Oak and Rattan Sideboard by Audoux and Minet

While little is known about audacious modernist designers Adrien Audoux and Frida Minnet, the French-Swiss husband-and-wife duo created playful and unique decorative objects, dining chairs, sconces and other furniture during the mid-20th century. Rejecting Art Deco lavishness and the concept that seating, tables and other furnishings should be made with luxurious and exotic materials, Minnet and Audoux adopted a rustic style in their work, integrating abaca hemp cord and other organic materials such as beech and bamboo in their provocative designs.

Audoux and Minnet were active in Côte d'Azur, France — they are believed to have established a workshop there in the late 1920s. The designers were members of the Union des Artistes Modernes, a collective of like-minded artists founded in 1929. The raison d'être of the Union was to design household furnishings and decorative pieces for a wider demographic of people, not merely affluent Parisians — a target kind of buyer for many creators of the day. They promoted simplicity and prioritized functionalism. The collective’s membership boasted other celebrated furniture designers, including Jean Prouvé, Charlotte Perriand, Francis Jourdain and Louis Sognot. 

Minnet and Audoux spent much of their time in the Provence region, a hub of creativity where other artists such as Pablo Picasso found endless inspiration. They created everything from lighting to lounge chairs and end tables that reflected a nautical theme and coastal living. Minnet and Audoux’s imaginative works — table lamps with shades covered in raffia, oak benches with seat backs of woven rope — were made available to passers-by in the duo’s retail outlet in the seaside resort town of Golfe-Juan. The pair also incorporated woven rope into larger pieces such as armchairs and side tables. These furnishings are often compared to the work of similarly adventurous Union des Artistes Modernes member Charlotte Perriand. Several of Audoux and Minnet’s seating pieces are on display at the Maison Dumas in St. Tropez, France. 

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Roger Capron is best known for his geometrically complex, vibrantly colored tile-topped coffee tables. These mid-century furnishings, with their comely palettes and playful arrangements of abstract forms or natural-world motifs, are approachable yet sophisticated. They draw on Scandinavian modernism and exemplify the Parisian ceramist’s belief in ensuring that things of beauty are easily and widely accessible, a principle espoused by French decorative artist and designer René Gabriel.

Capron graduated in 1943 from the School of Applied Arts in Paris. In a small atelier he later founded with Robert Picault and Jean Derval in Vallauris, Capron made alluring sculptures, table lamps and other objects and found inspiration in the work of Pablo Picasso, who had also opened an atelier in the region. He parted ways with his fellow ceramists in 1952 in order to open his own manufactory, Atelier Capron.

Initially staffed by a handful of workers, Atelier Capron captured international attention. His pieces were sold in stores such as Saks Fifth Avenue and Gimbels. Later, Capron’s wife, Jacotte, studied art and became a valued collaborator. Owing in part to her expertise in mixing pigments and glazes, Capron’s best-known ceramics feature dazzling colors and whimsical characters. Like Picasso, he experimented with many artistic styles and never settled on one technique for too long. His coffee tables, side tables and decorative objects are among the most enduring and coveted designs of the mid-century modern era.

While Capron’s factory had grown tenfold by 1980, it shut down a few years later after a slew of competitors began mass-producing cheaper imitations.

Capron won an award at the Milan Triennial in 1954 and International Grand Prize for Ceramics in 1970. His works have been displayed in the Musée National de la Céramique and the Musée Magnelli.

On 1stDibs, find vintage Roger Capron ceramics, tables and other decorative objects and furniture.