Baltic Commode, Circa 1800

This large and dramatic blown and cast-glass candlestick, with a blue-and-white spiral in its stem, was most likely made in England around 1800. It comes from the collection of the legendary aesthete Baron Max Fould-Springer, who lived at the Palais de Royaumont outside Paris, which on his death was inherited by his sister Liliane, Baroness de Rothschild...

Our table was made of birch, solid and veneered, stained a rich brown, and topped off with a slab of Bohemian breccia marble. We date it to around 1928, and attribute the design to Fritz August Breuhaus de Groot, who coined the term Kultivierte Sachlichkeit (Cultured Objectivity) to describe his work, and distinguish it from the Neue Sachlichkeit (New Objectivity) practiced by his contemporaries Walter Gropius, Mies van der Rohe, and Lily Reich. The table bears a passing resemblance to a considerably simplified, marble-topped ovoid one that he designed for his 1934 Berlin living room. Breuhaus was a man on the make. The first of his three marriages was to the daughter of an industrialist, who financed the building of luxury villas and workers’ housing designed by his son-in-law. In 1929, Breuhaus, the son of a dentist, added “de Groot” to his name, falsely linking himself to a distinguished family of painters. By then, he’d been fudging his academic record for years. That didn’t prevent a teaching appointment at the State University of Bavaria, which allowed him to add the prestigious “Herr Professor” prefix to his name. Yet he never followed through on the teaching — he was far too busy designing more luxury villas (commissions he accepted only if he could furnish them as well), and products for his own company, which included furniture, textiles, wallpapers, lighting, and fine silver. In addition to designing aircraft interiors for Lufthansa, and pullman railroad...

From the 1890s until his death in 1914, John Bradstreet, the important American Arts and Crafts furniture and interior designer, worked from The Crafts House, his landscaped orientalist compound in Downtown Minneapolis. There, he also received his clients, and dealt in Asian art acquired on frequent trips to the Far East. He used similar bronze Japanese lotuses...

The unknown sculptor of this fine, gilded-mahogany pelican appears to have been influenced by the turn-of-the-century Symbolist movement in Europe. The breast feathers are subtly car...

Chic, canted corner, three-drawer, walnut and pearwood commode from Modena, Italy. Striking parquetry surrounds the piece three quarters.

Antique French Provincial Commode Circa 1800

The rectangular inlaid top above five drawers raised on square tapered legs

This Louis XVI-style chest of drawers is crafted in solid walnut, combining timeless elegance with meticulous craftsmanship. Featuring five drawers in three rows, the fronts are ador...