Victorian Linen Presses

A fine George III Sheraton period oval panelled mahogany linen press of a good color and patina: The cupboard with three cedar lined slides and oak lined d...

Antique 18th C Italian Linen Press Armoire Wardrobe Cabinet.

The rare diminutive Dutch Bombe linen press has original white painted over blue with three deep drawers below and a double-door storage space ...

This honey-colored pine armoire or linen press is in two sections -- upper and lower cabinet, four doors with recessed panels. The armoire was later made into an entertainment unit / cabinet. Upper cabinet features a swivel TV shelf...

Antique George III mahogany gentleman’s wardrobe or linen press having two mahogany doors which open to reveal a fitted interior of four original sliding trays, one long drawer with ...

Circa 1850 antique Swedish Gustavian White painted Sideboard Buffet commode in gustavian style with classic Gustavian ribbing detail on the door front and on the 2 drawers. It has p...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

19th Century English Mahogany Linen Press with Oval Paneling and Crossbanding

Quality craftsmanship with a broken bonnet and fine carved eagle with spread wings standing on a tripod pedestal for the finial. Two top doors open to one custom later made adjustabl...

19th-Century Biedermeier Mahogany Wood and Veneer Linen Press Furniture made of mahogany wood and mahogany veneer on softwood, dating back to the first half of the 19th century. Sin...

This two-door, two-drawer wardrobe / linen press in finely grained mahogany is just the right size for that guest room with no closet. Not too big so as to take up too much space, bu...

circa 1890 19thC English Pine Linen Press sku 1104 Lock & Keys (2 parts) W120 x D56 x H219 cm Base: W116 x D54 x H97cm Top: W120 x D56 x H122cm