1890s Linen Presses

A small collectors or apothecary chest with divided drawers, 19th century. Composed of walnut and grain-painted pine with later mahogany chippendale ...

Antique George III mahogany gentleman’s wardrobe or linen press having two mahogany doors which open to reveal a fitted interior of four original sliding trays, one long drawer with ...

An oak and iron chest of drawers designed and produced in Denmark, 1960s.

An exquisite French Renaissance Revival Bibliotheque, Linen press or display cabinet. Circa mid 19th cenutry. A large rectangular oak case centered by original 3/4 length glass between turned and fluted columns. Lower side of doors features an inset baroque cartouche with fruit basket and foliate motif within an arched deisgn. Upper molding is stylized with a dentil molding over acanthus frieze. Opens to four adjustable shelves. Case is supported by bun feet. The phrase Knock-down referes to the ability for these pieces to be easily disassembled and re-assembled. This allowed for these massive...

19th C English painted two door linen cupboard with decorative paintwork. 1860 Internal depth - 11.5"(29.5cm) Internal Ref: C

Circa 1860/1870 antique Swedish Gustavian White Grey painted plain front chest of drawers commode in gustavian style with classic Gustavian detail on the drawer fronts and leading e...

A fine George III Sheraton period oval panelled mahogany linen press of a good color and patina: The cupboard with three cedar lined slides and oak lined d...

19th Century English mahogany low linen press. With four drawers each side and a pair of doors which encloses four slides inside. With minor restoration.

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

The rare diminutive Dutch Bombe linen press has original white painted over blue with three deep drawers below and a double-door storage space ...

Early 19th century pine linen press from England. The top of the case has a stately crown molding over simple sides and two paneled doors in ...

C 1850 antique Swedish Gustavian painted chest of 3 drawers commode with detailed gustavian ribbed decorative motifs on the top rail, front and brass detailing. It has 3 drawers wi...