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Pair of Solid Brass and Glass Geometric Display Cases

About

Matched pair of custom display cases in solid brass and glass with faceted emerald cut brass framed glass top attached to a recessed brass clad hexagonal pedestal base, finished in the round for 360 degree viewing. The top has two locks on either side of a handle and is attached by brass piano hinge on the other side so it can be lifted open. The slightly recessed bottom has four wheels which allow for a minor degree of positioning but to actually move it any distance we simply slide a standard four wheel dolly underneath. The bed of the case has both a half inch core board and a quarter inch white Lexan sheet. Interior case dimensions 12" high x 57.5" w x 27.5" deep. These are extremely high quality worthy of the finest jewelers in the world. The pedestal base is clad in only two sheets of brass around the six sides. Brass framework on the faceted case is expertly welded and ground seamlessly. Perfect for a retail jewelry store or to display your finest collectibles, possibly even as a mausoleum for a short pharaoh or dictator. Prefer to sell as a pair but price for a single is $18,000.

Details

  • Period
  • Materials and techniques
  • Condition
    Excellent. Excellent original vintage condition with patination to brass. Slight separation to vertical seam of cladding on pedestal base..
  • Wear
    Wear consistent with age and use.
  • Dimensions

    H 39 in. x W 60 in. x D 30 in.

    H 99.06 cm x W 152.4 cm x D 76.2 cm

  • Seller location
    Hingham, MA
  • Sold As
    Set of 2
  • Reference number
    LU88667086463

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About Gabriella Crespi (Designer)

Bronze discs that open up like clamshells for storage and fold back in to become side tables. Sleek cubes barely suspended off the ground that transform into full-size dining tables. Clean-lined boxes that contain multilevel shelving. Looking at the work of Italian designer Gabriella Crespi, born in 1922 and still producing furniture in her Milan studio, it’s hard to believe that many of these highly functional pieces — modernist Rubik’s Cubes of materials, colors and ergonomics — were created decades ago.

     Among her best-known creations, the bronze Ellisse table, 1976, and her bronze-and-lacquer Yang-Yin bar, 1979, encapsulate a designer who had a strong dualism in her vision, mixing humble and precious materials, for instance, or creating geometric shapes that were softened by sensual surfaces. Crespi began studying architecture in 1944 at the Politecnico, in Milan, where she was among just a handful of women, and became profoundly influenced by the work of Le Corbusier and Frank Lloyd Wright. After getting married and having children, she launched her own collections, from jewelry to furniture, and soon gained a loyal following, with design houses such as Maison Dior snapping pieces up for their own lines.

     She began work on her most iconic collection, “Plurimi,” in the late 1960s, and the series — including her Dama table, which plays on the themes of volume, light and adaptability that Crespi has explored throughout her career — flourished through the 1970s and early ’80s. Then there is her famed Z desk, from a mid-1970s series, which manages to be both stylish and humorous, looking like it’s ready to leap off the floor at any moment. Well-born and beautiful, Crespi garnered attention among the jet set. She was a muse to Valentino, and her pieces appeared in the homes of Princess Grace of Monaco, the Shah of Iran and Greek shipping magnate George Livanos. In 1987, with her children now adults, the designer surprised everyone when she moved to the foot of the Indian Himalayas to study with the guru Sri Muniraj. This turned into a 20-year self-imposed exile that, if anything, made her pieces even more sought-after by collectors. Read more in Introspective magazine

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