French Modern Cerused Oak Two-Door Credenza, Jean Charles Moreux

"American Mid-Century dark stained cerused oak dresser with 2 doors centering four drawers (2 small above two large) and resting on low slanted legs (IDENTICAL CHEST IN NEW YORK: REG...

"French Mid-Century limed oak sideboard with two exterior single door cabinets with large amber glass door pulls which open to reveal a two compartmen...

French Mid-Century dark walnut credenza with four sliding door panels having a square pattern design and resting on ball form casters (missing back panel) (Manner of MAXIME OLD)

"American Mid-Century dark stained cerused oak dresser with 2 doors centering four drawers (2 small above two large) and resting on low slanted legs (IDENTICAL CHEST IN FLORIDA: REG4...

This exceptional 1950s French oak sideboard is a masterful blend of provincial heritage and midcentury modernism, embodying the transition from tradition to a bolder, more architectu...

Very elegant Credenza in solid oak, France, 1940s. Art Deco Brutalist sideboard. The credenza consists of two storage facilities covered with graphic designed doors. The refined wooden structures on the doors create a striking combination with the otherwise sturdy and solid cabinet...

A striking 1950s French oak credenza, this piece embodies the rustic elegance and substantial craftsmanship characteristic of Charles Dudouyt's style. Crafted from heavy, robust oak,...

This sculptural sideboard holds a quiet monumentality—its façade a study in balance, depth, and geometric relief. Two symmetrical doors are adorned with deeply carved concentric medallions, each centered within a bevel-edged square that projects from the surface like a wooden echo. Between them, five central drawers offer rhythmic contrast with their horizontal fluting, lending a linear tension to the rounded volumes flanking them. In the style of Charles Dudouyt, this piece reflects the postwar fascination with medieval forms reinterpreted through modernist clarity. The carved motif—a recessed bull’s-eye framed in architectural moldings—recalls the rustic abstraction seen in French design of the 1940s and ’50s, where massing, form, and shadow did the work of ornament. Carved from solid oak, the cabinet is grounded by splayed bracket legs that introduce a subtle kinetic lift. Their flared stance balances the robust body above, suggesting movement held in suspension. The drawer pulls are brass discs, minimal in gesture yet warm in tone, allowing the sculptural surfaces to speak. Inside, the cabinet offers generous storage behind paneled doors, while the drawers glide with dovetail construction and timeworn ease. A visible fissure on one of the door medallions...