Wood Wardrobes and Armoires

Gorgeous 18th century antique French Grande Louis XIV oak corner cabinet. This antique oversized oak corner cabinet mimics a stunning built in effect and will add architectural interest. Rich wood character and polished carving with lots of drawer storage. Interior is open to exposed wall. Age wear, cracks and losses to exterior edges of wood, missing metal escutcheon...

Rare and important italian antique wardrobe in solid walnut made in the late 17th century of the period Louis XIV. The line is in fact typical of this period of high period that want...

French Louis XV bonnetiere / single door armoire with carved paneled door and lower drawer on cabriole feet.

Antique wardrobe in solid oak wood, hand-carved on the sides and in the doors (double door) with lozenge-shaped tiles, built and sculpted in the middle of the 18th century in Italy. ...

Manufactured in Germany in the 18th Century this pine wood cabinet is sturdy as well as spacious. It still has the original key lock with key as well as the inside partitions. Strong...

A late 18th century German neoclassicism Louis XVI armoire or cabinet. Two-door dismountable oak corpus with corner slopes standing on 5 ball feet. Subdivided by 3 pilasters with...

A beautiful and rare pair of 18th century Qing Dynasty bookcase furniture, in fine Chinese elm wood. Each sturdy piece of furniture has an original thick lacquer and a slightly trap...

Rare and important antique wardrobe in solid walnut made in the late 18th century French Louis XV. Characteristic wavy line with wood carvings on the floral taste front. Beautiful c...

Magnificent cabinetry and statuesque proportions give this antique oak armoire a captivating presence. When it was built in 18th Century France, fu...

circa 1780 Large 18th C painted Austrian armoire We can also customise existing pieces to suit your scheme/requirements. We have our own workshop, restorers and finishers. From ada...

This large, elegant antique "bonnetiere" (one-door armoire) would make a beautiful addition to any living room or bedroom! Crafted in the Perigord region of France circa 1750, the si...

Extraordinary cabinet in solid pine. Made by Danish cabinetmaker Chr. A. Nielsen in 1770 for Hotel Prindsen, Roskilde(label inside). Such great quality, details and craftmanship in this cabinet. Hotel Prindsen dates back to 1695 and was privileged by the royal family, King Christian V. Later famous Danes such as H. C. Andersen and Holger Drachmann used the hotel, some great fairy tales may be written nearby this masterpiece. An exquisite antique closet...

German castle furniture from the province of Anhalt with rich inlays, in small dimensions, very balanced design. Inlaid walnut and other woods, veneered on fruitwood. Original brass fittings and locks. Inventory label backside: Castle of Mosigkau, province Anhalt, inv. no. 1064 Germany, Braunschweig, 18th...

18th Century Northern European rustic painted "Kas" armoire/cabinet, 18th Century. Two door cabinet with single shelf, patinated gray and black painted finishes add wonderful contras...

18th century Bolivian fruitwood colonial cabinet, hand-carved with classical geometric patterns and floral motifs, covering the four doors and two drawers and side panels.   

Exquisite 18th century Spanish armario or wardrobe armoire constructed from walnut. Features a coffered case fronted by four large doors. This massive cabinet...

A fine George III mahogany linen press in outstanding original condition. The press was obviously made to exceed with the cabinetmaker using only the very finest materials in an extr...

Rustic Armoire in solid oak, France 18th century. This old cabinet was unearthed in a farm in the Pyrenees, it is an authentic piece of rustic furniture. Handcrafted in the 1700s, made from raw wooden...

Early oak Welsh wardrobe/armoire 18th century Livery tack, Harness Hall cupboard Bought in the South of England, this is a character rich early oak Welsh wardrobe used in fine houses for storage of livery, tack and harnesses - an early "mud room...

Simply the best armoire I have ever seen. This incredible work of art is from the 18th century and made in the south of France of walnut. Clearly an important commission of the time...

Outstanding 18th century French carved burl walnut four door armoire from Lyon. This stunning piece has so many functions. It could be a wonderful co...

A grand-scale, paneled, two door, single drawer, clipped corner, hand-carved and painted armoire with rustic finish. The piece in rich shades of green and indigo. The interior contai...

A stunning 18th century walnut Dutch armoire. The large angular crown with stepped moulding, above two tall solid cross banded panelled doors separated and flanked by pilaster columns with shaped mouldings to the base and carvings to the top. One key operates the locking right door and acts as a pull. The left door latches from the inside to keep it in place when closed. Just behind the doors are three shelves and two drawers. The base with a repeat shape as the top cornice. The whole is supported by 4 large bun feet. The detail continues with two cross banded panelled sides with soft curved corners. Throughout its long life, the wood finish has acquired a patina that is simply amazing and has an undeniable antique quality. Impeccable craftsmanship. This elegant and richly walnut armoire from The Netherlands will be a great acquisition for contemporary or traditional interiors. Great quality. A good piece of 18th century Dutch antique furniture...

18th Century Country French Louis XIII armoire in stripped oak will make an impressive and stately presence in any room! The boldly molded arched cornice, called a chapeau de gendarm...

Dutch Oak Linen press cupboard armoire. Made in the 18th century the cabinet work is still excellent to this day, these pieces were often made for larg...

Typical of Ile-de-France furniture from the early 1700’s, this walnut armoire has unadorned panels, allowing the beautiful, curved moldings to take prominence. The walnut wood has be...

Early 18th century French walnut bonnetiere or small wardrobe armoire. Beautiful patina of walnut, original finish, one door with nice original carvings. Great size.   

Closed in walnut from the 17th century with diamond tip Very beautiful front closet which has the Maltese cross on their top and bottom panels which is rare It is in perfect condit...

This Armoire, attributed to J.B. Depouez, features a large double bonnet cornice above two tall doors, arched in the upper section. Adorned with sawtooth accents above and below styl...

a fine and largewardrobe from the city Namur in Belgium from the 18th century in the Louis XIV style Very beautiful work in relief on the doors Rare Louis XIV wardrobe with a c...

A most impressive Italian 17th century dark patinated walnut Deux-Corps armoire. The armoire is raised by ball feet at the front, below the moulded straight apron. Above are 2 paneled doors...

An exceptional and extremely high quality, mid 18th century circa. 1750, French Louis XVI Period Normandy marriage armoire in dark Oak. The armoire w...

An absolutely outstanding and exceptional Armoire A' Quatre Portes - 4 door Armoire from the Dolomite region of Italy. Expertly crafted with 4 doors and...

A fine French 18th century Louis XV period walnut 'Deux Corps', mounted with all of its original hardware. The bottom is raised by cabriole legs and has two doors above a scalloped a...

Unique, Massive Wardrobe from the 2nd Half of the 18th Century We present you a three-leaf piece of furniture with two drawers in the bottom section ...

Very rare antique closet dating from the Rococo period of the 1700s, made of walnut wood with brass details, very elegant, fine Italian manufacture. The antique closet is totally made of the finest walnut wood. The base is supported by 4 square feet, placed diagonally, which create a very fine angle. Their workmanship is reminiscent of that of capitals, given the curly detail present on each of them. The wooden base supports the central body of the cabinet composed of a clear glass display case, set into the wood. On the frame is a brass lock. Inside the display case we find a storage space also complete with two drawers below. A brass bar in patina is present. The centerpiece of the closet is its top: it is finely crafted through shapely and sinuous decorations. There are 4 ornamental capitals, one for each corner of the cabinet, also placed diagonally. The top is decorated with a finely worked and curved frieze, also made of walnut wood. On the two front capitals are two decorative wooden structures, reminiscent of those on an ancient cup...

18th Century French walnut armoire with doors strongly moulded in many curves and counter-curves. The “chapeau de gendarme” cornice richly carved f...

18th century English oak display cabinet with originals glasses panels.

This is a gorgeous Italian Armoire from Venice that’s been beautifully painted pale blue and creamy grey. It’s completely outfitted inside with two drawers, a rod for hanging and she...

A very handsome French 18th century Louis XVI period honey oak armoire. The armoire is raised on bun feet with four doors and 4 interior shelves. Each panele...

A fine and rare 18th century two-part George II mahogany secretaire linen press, circa 1750-1760. England. Attributed to Giles Grendey. The de...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

18th Century country French Armoire from Normandie is a stunning study in whimsical naturalism, executed in old-growth indigenous oak by the master artisans of the storied region! A ...

Although the absence of applications in gilded bronze could indicate that the provenance is not French, it is one of the so-called "Provençal furniture...

An 18th century country French armoire, or vitrine, from Alsace made of solid oak with inlaid mahogany and cherry Marquetry details. Original iron hardware with long decorative escut...

Beautiful solid white oak armoire or 18th century is an excellent example of Spanish furniture during the 1700s. With a wonderfully wood piece that c...

An exceptional French 18th century Louis XIV period two-door Oak armoire with extremely fine carvings of flowers, garlands, and at the top, carvings of a face. All original hardware.

Elegant lines and a wealth of charming details gives this antique cabinet a perennial freshness. Made in France in the 1780s, the wood has retained its original finish — a rich aubur...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...

Dutch Chippendale burl walnut bombay graduated three-drawer linen press with serpentine carved floral cartouche, flanking foliage hinged doors,...

Wardrobe with gunsmith. Cherry and oakwood. France, 18th century. Two-door wardrobe with three drawers at the bottom, all these items with key lock, which also has a compartment on ...

Small French buffet with two bodies from the 17th century. This old cabinet in carved walnut wood from the Louis XIII period has four doors, four d...

This grand, monumental armoire is derived from the chateaux region of the Loire Valley of France. The region includes notable palaces including Cham...

From the Regence period, this oak armoire was hand carved in France, circa 1720. Regence was the period of French history when the nation was governed by Philippe d’Orléans while the...

French Provencal closet, walnut wood, 1.60 cm wide at the body, 1.80 at the hat. Top quality wood, remains well proportioned even though it has huge measures. Present only one shel...

A great early 18th century French oak two-door armoire with a buffet interior. The exterior beautifully sculpted and the interior with blue paint.

Collection Jean Thuile Around the mid-sixteenth century French furnishing evolves in its conception and ornamentation. The start of major archi...

Italian, bergamasque wardrobe in solid walnut, made in the 17th century, measuring 240 x 165 x 65 cm, refined and elegant in every part including the superb construction of the hat. ...