Art Deco Walnut Dressing Table Attributed to Serge Chermayeff

A Stylish French Late Art Deco / Mid-Century Modern commode, dresser or chest of drawers attributed to Rene Drouet, France, circa 1940-1950. This cabinet is outfitted with warm, matc...

A Louis XV style gilt bronze mounted mahogany Coiffeuse attributed to François Linke. French, circa 1910. François Linke (1855 - 1946) was the most important Parisian cabinet...

Nice Art Deco drawer made in Sweden in the late 1920s. It’s attributed to famous designer and architect Carl Malmsten. It made in stained birch with ...

In birch and mahogany veneered with six drawers and brass handles. Available also the finely carved mirror. Measures: Width 155 cm, height cm 88, depth cm.55 Mirror cm 130 x 90. ...

In birch and mahogany veneered with six drawers and brass handles. Available also the finely carved mirror. Measures: Width 155 cm, height cm 88, depth cm.55 Mirror cm 130 x 90. ...

Empire Style Walnut Dressing Table Empire style dressing table in burl walnut with 2 drawers. Venetian glass pulls. The flap reveals a large origina...

For those with a more refined taste in quality we are pleased to be able to offer you this Sycamore Art Deco dressing table attributed to Betty Joel. Beauti...

Art Nouveau dressing table. Source: Czechia (Czechoslovakia) Material: Cherry-tree Period: 1910-1919 Completely restored.

Art Deco freestanding vintage commodes, chest or desk from oak, walnut and brass attributed to Josef Frank circa 1927 Vienna. An extraordinary chest, commodes or desk attributed to Josef Frank circa 1927 Vienna from oak and walnut inlays with maples at the top. With four ( 4 ) beautiful brass handles, very similar handles by Josef Frank for Theodor Kalmar...

Majestic and elegant chest of drawers attributed Osvaldo Borsani designer, produced in the Varedo Atelier , original in every part, with bakelite handles, 1930s Art Deco chest of drawers, commode , in burl walnut with mirror, polished to wax. Excellent condition. Measures cm: D 53, W 120, H 100. mirror cm: W 90 H 75. About Osvaldo Borsani Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936. In 1933, two years before graduating as an architect, Borsani designed the Casa Minima project for the V Triennale di Milano (Milan Triennial), along with architects Cairoli and Varisco. This project earned him a silver medal for its Rationalist code and geometries, and he received positive reviews from the critic Edoardo Persico of Casabella magazine. Villa Borsani And Other Prominent Architectural Work In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials. Villa Borsani designed by Osvaldo Borsani. Varedo, Italy Villa Borsani. Varedo, Italy In 1943, Osvaldo designed and built his own house, the Villa Borsani, in Varedo, which, despite being conceptualized under strict Rationalist principles, incorporated objects and art of younger artists that communicate a freer approach to the human expression. The Villa Borsani project involved artists such as Adriano Spilimbergo, Fausto Melotti, Lucio Fontana (who made the ceramic fireplace and the ceramic Madonna), and Agenore Fabbri (who made the bronze statue in the staircase). To this day, Villa Borsani has been preserved with most of its original furniture and it remains with Osvaldo Borsani’s family along with the extensive archives of his work. Osvaldo Borsani As a Successful Product and Furniture Designer After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal balcony for the Tecno company in 1956. Osvaldo Borsani’s design work, just as his larger architectural projects, which he also considered design work, very often incorporated elements created by other artists and designers such as: Roberto Crippa, Arnaldo and Giò Pomodoro, Agenore Fabbri, Fausto Melotti, Andrea Cascella...