Baltic Commode, Circa 1800

This pair of Italian Neo-Classical console tables were carved, painted battleship-grey, gilded, and topped with slabs of Carrara marble. Each has a carved cartouche — one with a pair...

This Boiceau desk bears his stamp, and was entirely veneered in amboyna, an exotic burlwood named for Ambon, the Indonesian island where it was harvested. The naturally squiggling patterning of the veneer provides an overall surface decoration. The top alone has no fewer than 60 small book-matched squares of it – ten across and six deep – creating a kaleidoscopic effect in subtle monochrome. Applied decoration is minimal. It consists of two inlaid pairs of griffins in boxwood and purplewood facing off across braziers on both the front and the back of the desk, and blind-tooled Greek keys trimming white-leather-topped shelves that slide out to either side. These decorations introduce no color, and, in lying flush with the surface, leave the sleek form undisturbed. Boiceau even eliminated drawer pulls, necessitating a lock and key for each drawer. Born in Lausanne in 1881, Boiceau descended from French Huguenots who had settled in Switzerland. Prominent as bankers, lawyers, businessmen, and diplomats, the Boiceaus were a cosmopolitan family. Ernest studied painting in Munich, and then painting and architecture in Paris at the École des Beaux-Arts. In 1900 he embarked on a ten-year European sojourn, painting landscapes and portraits along the way. In 1910 he resettled in Paris, became interested in textiles, and established an embroidery workshop that catered to the stage and haute couture. Among his clients were the Folies Bergères, the Comédie-Française, and the Paris Opéra, and the fashion houses of Worth and Molyneux. He also made embroidered table linens, wall hangings, and upholstery fabrics. In a 1913, at an embroidery exhibition in Paris at the Musée Galliera, he presented a boudoir in collaboration with curtains, upholstery fabrics, and a tapestry, embroidered in modern abstract designs. In 1925 he launched a couture line, and branched out to design finely crafted objects and furniture made in rare woods, like ebony and Tasmanian oak...

An 18th century chaise percée, from the bathroom of Baron Max Fould-Springer, Palais Abbatial de Royaumont and by descent his sister Baroness Elie (Lilia...

This table’s bold, graphic, and geometrical marquetry in satinwood and rosewood recalls the paintings of Bridget Riley and other 1960s Op Art artists. The patterning even extends to...

This gorgeous Neoclassical Chest of Drawers dates back to around 1800 and originates in Germany. The five drawer chest has a beautiful walnut veneer grain and stands on lions claw feet. It is decorated with its original brass fittings. The drawers are framed with brass ribbons, the upper most drawers are decorated with an exquisite brass acanthus decor. The brass escutcheons consist of two interlacing dolphins and rose vines decorate the brass handles. The unique Chest of drawers...

This stately Baltic chest of drawers features the hallmarks of Neoclassical design. The chest is crafted from rich mahogany and features a polished black marble top with white veinin...

This elegant Neoclassical chest of drawers comes from Germany and dates back to around 1780-1800. It stands out for its beautiful variations of walnut veneer grains. The top of the ...

The early 19th century Walnut Italian Neo-Classical Commode is a vintage piece of furniture that exudes elegance and sophistication. This commode features a beautiful inlaid pattern ...