Vitrines

Late 18th century walnut veneer wall vitrine display case, Copenhagen, Denmark The display case has with two small drawers with original brass hardware.   

This haberdashery cabinet was produced during the 1950s in Germany. This piece features 8 drawers in pine with glass fronts and metal handles. It was originally used in a shop for sewing supplies. The interior dimensions of the glass fronted drawers...

Multifunctional station on wheels designed by Achille Castiglioni and Pier Giacomo Castiglioni in 1965. Rampa, a multifunctional station on wheels from 1965, was inspired by the traditional florist’s display stands...

Luxury display cabinet Emperador catches the eye from first sight. Bright and glamorous, this cabinet is perfect to show off owners prized possessions and favorite home accessories. The beautiful lines and romantic curves of the frame are finished with a fabulous high gloss green lacquer and eye-drop shaped brass handles. Featuring tempered glass doors and three glass interior shelves, with luxurious red velvet lining in lower drawer, providing a handsome storage solution. This design is truly sophisticated and refined, a modern glamour. Truly stunning when used with matching jewelry console...

A very fine French 19th century Louis XV style Ormolu Mounted Kingwood, Satinwood and Vernis Martin Decorated Single-Door Vitrine, in the manner of François Linke (1855-1946). The wh...

Beautiful Biedermeier bookcase or display cabinet from the famous period in Vienna around 1840. This fantastic looking 19th Century Austrian vitrine cabinet has been veneered in a very dark nutwood. A perfect sized antique bookcase/ vitrine cabinet offering a large, lockable door showing the still original glass plates, additonally adorned by carved ebonized wooden arches...

Black painted set glass case and Mirror circa 1900s mirror is sold so only Glass Curio Display . USA continental in home delivery 2-4 weeks $300

A Very Fine French 19th Century Louis XV Style 'Belle Époque' Ormolu Mounted and Kingwood Parquetry Single-Door Bombé Vitrine Display Cabinet, by Alexandre Hugnet (French, active la...

- This French marble-top display/bookcase has doors with a scalloped shape and are crossbanded with bookmatched flame mahogany. The sides have flamed bookmatched mahogany panels. The...

PRICE DISCOUNTED FROM $6500 FOR 1STDIBS SATURDAY SALE – ONE WEEK ONLY. NO ADDITIONAL DISCOUNTS, NO HOLDS. ITEM WILL BE RETURNED TO REGULAR PRICING AFTER 7 DAYS.


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Louis XVI style showcase from the early 19th century. It presents a beautiful geometrical marquetry on the facade as on the ribs. The hunting trophy decorations of this marquetry are...

A large carved walnut display case, velvet lined, with three glass shelves, and two internal lights, English, circa 1910.

Generous storage and a delightful display case are paired in this remarkable Louis XV vitrine hutch. Crafted from beautiful European oak at the beginning of the twentieth century, th...

Bamboo Rattan decorative shelf Etagere.

Dimensions: H: 66 1/2in W: 31 1/4in D: 15 3/4in This French Louis XVI Style Ebonized and Ormolu Mounted Vitrine or Display case is made of the highest quality and is perfect for yo...

Mastercraft model 21-420 china cabinet vitrine. Clad in antiqued brass with black lacquer trim. Backwall is smoked antiqued mirror. Three tempered clear glass shelves with plate gro...

Massive Cigar cabinet with a solid wood high-end luxury structure decorated with breathtaking hand carved squiggles featuring shiny gold leaf applications. The upper wooden case pre...

About as original as can be, this stellar antique only received a minimal amount of conservation in our highly regarded workshop. Constructed of exotic rosewood, the case packs quite...

Beautiful bookcase, vitrine, display cabinet , Louis Philippe of the early 19th century in solid walnut and walnut veneer. With two or more internal shelves, large bottom drawer, sha...

PORTUGUESE ORATORY 18th Century in mahogany wood with gilding. Glass doors. Interior with apricot. Dim.: 155 x 120 x 47 cm. good conditions

Monumental antique hand carved elmwood cabinet. Sideboard, 20th century.

This is a stunning 1900s era (1890-1920) vitrine or collector's cabinet designed in the manner of Adam Weisweiler one of France's best known cabinetmak...

Art Deco Chinese Motif Display Case, From Cartier NYC Showroom, Circa 1920s Cartier showroom store fixture, Provenance by Repute, Saved from the refuse pile of a 1960s renovation ...

A fantastic 19th century English mahogany whatnot, or tired stand, with beautifully turned supports mimicking columns, with turned frames supporting solid mahogany shelves, and a low...

19th Century French Napoleon III Period Mahogany Bookcase ~ Vitrine is a marvel of fine artisanry, with elegantly arched crown festooned with hand-carved floral and foliates cascadin...

This medical cabinet was designed in the 1970s and was produced circa 1975 in hungary. It is made from iron and glass with new glass shelves. The glass is held by a black rubber stri...

Valv Light grey Vitrine Cabinet, Lacquered Eco Fiberboard, Color by Customers Choice Inspired by the medieval wall around the small town of Visby, Sweden, the designer noticed the t...

This most artful Hollywood Regency tall Obelisk Cabinet will immediately catch your eye with its high design esthetic in red lacquer and gilt. Undoubtedly inspired by elegance from top to bottom, this obelisk's details compliment one another as the eye wonders. Two door bottom cabinet with large Widdicomb style brass ring pulls and gilt molding. Lacquered interior with single shelf. Gilt neoclassical sphere bases. Obelisk display...

For customers that require professional insured delivery we are proud to have teamed up with a nationwide professional delivery company that will assist with coordinating your delive...

Showcase made of chemical colored brass with glass and tip-on drawer. 3 dimensions possible : 53 cm, 72 cm, 88 cm.

Vintage arched brass shelf shelves étagères. Chrome has been polished. Glasses are originals. The width is 29.92in + 9.44in .

20th century elegant French Louis XVI style showcase Solid beech wood, beige / cream frame and partially gold-plated. Upright rectangular, three-sided, facet-cut glazed, single-do...

Vintage Country French Louis XV Painted Vitrine was designed to display your finest heirlooms on top and store fine linens or flatware below. Originally intended for the dining room,...

A extraordinary and meticulously fashioned Japanese display cabinet. The style on the cusp of Art Nouveau/ Arts and Crafts with curvilinear rosewood supports at the top tiers. The supports with chased foliate decorated copper bands. The tiers with elaborate beautiful mixed woods in pieced inlays with a variety of geometric motifs and stars, along with herringbone inlaid edges on the front. Carved and shaped openwork back and side bands for the tiers. The middle with two open sections and one short drawer over a shaped inlaid frieze and shaped and flat shelves...

This is a superb antique French Vernis Martin mahogany vitrine, in the Louis XV manner, circa 1880 in date, with exquisite hand-painted decoration and exquisite ormolu mounts. The t...

Gilt metal flowers decorated Italian pyramid shape display shelves etagere table. 4 Tier etagere decorative accent shelf display unit.

Lyn high grey black cabinet by Pulpo Dimensions: D60 x W45 x H185 cm Materials: glass; powder coated steel Also available in different colours. Studio Visser & Meijwaard desc...

This haberdashery cabinet was produced during the 1950s in Italy. This piece features 10 drawers in light beech with glass fronts and metal handles. It was originally used in a shop ...

For sale is a fine 19th century satinwood serpentine display cabinet, inlaid with ebony stringing and edged with ebonized moulding, the uppe...

Antique French Louis XIV Wall Cabinet ~ Display Case is a great option for those who wish to conserve floor space yet still have keepsake items to store and show off! The design fea...

Classic showcase from the 1980s. High-quality corpus in teak veneer with two glass doors, two shelves, two drawers and a black contrasting base. The showcase can be illuminated. Qua...

Italian bookcase period 1940s in walnut and walnut veneer with two drawers, wax polished. Upper showcase with grating and the two lower doors covered in leatherette. Excellent condit...

A pair of Edwardian satinwood vitrine tables with shaped tops with banded edges above single drawer, and raised on square tapering legs with string inlay, joined by stretchers surmounted by circular...

19th-century walnut and marquetry cabinet, the serpentine brocatello marble top above gilt metal mounted door with marquetry inlay. The door opening to reveal an upholsterers interio...

Beautiful small showcase table from the Art Nouveau period made of ash and oak wood. On all four sides are installed glasses with circumferential facet ...

A cabinet that displays refined elegance in the truest form, this piece is entirely crafted of durmast with a natural finish. Its rectangular configuration features a glass door and ...

Lyn high green black cabinet by Pulpo. Dimensions: D60 x W45 x H185 cm. Materials: glass; powder coated steel. Also available in different colours. Studio Visser & Meijwaard...

Circa 1890 Large 19thC English Pine Specimen Display Cabinet / Bookcase with adjustable shelving and graduating drawers in original finish Exc...

A rare and sculptural Art Deco "rocket" cabinet, dating from the 1930s. This eye-catching piece features the bold lines and symmetry characteristic of the Art Deco period, with a uni...

Art Deco counter display case in perfect and completely original condition. The combination of ash wood with brass frame is particularly beautiful...

Beautiful Smoked glass cabinet designed by Willy Rizzo for Mario Sabot, 1970s. The cabinet comes with smoked glass with accenting brass hardware. The frame of the cabinet is made of ...

Art Deco walnut showcase. Professionally stained and repolished.

Majestic walnut sideboard with showcase in mid-century Venetian Baroque style, with widespread floral inlays in maple and rosewood. This beautiful sideboard was created by the skille...

Superbly and intricately hand carved solid mahogany whatnot or display piece with an attached velvet-lined vitrine or specimen cupboard. Handsome fretted ...

This incredible French Art Deco vitrine has a large glass front with glass shelves inside. Gold hardware to accent the wood beautifully. Can be...

Beautiful pair of wall mounted display cabinets designed by Carlo Ratti and manufactured by Industria Legni Curvati in Italy in 1950. These cabine...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and handle all the shipping details. However, if you let us know what 1st Dibs is quoting you and give us your zip code, we can sometimes ship it for less and get it to you faster. For a shipping quote, click on "ASK THE SELLER" under the purchase button and provide your zip code. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of An Exceptional Louis XV Style Display Case...