Veneer Cabinets

Very nice smaller scale teak credenza or storage cabinet, sliding doors with adjustable shelf. Professionally restored with new bottom and back panel with salsa colored red shelf.

Elegant straight-lined, Art Deco period Vitrine or Showcase with three sides glass from France about 1925. Rosewood / Palisander veneered on the in- and outside. Base in maple soli...

Unique Mid-Century nightstand 1930s Art Deco Gio Ponti atributable, by La Permanente Mobili Cantù, in walnut and burr walnut the flat surfaces Measure cm: H 65, W 51, D 34.

Custom and well-crafted modular sliding-door cabinet produced by Eric R.E. Schuster of the Art and Trade Shop of New York City in the early 1940s. Stylistically related to case goods...

Two bodies furniture; lower part with swing doors, upper part with swing doors and showcase with sliding doors; ebony stained and veneered wood, fluting...

Phenomenal Art Deco commode or buffet from the period around 1925 in France. Amazing bookmatched burr walnut on the front was set in a very impressive manner and gives this fantastic...

Impressive Art Deco cabinet in the manner of Otto Prutscher of Wiener Werkstätte with 2 sidedoors and a central display case with a transparent glass door showing discreet pattern of...

Midcentury sideboard-cabinet, catalogue No. U-450, designed by Jiri Jiroutek. It´s made of beechwood, veneer, plywood and laminate. In excellent condition, fully refurbished. Dark st...

Appealing mahogany wall cabinet from the Art Nouveau period in Austria, circa 1910. Made with finest mahogany veneer, this small wall-mounted cabinet offers two doors with beautiful ...

Louis XV French style reproduction bombe curio cabinet vitrine with bronze ormolu. Item features figural bronze ormolu, upholstered interior, bombe form, f...

Made in France, 20th century. Artist or manufacturer unknown. A glossy finish makes this a standout cabinetry piece as a buffet or bedroom furniture addition, or even a bar add-on.

Midcentury sideboard-cabinet, catalogue No. U-450, designed by Jiri Jiroutek. It´s made of beechwood, veneer, plywood and laminate. In excellent condition, fully refurbished. Dark st...

Danish Mid-Century Modern Teak cabinet by Illum Wikkelsø for Soren Willadsen This cabinet was designed by Illum Wikkelsø and produced by Danish company Soren Willadsen in the 1950s....

Designed before the age of closets, this cabinet, crafted of birch, ash and fir and primarily veneered in golden ash, was fitted to hold most of the wardrobe of its owner. Six large,...

A very fine French 19th century Louis XV style mahogany, kingwood and stainwood ormolu-mounted marquetry two-door Meuble D'Appui attributed to either Joseph-Emmanuel Zwiener or Zwien...

Mesmerizing Art Nouveau cabinet or buffet by August Ungethüm from Austria, circa 1900. Designed and produced by the famous art furniture factory of A. ...

Attractive Italian Rococo style walnut veneer secretary cabinet, early 20th century. The top part of the cabinet over slant-front desk with w...

Vintage Maitland-Smith chest. This wonderful small chest features an all-over chunky geometric horn veneer, two-drawer fronts that are clad in brass along its edges and brass handle ...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

Plywood black polished veneer on solid softwood. High-corpuscular body. In the articulated front is a wide door with a bronze plate, with a scene of a musical lady and a dancing nymp...

A very fine French Belle Époque 19th century tulipwood and gilt bronze-mounted Vernis Martin decorated Vitrine by Louis Majorelle (French, 1859-1926). The single door case with a hand-painted board depicting a garden courting scene surmounted with ormolu wreaths and a banded frame. The top with a pierced gilt bronze gallery above an ormolu royal tassel trim flanked by a pair of female masks above crossed torches and flames, cross flutes, a tambourine, a pan flute, ribbons and a tassel. Raised of four cabriolet legs with corner ormolu wreaths and leaves ending with hooves, Paris, circa 1990. The back bears the original Majorelle label that reads: "Louis Majorelle, Fabrique a Nancy, 3 Rue Girardel. Depot. 56 Rue de Paradis, Paris." Louis-Jean-Sylvestre Majorelle, usually known simply as Louis Majorelle, (26 September 1859 – 15 January 1926) was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles...

Magnificent Art Deco Designer Sideboard of best quality and workmanship from Paris around 1925. Very special big concave fluted and cambered convex doors, which can be folded out wi...

This is a one-off piece, made especially for Luigi Sormani, manufacturer of the renowned "Centro" bookshelf by designer Claudio Salocchi, a true design-hit of the '60s and '70s and a collector's item. This rotating high bookshelf...

Italian circa 1930s Art Deco nightstand, Consorzio Esposizione Mobili Cantu, Gio Ponti attributed, in blond walnut and turned beech, polish...

Light and dark rosewood on softwood. High-right two-door corpus, flanked by three open shelves on a slightly rising floor plate. Beautiful patina, hand polished with shellac.

This is design by Roger Landault in the 1960's; It is truly unique cabinet that opens on the left side to an area that can be used as a vanity or bar area, depending on where you pla...

A two-piece cabinet that is composed of a base on high, bent legs, and a setting. The base is three-door, and is lower in the central part. The door panels are glazed. The inside hi...

A fine French 19th-20th century Louis XV style Kingwood and ormolu-mounted single-door Vitrine, the demilune shaped cabinet with and arched bonnet, molded trim above a bombé glazed d...

A superb quality French 19th-20th century Louis XV style ormolu-mounted kingwood, satinwood and satine single door figural vitrine by the renown Parisian master craftsman and cabinet...

Pair of early 20th century Venetian Baroque nighstands in massive gilt hand-carved walnut, black laquered. Gilt bronze handle. Restored and polished to wax. Measure cm: H 64 x W 6...

Italian very elegant Art Deco dry bar cabinet by La Permanente Mobili Cantù , attributed to Paolo Buffa in mahogany, burl elm applied on doors, mirror internal, lacquered glass on th...

1940s cabinet from Lissone - Milano, Gio Ponti manner with walnut veneer, solid maple, door of the closed in veneered bird's-eye maple. Closed compartment with sliding glass embellis...

Handsome, two-door, burl veneered cabinet surmounted by a single drawer above. The face is framed by ebonized, parcel gilt pillars and features str...

Early 20th century Venetian Serpentin buffet cabinet in walnut hand-carved, walnut veneer with light wood threaded inlays. Period Art Nouveau, 1910s. Measure in cm.: H 94 x W 87 x D...

1970 storage cabinet in rosewood veneer and chrome.

Maurice Alet, ( 1874-1967 ), desk, bookcase and armchair in veneer ebony macassar and lacquered wood. Marquetry monogram on the top of the desk. Pivoting armchair...

This is a rare example of Tommi Parzinger's work using fine veneers. This cabinet has absolutely stunning book matched veneers of Curley Maple inset with Mahogany inlays. Perfect fro...

Mobile credenza ad ante battenti e cassetti a vista, progettato da Michelucci nel 1964; legno impiallacciato noce. Buone condizioni originali.

Gorgeous Danish Modern teak buffet with hutch. Curved top contrasted by bow front bottom. Featuring adjustable glass shelves at the top. Adj...

Mobile ad ante battenti in legno impiallacciato frassino.

Mobile ad ante battenti in legno impiallacciato frassino.

A vintage mahogany Art Deco style compactum / compact wardrobe Inside is fitted out with a rail and shelves  

This cabinet was produced in Czechoslovakia in the 1960’s. Originally it was designed as a music cabinet to house a record player within the top right section of the piece, with reco...

Two identical cabinets produced in Denmark. They both have a rosewood veneer body. In good condition with some small using marks as shown in the pictures. Can be sold separately. H...

Oak series book cabinet model ‘BE05’ designed by Cees Braakman for UMS Pastoe in the 1950s. This cabinet is veneered in oak and has thick solid oak edges and feet. The door handle i...

Floating night stand, designed by Cees Braakman and produced by Pastoe in the Netherlands around 1960. This item is from his famous Japanese series. A t...

Quest' elegante sideboard risalente all'anno 1960 del designer Edmondo Palutari, è realizzata da una struttura in palissandro massiccio e impiallacciato. La sideboard è interamente r...

Danish teak buffet with hutch. Very nice condition. Featuring adjustable glass shelves at the top. Adjustable wood shelves at the bottomand two clean drawers with green baize. The...

Mobile componibile ad ante battenti e cassetti a vista in legno impiallacciato noce, vetro fumé e lamina in alluminio cromato.

Burl wood sideboard/console table. This beautiful piece is built with materials such as burl wood veneer and black lacquered wood. 1980s - France.

Midcentury sideboard-cabinet with sliding doors, catalogue No. U-452, designed by Jiri Jiroutek. It's made of beechwood, veneer, plywood and laminate. In excellent condition, fully r...

Cabinet with containers with hinged and flap doors; carved wood and mahogany veneer, brass tips.

Vintage French Empire 19th century style wonderful mahogany and fabulous black seashell marble top credenza cabinet, in the manner of Georg...

Handsome vintage modern Campaign style oak Gentleman’s chest by Founders Furniture. Comprised of book matched oak veneer, six drawers and two double doors with brass toned hardware, and brass plated beading detail. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, 1970-1980’s. Just what the Gentleman ordered!!! Although, it is suitable for a lady as well!! This Founders Furniture tall Gentleman’s chest is comprised of gorgeous book matched oak veneer and features six full width drawers and two double opening doors, one drawer above the doors and five below. Each drawer is fitted with unique campaign style brass toned inset handles with brass plated beading around each drawer opening. And the doors have a picture framed border with mitered corners and are inlaid with brass plated beading. It’s a lovely detail! This modern beauty has ample storage for linens...

This rare and breathtaking Mid-Century Modern Italian design credenza in glamorous Hollywood Regency style is attributable to the famous photographer and designer Willy Rizzo for Mar...

Large H.P. Hansen Sideboard in teak veneer for IMHA from Denmark 1960s. This sideboard has an impressive size and is very functional. It has two sliding doors and four drawers. It ha...

A fine diminutive two section Adam style bookcase or china cabinet, its upper section featuring a foliate carved gilt crest, four urn form finials, and hand painted Classical frieze ...