Macassar and Bronze Desk Attributed to Marc Du plantier

Very rare 18th century Italian neoclassical desk attributed to the workshop of Giuseppe Maggiolini. The piece is composed of extensive inlay ...

George III Period Mahogany Desk two drawer resting on on square tapered legs castors and the top inset with gold-tooled red leather. England: circa 1790

A fine and Important Louis XV style Bureau plat attributed to François Linke (1855-1946) after a model by Jean François Oeben. Typical of the work by François Linke, this desk featur...

Elegant Art Deco Period inlaid walnut buffet by Jules Leleu inset with gilded bronze hoof feet

DOMIN André (1883-1962) and GENEVRIERE Marcel (1885-1967) for Maison DOMINIQUE Magnificent flat desk in presidential format in thuja burl veneer designed by André DOMIN and Marcel G...

This Boiceau desk bears his stamp, and was entirely veneered in amboyna, an exotic burlwood named for Ambon, the Indonesian island where it was harvested. The naturally squiggling patterning of the veneer provides an overall surface decoration. The top alone has no fewer than 60 small book-matched squares of it – ten across and six deep – creating a kaleidoscopic effect in subtle monochrome. Applied decoration is minimal. It consists of two inlaid pairs of griffins in boxwood and purplewood facing off across braziers on both the front and the back of the desk, and blind-tooled Greek keys trimming white-leather-topped shelves that slide out to either side. These decorations introduce no color, and, in lying flush with the surface, leave the sleek form undisturbed. Boiceau even eliminated drawer pulls, necessitating a lock and key for each drawer. Born in Lausanne in 1881, Boiceau descended from French Huguenots who had settled in Switzerland. Prominent as bankers, lawyers, businessmen, and diplomats, the Boiceaus were a cosmopolitan family. Ernest studied painting in Munich, and then painting and architecture in Paris at the École des Beaux-Arts. In 1900 he embarked on a ten-year European sojourn, painting landscapes and portraits along the way. In 1910 he resettled in Paris, became interested in textiles, and established an embroidery workshop that catered to the stage and haute couture. Among his clients were the Folies Bergères, the Comédie-Française, and the Paris Opéra, and the fashion houses of Worth and Molyneux. He also made embroidered table linens, wall hangings, and upholstery fabrics. In a 1913, at an embroidery exhibition in Paris at the Musée Galliera, he presented a boudoir in collaboration with curtains, upholstery fabrics, and a tapestry, embroidered in modern abstract designs. In 1925 he launched a couture line, and branched out to design finely crafted objects and furniture made in rare woods, like ebony and Tasmanian oak...

Art Deco Desk by Dufrene Maurice (1876 - 1955)

Small desk with fluting Walnut, shellac hand polished Early Art Deco, France around 1925 Dimensions: Width: 90 cm height: 72 cm Depth: 55 cm.