Mahogany Dressers

Chic pair of streamline Art Moderne dressers designed by Gilbert Rohde, for Herman Miller c 1936. The dressers feature opposing right and left c...

A stunning mid century dresser by Poul Hundevad in bookmatched rosewood. Dovetailed drawers open with recessed handles.

A walnut dresser with rosewood handle and brass feet. Designed by Edward Wormley for Dunbar.

Midcentury National Mt. Airy Campaign Tall Chest of Drawers, Mahogany Offered for sale is a large, monumental mid-century modern tall chest of drawers by National Mt. Airy Furnit...

Rosewood dresser having five drawers, in original condition, with normal wear consistent with age. Attributed to Florence Knoll, for Knoll, unsigned.

A very nice Federal Mahogany chest 1820-30. This is a really pretty chest with beautiful carved and turned columns on tall turned legs. There is...

Gorgeous BCS chest of drawers in original brown ash designed by George Nelson for Herman Miller. This is a very early version with plated metal pulls not aluminum and unusual finished back. This versatile unit is a perfect small dresser, nightstand, or end table. George Nelson, Alexander Girard, and Charles and Ray Eames headed the Herman Miller department for many ground breaking...

Rosewood mid-century dresser, circa 1960's. Great grain patterns, solid wood edging and book-matched veneer flat surfaces. Sleek handles and robust construction. Long, low proportion...

A Classic Danish dresser from the 1970s. Simple and functional.

Beautifully refinished mahogany vanity/coiffeuse by Gilbert Rohde for Herman Miller with original off-white "leather cloth" (Fabrikoid) top and padded drawers. Kneehole: 26" high x 22" wide x 17.5" deep See our separate listings for other pieces from this same collection. See pages from original 1941 Herman Miller catalog.

Offered is a beautiful Mid-Century Modern tall chest with ample storage space which was designed by American designer Edmond J. Spence. Features four bottom drawers and two doors wit...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...