above inlaid hunting scenes and flanked by impressive Tortoiseshell columns with mottled ormolu plinths and capitals. The door opens to reveal a stunning inlaid checkerboard design with the three original arched mirrors below an impressive dome like design with the door is also finished on the inside with exceptional inlaid geometric designs and the striking original hardware. Flanking the door are four drawers each decorated with two stunning inlaid Tortoiseshell and ivory plaques framed within most decorative mottled wavy borders and displaying foliate ormolu keyhole escutcheons and beautiful pierced plaques and rosettes throughout. Above are three drawers decorated with exquisite etched ivory...

A cabinet in oak Gunnar Myrstrand for Källemo. Made in the 1960s in Sweden. The double doors are slightly bent. Behind there are shelves and inner drawers. Brass door pulls. Overal...

Stunning and rare Arts & Crafts wall cabinet. Striking Dutch design from the 1900s. Solid oak base with four original drawers with original patinated metal handles. Hand-carved decor...

18th Century painted baroque display cabinet in original Dutch paint.

A French painted-wood console cabinet with open cubie and faux marble top from the 19th century. This antique cabinet from France has a half-moon shaped body with a it's original fau...

This bar cabinet exudes a sophisticated allure that will add a refined accent to a modern interior. Elegant and functional, this piece is composed of four doors boasting a shiny indi...

Unique vintage industrial wooden shelf cabinet with metal drawers saved from a screw factory. This piece will add that now so modern industri...

Beautiful Renaissance two-body buffet with four doors and six drawers. On the upper part of the buffet, who hide two secrets drawers, an alternating band of three masks, represents a mythological scene: Zeus changed into a swan seduces Leda on the banks of the Eurotas. The sides of the buffet are decorated with foliage and vines. The doors cornices...

A fine, and rare, very closely-matched pair of late-17th century oyster walnut chests on stands. English, Charles II period, ca 1685. Both with f...

The Gentlemen’s Club distinguishes itself through its exclusive and singular environment. In order to achieve uniqueness, distinctive pieces are needed, and the Bowmore Bar Cabinet i...

Introducing a remarkable mid-19th century French glazed cabinet, showcasing timeless elegance and vintage charm. This exquisite piece features a ...

This is a USM Haller C2A Credenza, originally designed by Fritz Haller and Paul Schaerer in 1963. This particular example was produced by USM in Switzerland in the 2000s. The credenz...

18th Century French walnut armoire with doors strongly moulded in many curves and counter-curves. The “chapeau de gendarme” cornice richly carved f...

This listing is for a Mid-Century Danish Modern Teak Storage Cabinet. Featuring a straight line design, sliding doors on each side that reveal adjustable shelving space, a locking dr...

Cabinet 'Bridges' by Muller Van Severen, Medium, Green Dimensions: 120 x 52 x 140 cm 47,2 x 20,5 x 55,1 in Model presented: Bridges Medium size Green color 2 Legs Bridges is a co...

Antique French Cabinet Carved Oak Demeter Harvest Cornucopia Greek Goddess. Direct from France, a beautifully hand carved 19th century French “...

Very elegant Italian Art Deco Mid-Century Modern drinks dry bar cabinet in beautiful veneer walnut briar burl wood, two doors with great design shaped wooden handles. When opened, on...

The painting in light blue and dark gray is new and was designed according to antique models.

This 19th-century French buffet showcases the elegance of French Louis XIV provincial style. It features two drawers above a cabinet with two doors, adorned with metal hinges that en...

Iron cabinet from the 1960s it features a green iron construction with mesh doors, two wooden shelwes, a wooden top and two original wheels. The weight of t...

A handsome housing for your prized belongings, the Helios horizontal cabinet is masterfully crafted from Makassar ebony veneer with lacquered gloss finish. A central backlit handle i...

This outstanding cabinet is a design by Taichiro Nakai, manufactured by La Permanente Mobili in Italy around 1960. Made of high quality teak wood in a warm brown colour on a thin, t...

Stunning and elegant Art Deco Amsterdamse School cabinet. Striking Dutch design from the 1920s. Solid oak base with two original black lacquered metal knobs on the doors. Both doors ...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

This is a 1940s/50s Regency Pietra Dura style painted flame mahogany demilune cabinet. It has a nice brass gallery and single interior shelf. The beautiful painted top is in the mann...

We are delighted to offer for sale this very rare, now discontinued, Thomas Chippendale Library bookcase which is an exact authorised copy of one from Princess’s Diana’s family home, the Althorp Estate, it was part of the Living History collection, made by Theodore Alexander and retailed through Brights of Nettlebed and has touch activated top lights The Althorp estate is widely considered one of, if not the finest English country home left standing. You can see clips of the tours online, the place is an absolute marvel of English history. The estate is owned, and has been by the Spencer family’s for over 500 years, I’ll include the history below. The estate is currently in the stewardship of the Earl of Spencer, Princess Diana’s brother The bookcase itself is very fine, in flamed mahogany and has glass shelves and top spot lights which are activated by touching any one of the three right door hinges, each light has three dimness settings. The piece is fully stamped for Theodore Alexander the maker on the locks, Brights of Nettlebed for the retailer and the right drawer has what looks to be pewter, Althorp family crest inside. This bookcase breaks down into five easy to transport pieces, you have the base which is one unit, the three top bookcase sections are all separate and the top cornice is also one removable piece Condition wise this piece is exquisite, there is very little in terms of wear or use, it has been cherished since new and is a very fine piece indeed Dimensions Height:- 233cm, the brass urns on the very top can be unscrewed if ceiling height is an issue, they are 11cm tall each Width:- 167cm Depth:- 50.5cm Please note all measurements are taken at the widest point Althorp history Althorp (popularly pronounced /'??l???rp/ AWL-thorp) is a Grade I listed stately home and estate in the civil parish of Althorp, in West Northamptonshire, England of about 13,000 acres (5,300 ha). By road it is about 6 miles (9.7 km) northwest of the county town of Northampton and about 75 miles (121 km) northwest of central London, situated between the villages of Great Brington and Harlestone. It has been held by the prominent aristocratic Spencer family for more than 500 years, and has been owned by Charles Spencer, 9th Earl Spencer since 1992. It was also the home of Lady Diana Spencer (later Princess of Wales) from her parents' divorce until her marriage to Charles, Prince of Wales. Althorp is mentioned as a small hamlet in the Domesday Book as "Olletorp", and by 1377 it had become a village with a population of more than fifty people. By 1505 there were no longer any tenants living there, and in 1508, John Spencer purchased Althorp estate with the funds generated from his family's sheep-rearing business. Althorp became one of the prominent stately homes in England. The palace dates to 1688, replacing an earlier house that was once visited by Charles I. The Spencer family amassed an extensive art collection and other valuable household items. During the 18th century, the house became a major cultural hub in England, and parties were regularly held, attracting many prominent members of Great Britain's ruling class. George John, 2nd Earl Spencer, who owned Althorp between 1783 and his death in 1834, developed one of the largest private libraries in Europe at the palace, which grew to over 100,000 books by the 1830s. After falling on hard times, John Spencer, 5th Earl Spencer, known as the Red Earl, in 1892 sold much of the collection to Enriqueta Rylands, who was building the University of Manchester Library. Many of Althorp's furnishings were sold off during the twentieth century, and between 1975 and 1992 alone approximately 20% of the contents were auctioned. The house at Althorp was a "classically beautiful" red brick Tudor building, but its appearance was radically altered, starting in 1788, when the architect Henry Holland was commissioned to make extensive changes. Mathematical tiles were added to the exterior, encasing the brick, and four Corinthian pilasters were added to the front. The grand hall entrance to the house, Wootton Hall, was cited by Sir Nikolaus Pevsner as "the noblest Georgian room in the county". The Great Dining Room in the east wing extension of the house was added in 1877 to designs by John Macvicar Anderson, its walls hung with faded, red damask silk. Numerous fireplaces and furnishings were brought to Althorp from Spencer House in London during the Blitz for safekeeping and still remain. The Picture Gallery stretches for 115 feet (35 m) on the first floor of the west wing, and is one of the best remaining examples of the original Tudor oak woodwork and ambiance in the mansion. It has an extensive collection of portraits, including Anthony van Dyck's War and Peace, a John de Critz...

Swedish cabinet attributed to Oscar Nilsson, with carved wood doors. Made in 1930s. Nordic Scandinavian.

Olmo are a pair of stackable boxes with 2 different heights. They are made with different layers of MDF and plywood, what creates a light and resistant structure that allow them to s...

- The B1 H45 is the smallest member in TOLIX®'s perforated Locker family. The cube shape is perfect for small spaces like a student's room or studio...

This elegant Biedermeier display cabinet comes from Bohemia from the mid-19th century. It is made of a combination of walnut and maple wood and has undergone careful restoration. Dur...

This wooden cabinet is designed in the Boulle style. This style was very popular around the time of Napoleon III. The characteristic of this style is the use of small pieces of wood in furniture, inlaid designs with many different materials: precious wood, precious stones, enamel, ivory, seashells, metal, marble etc. In addition, to express the royal style, the "Boulle" style also uses a large amount of gilded copper on the furniture, such as tiger claw decoration, mirror border decoration, leaf decoration, etc. The main elementsof this cabinet is ebony and turtle shell, with decorative details and gilded legs. This is a pretty prominent highlight in the overall black and gold color scheme. Moreover, the head of a woman is in the middle of the cabinet with waves in her hair and grape vines could be representing the Greek goddes of spring Spring. Surrounding the head are beautiful acanthus motifs incorporated in every layer and surface of the cabinet. Symmetricallly on the left and right side of the head are two identical faces, with one being the lock of the cabinet where key goes. The four corners of the cabinet have blooming carnations to create a feeling of spring coming. The details are collaged, decorated with golden bronze leaves in a classic French style. On the edges of the cabinet are sculptures of two women wrapped around with cloth and leaves. Through it, the author highlights the beauty of the woman's status in the past. On the side panels of the cabinet is placed a gilded face of a man with wings...