Mid-century Walnut Sideboard Enfilade 1960 in the Manner of Vladimir Kagan

An exceptional quality and rare pollard oak 19th century architectural twin pedestal inverted breakfront sideboard. English, circa 1850. The quarter cut inverted breakfront top...

A fine quality William IV flame mahogany inverted breakfront sideboard of good color. English, circa 1835 The raised carved back having a central anthemion cartouche, ...

A very rare 18th century Sicilian Rococo Polychrome Painted and Parcel Gilt Serpentine Commode. Italy Sicily circa 1750-70 Of wonderful colour h...

A highly Important, Early Regency period mahogany, ebonised and parcel-gilt partners writing table on monopodia legs of exceptional quality and design, in the manner of George Smith, stamped Chas Norman, whom was associated with the work of Gillows. Labelled ‘Morning Room’. English, Regency period, circa 1810. Rarely seen, the crescent shaped ended rectangular top, beautifully lined with the original gilt tooled leather writing surface, enclosed by a mahogany cross-banded border and reeded edge. The frieze, containing four finely chosen fiddle-back mahogany drawers, two pairs to opposing sides, each retaining the original gadrooned carved ebonised knob handles. The perimeters having a finely ebonised cockbead, whilst the drawer liners being executed in mahogany retain the original recessed brass locks, which look to have never been removed. Flanking the drawers are bead-moulded ebonised panels which conform to either end above a reeded mould. Raised on four boldly designed and imposing, crisply carved, ebonised and parcel-gilt leopard monopodia supports, of wonderful original waxed condition. The Egyptian leopards mask above a bold breast decorated with carved gilt anthemion and guilloche motifs, finishing on a finely detailed carved leg and paw foot. The condition is excellent, retaining the original hand-dyed and gilt tooled waxed leather writing surface along with original locks, handles and ebonising with gilt-work to the legs. Commissioned for what presumes to be a private collection and due to its condition, being obvious to see, this writing table has been home to an important household. Labelled ‘Morning Library’ to the underside, whilst in this exemplary condition strongly suggests this striking piece of Regency furniture has furnished the library of the said house for the majority of its life. As can be noted, this is an extremely rare, elegant, early Regency writing table of exceptional colour, which corresponds with designs of the celebrated furniture maker and designer George Smith, workmanship of Gillows, being stamped to the underside Chas Norman four times. George Smith (1756 - 1826) was one of the most influential furniture designers of the English Regency Period (1811-1830). Smith, who began his pattern-book in 1804, wrote of ‘the great taste and elegance’ of this design. In 1808 he published his influential and definitive text on Regency interior Design titled ‘ A Collection of Designs for Household Furniture and Interior Decoration’ and classed himself as ‘Upholder Extraordinary to His Royal Excellency the Prince of Wales’…The Prince Regent. Smith was inspired in his designs from his earlier career as an Egyptologist, producing drawings incorporating motifs of Leopards heads and paws, Lions, sphinx’s, anthemia, and griffons amongst others. Charles Heathcote Tatham (1772-1842) published ‘Etchings, Representing the Best Examples of Ancient Ornamental Architecture; Drawn from the Originals in Rome, and Other Parts of Italy During the Years 1794, 1795, and 1796’, in which he illustrated an antique tripod table...

A Very Fine and Early English Giltwood Rococo Mirror with Carved with Fronds and Green Bullrushes very much in the manner of John and William Linnell. English Circa 1760 Provenance...

A good quality Victorian bleached oak dresser standing on carved cabriole legs. This well proportioned dresser having a moulded cornice over a shelved upper section with grooved plate troughs and two lockable cupboard doors with brass escutcheon plate drop handles. The upper section sitting over a deeper base with two moulded oak lined drawers with hand-cut dovetails to the right-hand side and with the left-hand having a fielded and paneled door. The whole being raised on carved cabriole legs with acanthus leaf to the knee terminating on ball and claw feet. In excellent condition with no loose joints this Victorian oak dresser...

Mid-Century Modern Waterfall Sideboard / Dresser by Vladimir Kagan, Burlwood   Burlwood, Chrome, Lacquer United States, 1970s   Vladimir Kagan burl wood and lacquered sideboard or console with 2 file cabinet drawers having interior locks. The two center shelved doors flanked by a pair of file cabinets...

Vladimir Kagan (American, 1927-2016) The Kagan Family Copeland Dining Room Sideboard or Buffet, Vladimir Kagan Designs, Inc., USA, circa 1983. Part of a full dining room set...

Midcentury tiger maple sideboard / bar with tambour side shelves over two drawers and center with raising mechanism and wine storage. This piece ...

Vladimir Kagan (American, 1927-2016) Eva Dining Room Set, Vladimir Kagan Designs, Inc., USA, circa 1983 The sideboard (Model 83-210) comprising a center bow front section of two doors having a fitted interior, containing one shelf and one drawer fitted with a cloth flatware organizer, flanked by two side sections, the left with vertical platter organizers, the right with two shelves. Applied label to interior of drawer: "Hand made in the workshops of Vladimir Kagan, Vladimir Kagan Designs, New York" Seen in the last pictures in its original unfinished condition. Birdseye maple veneer, painted and lacquered wood United States, c. 1983 Provenance Property from the Personal Collection of Vladimir Kagan Part of a complete dining room set...

This is a gorgeous sideboard/dresser. We have fully restored to rediscover this beautiful burl wood finish. Curvilinear edges with an ultra thick band surround four doors. The trim i...

This important piece of design history was not only designed by Vladimir Kagan and handcrafted by Kagan-Dreyfuss in circa 1949 New York... this was also owned by Kagan himself and kept throughout his entire adult life (see provenance notes below). Each of the two pieces (lower credenza and upper dry bar / hutch) are signed on the back with Kagan-Dreyfuss New York stamps. The expansive size provides exceptional storage and use options. Kagan-Dreyfuss (Vladimir Kagan's partnership with Hugo Dreyfuss from circa 1950-1960) stamped pieces are amongst the most sought after by collectors and investors of art and design. Furniture with Kagan-Dreyfuss stamps are extremely hard to find and demand exceptional value, and this credenza with hutch is double stamped (one on each piece). Featuring a cerused oak exterior, with tambour doors on the lower credenza, sculpted handles (which slide to reveal a keyhole, no key is present however can be rekeyed) on the upper hutch...