Mid-Century Modern Raymond Loewy Two-Tone Dresser for Mengel Furniture Company
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Mid-Century Modern Raymond Loewy Two-Tone Dresser for Mengel Furniture Company
About the Item
- Creator:Raymond Loewy (Designer),Mengel Furniture Co. (Manufacturer)
- Dimensions:Height: 30.25 in (76.84 cm)Width: 48 in (121.92 cm)Depth: 19.25 in (48.9 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1950s
- Condition:Refinished. Wear consistent with age and use. In good condition with wear such as blemishes, nicks, and scuffs on the case. Patina on the hardware and legs. See photos.
- Seller Location:San Jose, CA
- Reference Number:1stDibs: LU1582222832212
Raymond Loewy
For those in the know, French-born American industrial designer Raymond Loewy is the “father of streamlining.” He is widely recognized as a pioneer of industrial design consulting — a creative powerhouse who took aim at cluttered designs and simplified them. Loewy left his mark on everything from toothbrushes to trashcans to spacecraft interiors. He designed cars, worked in illustration, and crafted comely dressers and other furniture.
Loewy was born in Paris, France. At age 15, he designed a model airplane that was powered by rubber bands. It won the James Gordon Bennett Cup of 1908. Loewy patented the model kit for this plane by the following year and saw brisk sales. With his savings, Loewy was able to study at the University of Paris and then at Ecole de Lanneau, where he earned an engineering degree in 1918.
Loewy moved to New York City in 1919 and found work as a window designer for the department stores Macy's, Wanamaker's and Saks and as a fashion illustrator for Vogue and Harper's Bazaar. Loewy’s big break in industrial design came in 1929 when he altered the Gestetner duplicating machine — removing jutting parts and encasing the moving works in an understated cover. It caused a sensation within the industry — and companies began to call on him.
Loewy designed packaging for Coca-Cola and revised the look of Lucky cigarettes. The “Loewy Look,” which referred to the designer’s efforts to strip a product of any unnecessary detail and streamline its appearance, began to characterize hundreds of products.
Loewy found clients in a dizzying number of companies. He did everything from retooling logos to redesigning products. His 1934 Sears Coldspot refrigerator was a sleek innovation that broke sales records. His Pennsylvania Railroad locomotive resembled a speeding bullet and was the darling of the 1939 World’s Fair. Loewy even reworked shapes for snacks at Nabisco. By the time World War II gathered steam, Raymond Loewy Associates — the industrial design firm he founded — had been operating in a number of American cities. When Time magazine featured him on the cover in October 1949 — Loewy was not shy about publicity — his profile soared.
Loewy worked with Studebaker for decades. The success of their 1953 Starliner coupe was due to his revolutionary design, while their 1963 futuristic, fiberglass-bodied Avanti, which came with advanced safety features and materialized at a time when the company was experiencing financial hardship, was his crowning achievement for the maker.
Returning to his roots in aviation, Loewy worked for NASA from 1967 to 1973 on the interior design of the Skylab space station. He was also involved in the interior designs of the Concorde supersonic jet and Air Force One. Loewy delighted in creating furniture and collaborated with manufacturers such as Mengel Furniture, Rosenthal and Doubinsky Frères. In the 1970s, Loewy and his wife shuttered their businesses and retired in France.
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