Tulipwood Commodes and Chests of Drawers

A fine quality antique French Louis XV style marble top & ormolu mounted tulipwood & kingwood bombe shape commode chest, circa 1900. The serpentine shaped top having the original var...

Primarily of tulipwood and kingwood with heavy gilded drawer mounts . Sturdy . Presents very well . The drawers reflecting the fabled tulip by the gilt rosettes. The veneers laid in...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...

A Rare Louis XV Ormolu-Mounted Tulipwood and Chinese Lacquer cabinet, c. 1750 (Regence Period) A truly magnificent, monumental, and one of a kind cabinet, painted throughout with gi...

A fine matched pair of French 19th-20th century Louis XV style gilt bronze-mounted (Ormolu) tulipwood, kingwood and satinwood floral marquetry Bombé his and her's commodes with marbl...

A French 19th/20th Century Louis XV Style Gilt-Bronze Mounted Kingwood, Amaranth, Satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bombé serpentine...

A Very Fine and Impressive French 19th century Louis XV style gilt bronze-mounted tulipwood, kingwood and fruitwood marquetry bombé two-drawer commode with marble top, by Maison Boud...

A fine French 19th-20th century Louis XV style gilt bronze-mounted kingwood, amaranth, satinwood and Tulipwood Bois Satiné and Bois de Bout Floral Marquetry Two-Drawer Commode of bom...

A very fine and impressive pair of French 19th century Louis xv style gilt bronze-mounted kingwood, satinwood and tulipwood floral marquetry two-drawer bombé commodes attributed to François Linke, index number 1810, Paris, late 19th-early 20th century with a brêche d'alep marble top. Unsigned and unmarked, circa Paris, 1890-1900. François Linke (d. 1946) was awarded the gold medal for his Grand Bureau...

19th century Louis XV style marble top, serpentine and bombay form chest. Marquetry commode with bronze ormolu mounts. Features 2 drawers.

This is a charming late 19th Century Louis XVI style tulipwood commode with an ochre yellow marble top above an inlaid frieze drawer situated over two long drawers, raised on square ...

A very fine French 19th century finely chased ormolu-mounted kingwood, tulipwood, and satinwood marquetry and parquetry commode with original Breche Violette marble-top. With three l...

18th Century French Transitional XV/XVI Commode in Tulipwood/Kingwood with Marble Top and Ormolu Mounts

A Louis XVI (Possibly Transitional LXV/LXVI) commode, French in origin and dating from the 1780s. The marble top a beautiful blend known as "Rouge Lanquedoc". The body composed of Ki...

A fine quality Louis XV - XVI Transition style breakfront chest of drawers Exquisitely hand-crafted in Genova, Italy in the mid-20th century, the important Mediterranean port city ...

A pair of French Louis XV style "Semainier" tall chest commodes with a Brêche d'Alep marble top. The slender walnut and tulipwood body, each fitted with seven drawers with gilt bronz...

French Louis XV-XVI transitional period commode with lovely marquetry in satinwood, rosewood and tulipwood, Gris Sainte Anne marble top and three drawers. The commode features a cent...

Two Drawer Chest of Drawers. Modern design two drawer chest with simple lines, matching 'Stripey' Walnut Grained tops, Two finely Beaded drawers resting on slender tapering legs. Mad...

A fine and large French late 19th century Louis XVI style mahogany, kingwood bandings and fruitwood marquetry armorial commode with Sycamore Marquetry...

A very good pair of French marble topped bedside chests of drawers, serpentine shaped with marquetry panels, ormolu handles and mounts, in excellent overall condition. 30" high 18" ...

An exquisite French antique chest showcasing a breakfront design, featuring its original Marquina Marble top elegantly positioned above three drawers. The superb craftsmanship of the...

An Absolutely gorgeous late 19th Century Lombard Italian Rococo style Marquetry Kingwood, Tulipwood and Satinwood Bombé Commode in great antique condition. Three drawers with Frenc...

An Important 19th Century French Ormolu-Mounted Mahogany, Tulipwood and Amboyna Commode by François Linke The villefranche de conflet marble top above a frieze set with three drawer...

A very fine pair of French Napoleon III figural ormolu and porcelain (probably Sevres) mounted tulipwood Meuble A Hauteur D'Appui. The rectangular shaped body fitted with a white mar...

A very fine Period French Louis XVI Commode signed T.C. Oak and Walnut construction in the case and drawers. There are three upper drawers over two lower drawers. Heavy use of flowi...

This outstanding Italian Baroque style commode is crafted in fine tulipwood and finished in a beautiful white-wash patina that enhances its timeless character. Featuring three spacio...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

An outstanding figured satinwood, tulipwood inlaid and mahogany, serpentine chest of four long drawers. The top with line and chequered line inlay, and wide banding of tulipwood, abo...

A very fine French 19th century finely chased ormolu-mounted Regence style kingwood, tulipwood and satinwood marquetry and parquetry commode with brêche d' alep marble-top. The serpe...

A Very Fine French Napoleon III Figural Ormolu and Porcelain (Probably Sevres) Mounted Tulipwood Meuble A Hauteur D'Appui, by Mathieu Befort, dit Befort Jeune. The rectangular shaped...

18th century Louis XVI marquetry commode or chest of drawers with tulipwood inlay veneer and oak and pine as secondary wood.

A fine French 19th-20th century Louis XV style gilt bronze mounted satinwood and tulipwood Bois Satiné and Bois de Bout floral Marquetry two-drawer commode of bombé serpentine form, ...

A fine French 19th-20th century Louis XV style gilt-bronze mounted tulipwood chinoiserie marquetry two-drawer bombé commode with a veined rouge royal marble top. The serpentine shape...

Continental antique Louis XV style parquetry inlaid bombe marble top commode, 19th century.

A fine 19th century Louis XV style gilt-bronze mounted kingwood and tulipwood floral marquetry Bombé two-drawer commode with a Royal veined yellow marble top. The serpentine body wit...

A very fine French, 19th century Louis XVI style ormolu-mounted mahogany and tulip wood commode with a brèche violette marble top, after the model by Jean-Henri Riesener (1734-1806)....

A fine 18th century French Louis XVI marquetry commode, expertly crafted by master ébéniste Jean-Baptiste Lependu from solid oak secondary wood with tulipwood, kingwood and satinwood...

Stamped Stumpff and Ohneberg. The shaped, eared breccia marble top above two drawers with satinwood geometrical frieze and three panels inlaid sans traverse with musical trophies, above a shaped apron with a lion-mask mount, flanked by canted corners, the sides inlaid with a vase, on cabriole legs and scroll feet, stamped once 'J.STUMPFF' and 'JME' and once 'M. OHNEBERG'. Jean Chrysostome Stumpff, maître in 1766. Martin Ohneberg...

Rouge marble top commode/chest of drawers having three drawers. Intricate floral marquetry inlay in Satinwood and tulipwood. Bronze mounts on front corner and at center bottom. Sabo...

A sensational and most impressive pair of Italian 18th century Louis XVI st. Tulipwood and Kingwood commodes. Each highly detailed three drawer rectangular commode is raised on four ...

This is an impressive 18th century Louis XV Tulipwood and Kingwood commode with a rouge variegated marble top over three long graduated drawers and overall embellished with ornate gi...

20th century Louis XV French Commode style after Francois Linke Parketterie from Royal Woods on solid beechwood. Imposing Espagnoette style of Ch...

A fine French Louis XV style tulipwood floral marquetry and gilt bronze mounted two drawer bombé petit commode. The serpentine shaped commode with two front drawers, each with a pair...

A sensational and extremely high quality French 19th century Louis XV st. Tulipwood, Kingwood, Ormolu and Breche D'Alep marble commode, signed F. Durand. This stunning two drawer San...

With a thick serpentine breche de alep marble top over a conforming case with two conforming drawers with bronze handles raised on cabriole legs with sabot feet. From a Bellevue Avenue Newport Rhode Island estate.

18th-Century Austrian Baroque Chest of Drawers, Circa 1760 Period: Baroque Great Colour and Patina Date: Circa 1760 Material: Fruitwood and Walnut Condition: Original inlays have bee...

A fine 19th century harewood and diamond lattice-work serpentine commode in the mid-18th century style, having tulipwood crossbanded top with inset oval satinwood floral marquetry in...

A very handsome Italian 18th century Louis XVI period walnut and tulipwood marquetry commode, in the manner of Maggiolini. The three drawer chest is raised on four square tapered leg...

A fine diminutive Louis XV three-drawer commode with Breche d’Alep marble conforming top in shades of pink and grey with molded edge and notched corners, surmounting a case with two ...

The bombe shape is graceful and the tulipwood that was Used makes this piece especially desirable. The white Marble top has light gray veining running throughout the Surface. A light...

A mid-18th century George III period well figured mahogany serpentine chest, having tulipwood cross banded and boxwood line inlaid canted cornered top, above four graduated cockbeade...

Antique French Acajou and Tulipwood Gilt Bronze Mounted Marble Top Commode in the Style of Paul-Charles Sormani An exceptional antique French Acajou and Tulipwood gilt bronze mounte...

An outstanding gilt bronze-mounted tulipwood, kingwood and sycamore parquetry breakfronted breche violet marble topped commode, in French Transitional style dating to the late 19th-e...

18th Century French Small Louis XV Marquetry Side Table or Table Chiffonnière A small Louis XV transition period side table or commode, a so-called "table chiffonière" with a recta...

A very good pair of French marquetry three drawer bedside lamp chest of drawers, with ormolu mounts and handles, in excellent condition throughout. 28.5" high 14.5" wide 12" depth ...

A stunning Louis XV style gilt bronze mounted commode crafted in kingwood, tulipwood, and bois de bout marquetry from the late 19th century. This exquisite piece showcases the elegan...

20th Century Louis XV style tulipwood french commode. Real marble top and bronze fittings. shadowed precious woods, veneered.

A fine Louis XV two-drawer commode with Breche d’Alep marble conforming top in shades of pink and grey with molded edge and notched corners, all with rosewood and tulipwood crossband...

An elegant and most decorative Italian 19th century Louis XVI st. Kingwood, Tulipwood, Ormolu and Sienna marble commode. This stunning three drawer chest is raised on four square tap...

An exquisite 19th century Rococo secretary in mahogany with bombe front & sides, with floral & foliate inlays in tulipwood, kingwood & satinwood on the top, front panels of the drawe...