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Vintage Burl Wood and Calacatta Marble Credenza by Milo Baughman

$13,500

About

Beautiful vintage burl wood and chrome credenza by Milo Baughman for Thayer Coggin in the United States, circa 1970s. This exceptional credenza stands out for its fine finishes, showing elegant and detailed figures in each of its angles. A completely smooth design with a unique grain reflected throughout the cabinet further enhances this credenza’s beauty. Features four doors; the left side doors, when open, shows a wide adjustable shelf, while the right-side doors reveal two pull-out drawers complemented with fixed dividers ideal for storing various objects. The credenza sits on a chrome architectural base. The base design gives the illusion that the cabinet is floating mid-air, offering a unique view. In the upper part, it has a gorgeous Calacatta marble top in which we can appreciate the quality of the stone through the grains of the marble, which in turn dramatically complements the design of the credenza. The ample storage space it offers, as well as the design, will work with any interior décor and will be a great addition to your home.

Details

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  • Shipping

    Ships From: Burbank, CA
  • Return Policy

    A return for this item may be initiated within 2 days of delivery.

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About the Designer

Milo Baughman

Milo Baughman was one of the most agile and adept modern American furniture designers of the late 20th century. A prolific lecturer and writer on the benefits of good design — he taught for years at Brigham Young University — Baughman (whose often-scrambled surname is pronounced BAWF-man) focused almost exclusively on residential furnishings, such as chairs, sofas and benches. He had a particular talent for lounge chairs, perhaps the most sociable piece of furniture.

Like his fellow adoptive Californians Charles and Ray Eames, Baughman’s furniture has a relaxed and breezy air. He was famously opposed to ostentatious and idiosyncratic designs that were made to excite attention. While many of his chair designs are enlivened by such effects as tufted upholstery, Baughman tended to let his materials carry the aesthetic weight, most often relying on seating and table frames made of sturdy and sleek flat-bar chromed metal, and chairs, tables and cabinets finished with highly-figured wood veneers.

Like his colleagues Karl Springer and the multifarious Pierre Cardin, Baughman’s designs are emblematic of the 1970s: sleek, sure and scintillating.

As you will see from the furniture presented on 1stDibs, Milo Baughman’s designs for the likes of Drexel Furniture, Glenn of California and — for five decades — Thayer Coggin are ably employed as either the heart of a décor or its focal point.

About the Seller
5.0
Located in Burbank, CA
Platinum Seller
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