Kittinger Mandarin Linen Press

Fabulous over-sized chest of drawers/dresser by Kittinger from their earliest Mandarin collection with bold Greek Key drawer handles. Newly refinished in high gloss enamel white lac...

Chest on chest by Kittinger of Buffalo from their famed 1948 Mandarin collection. Original two-tone mushroom and cream lacquer finish. See image 12 for the hex color scans. Each ch...

Original five drawer tall boy chest by Kittinger of Buffalo from their modernist Mandarin collection, 1947. Boldly contrasting Greek key design integrated into drawer pulls. Glass top, deep divided drawers with vide poche sliding tray. Putty grey lacquered case with sea haze green drawer...

Pair of original three drawer chests by Kittinger of Buffalo from their modernist Mandarin collection, 1947. Boldly contrasting Greek key design integrated into drawer pulls. Glass tops, deep divided drawers with vide poche sliding tray. Putty grey lacquered case with sea haze green drawer faces. See our separate listings acquired from the same single owner for the matching tall boy dresser, faux bamboo mirror...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

Early 1940's sideboard or linen press by Lorin Jackson for Grosfeld House. Two banks of four open drawers behind double doors. Carved foliate handles and curved notched corners. T...

Country house bedroom perfection. An early period cupboard from Wales, in two parts. Handsome crown molding on the top and small beaded edge on the drawers. The high plinth adds a gr...

A fine George III Sheraton period oval panelled mahogany linen press of a good color and patina: The cupboard with three cedar lined slides and oak lined d...

Very good quality mid 19th century flame mahogany linen press English circa 1860’s , all original slides , working lock and key the drawers run smoothly This been has been through ou...

The press sits on a two drawer cabinet, convenient for storing freshly pressed items. Large presses like this one were valuable and occupied prominent rooms in the homes of wealthy o...

The doors of this linen press have beveled raised panels framed with one inch bee's wing satinwood with boxwood inlay framing quarter fans and a central oval satinwood and boxwood fa...

Drawing the eye with its distinctive design, this tall chest or dressing cabinet introduces a bold, modern graphic to any interior. Thin wood strips applied to the door panels create...