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Vetrina con specchio in stile rococò XIX secolo

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40's Showcase Cabinet
By Non-Standard Furniture and Lighting
Located in Milano, IT
Showcase with side hinged doors, interior with mirrored glass dowels, central concealed bar compartment with glass and bottle holders. Walnut veneer wood, lacquered carved wood legs.
Category

Vintage 1940s Italian Mid-Century Modern Vitrines

Materials

Mirror, Nutwood

Teak Showcase Cabinet 1960s
By Non-Standard Furniture and Lighting
Located in Milano, IT
Double-body cabinet with exposed drawers and display case with hinged doors, teak veneer wood, glass.
Category

Vintage 1960s Italian Mid-Century Modern Vitrines

Materials

Teak

Teak Showcase Cabinet 1960s
By Non-Standard Furniture and Lighting
Located in Milano, IT
Double-body cabinet with exposed drawers and display case with hinged doors, teak veneer wood, glass.
Category

Vintage 1960s Italian Mid-Century Modern Vitrines

Materials

Teak

Fauno con Cembali in Bronzo Italia Fine XIX Secolo
By Non-Standard Furniture and Lighting
Located in Milano, IT
Scultura in bronzo raffigurante fauno con cembali su base in marmo rosso.
Category

Antique 1880s Italian Other Figurative Sculptures

Materials

Bronze

Grande Specchiera Umbertina Italia Ultimo Quarto XIX Secolo
By Non-Standard Furniture and Lighting
Located in Milano, IT
Grande specchiera d'epoca Umbertina. Intagliata a grandi volute, riccioli e lambrecchini sovrapposti, nella cimasa medaglione con testa di cavaliere e rami di rose intagliati, specch...
Category

Antique 19th Century Italian Other Floor Mirrors and Full-Length Mirrors

Materials

Mirror, Giltwood

Paravento alla chinoiserie. Italia, secondo quarto XIX secolo
By Non-Standard Furniture and Lighting
Located in Milano, IT
Paravento a cinque pannelli snodabili; in pioppo interamente laccato in nero, è decorato con motivi dipinti alla chinoiseie: dragoni, scimmie, volatili, e riserve raffiguranti scene di vita cinese, di giocoleria e di combattimento. Presenta cornici fogliacee dorate a decorazione della cimasa e della parte inferiore. Rivisitazione del designer Pietro Russo con stoffa Dedar. Già ampiamente diffuse alla fine del secolo percedente, le chinoiserie ebbero una vera e propria diffusione nell’Ottocento, apprezzate e richieste dalle principali corti europee. I richiami alla Cina e all’Oriente in genere erano in grado di richiamare un esotismo tanto qpperezzato a livello estetico quanto a livello culturale. Il calligrafismo dei disegni a chinoiserie, l’eterongeneo bestiario (sia reale che fantastico) e le scene di vita, offrivano infatti infinite soluzioni decorative per piccoli oggetti e intere pareti, creando interessanti effetti sccenografici nell’allestimento delle grandi sale. Tra i principali propomotori delle chinoiserie vi fu re Giorgio IV che, con la costruzione del Royal Pavilion a Brighton come palazzo di piacere sul mare, decise di allestire alcuni dei locali proprio con questo stile. In particolare la Banqueting Room, la Long Gallery e la Music Room presentano arredi, lampadari, oggettistica quali porcellane, ma anche moquette e vetrate, di gusto orientaleggiante. Le pareti della stanza dedicata alla musica, furono decorate con scene di vita cinese, in oro su fondo rosso, realizzate da Frederick Crace e Henry...
Category

Antique 19th Century Italian Other Screens and Room Dividers

Materials

Poplar

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