Macassar Ebony Desk by Margareta Köhler

Armchair by Uno Åhrén ca. 1930s Mohair velvet, stained wood feet. Designed ca. 1930 by Uno Åhrén. Produced by Firma Svenskt Tenn. Uno Åhrén (1897...

"Record" cabinet by Axel Einar Hjorth. ca. 1932 Flamed birch, Macassar border. Nickel feet. Marked with metal tag “NK R 36914 C 22 11 35”. Designed by Axel Einar Hjorth i...

"Borgen" Easy chair by Axel Einar Hjorth c. 1929. Upholstery, lacquered wood. NK manufacturers metal label ‘NK R 34433 – C 25648’. Designed by Axel Einar Hjorth for the S...

"Vilstol 36" lounge chair by Bruno Mathsson. ca. 1936. Laminated beech, bleached linen webbing. Replaced webbing. Manufacture label dated 1939. Designed by Bruno Mathsson in 1936, produced by Firma Karl Mathsson. One of the earliest commercial designs of Bruno Mathsson. Literature: Hedqvist, Hedvig, Bruno Mathsson, Orosdi-Back, Stockholm, 2014, p. 50, 72 Bruno Mathsson (1907-1988) is one of Swedens most internationally recognised designers. He made a breakthrough with his first exhibition held at Röhsska Konstslöjdmuseet in Gothenburg in 1936. He continued to gain attention at the Paris Expo...

c. 1929 Leather upholstery, Macassar Ebony. Designed by Lars W. Schlyter for Slöjdföreningens School in Gothenburg, Sweden for the Stockholm Exhibition 1930. H 90 cm/35,4 in...

A Macassar ebony and rosewood desk with adjustable lamp, attached waste bin, and hardware detail in solid polished nickel. This museum-quality reproduction of Ruhlmann’s original 193...

Jacques Émile Ruhlmann attributed French work finely crafted Art Deco Macassar ebony desk table, with a vellum covered grooming surface above two corner pivoting oak lined hinged dra...

This unique architect's desk was designed by Frits Spanjaard in 1932. With its generous proportions, striking asymmetry, contrasting woods and the large knobs in solid Macassar ebony, the desk can be considered as an important example of the Haagse School (The Hague School) style. The desk has four large drawers on the right, which can be simultaneously locked with a single key. The interior on the left features six drawers and additional storage, and can be locked altogether as well. Particularly noteworthy are the four cleverly incorporated pull-out shelves of different dimensions creating additional space: two on the front, one on the right side and one large shelf on the back side. The desktop is executed in dark stained oak and features a dark grey leather insert. in 1932, the prosperous Van Stolk & Reese company commissioned Spanjaard to design the interior and furniture of their offices located on the Ceintuurbaan in Rotterdam. This custom desk was most likely designed for the office of the company’s director, which was designed by Spanjaard in a radically modernist way, combining his own sumptuous designs with the functionalist tubular steel furniture made by W.H. Gispen. Between 1925 and 1935 the work of Spanjaard was strongly connected to the Haagse School movement of which he’d become a main proponent. This style was not so much inspired by the Classic European Art Deco capitals such as Paris and Vienna but more by other national and international architectural developments such as the work of Frank Lloyd Wright. The influential magazine Wendingen published a series of articles on Wright still relatively unknown at the time in 1925 and the renowned architect Jan Wils also played an important role in the orientation towards Wrights work in The Netherlands. In its particular application of geometric shapes, primary colours and its sophisticated cubist division of the surface, the Haagse School designers were also aware of De Stijl movement, lead by contemporaries such as Gerrit Rietveld and Piet Mondriaan. At the same time the geometry, the harmonious proportions and the understated decorations were primarily based on the rationalist design principles of H.P. Berlage, who would later become one of Spanjaard’s clients himself. Design had to meet the functional demands of the user but purely utilitarian ideas were certainly not the most important. Due to his frequent travels to Germany, Spanjaard was also familiar with the designs of Marcel Breuer and Mies van der Rohe, especially appreciating the simplicity and purity of their designs. Biography Frits Spanjaard (1889-1978) started his career as the artistic director of the LOV furniture...

Elegant Macassar Art Deco desk, circa 1930. Bronze handles.