Georgian Furniture

Fine George III oak low dresser of cabinet form, the top with rounded edge over two drawers with stamped brass pulls and escutcheons and mahogany cross banding, over pair of central ...

A Georgian period antique carved pine entrance-way with arched pediment, reclaimed from a private residence in Bath. Suitable for interior or exterior use, this architectural doorway...

A Fine 18th Century George II Figured Walnut Chest on Chest or Tallboy, Circa 1740. England. In two parts divided by a cross grain moulding the reeded upper section consists of a c...

English Georgian (circa 1820) mahogany bedside table with turned legs and a scalloped, elongated apron.

Collection of assorted leather bound books. Please note these are priced per book and we have a very large inventory of leather bound books, mostly decorative and in other languages....

John Thomas Serres 1759-1825 was an English maritime painter who enjoyed significant success, including exhibiting extensively at the Royal Academy,...

George III grandfather clock with silver-plated dial Scotland (Aberdeen) Mahogany George III around 1820 Dimensions: H x W x D: 222 x 47 x 23 cm Description: Beautiful antique Scottish grandfather...

Fine quality - decorative antique English covered tureen - Georgian period - large size - hand painted over transfer design - gilt details - exuberant finial - unsigned - pattern num...

Hallmarked in London in 1825 by John Bridge, this stylish, George IV, antique sterling silver Bouillabaisse Tureen, stands on four ball feet, and features a shell finial to the lid, ...

A fine 18th Century Oak Hunt Board in Classic Welsh style and form. The Hunt Board a two-plank top with back gallery, carved apron, three banded drawer...

A very stylish and fine pair of early English porcelain plates hand decorated in the Imari style and dating from around 1810. The plates of rou...

A superb 19th century George III style console / side table. The rectangular marble top above a shaped punched apron centered by a Scallop and flanking foliate scroll work and simila...

An extremely elegant, rare quality pair of George III period armchairs. English, circa 1780. Why we like them Wonderfully elegant model, looking very delicate but in fact unusually...

18th-19th century, English fireplace poker made of wrought iron. The poker is in a good condition and is fully functional.  

Fine Georgian marble bust of Major General Montagu-Roger Burgoyne, the 8th baronet of Sutton, Signed G. Garrard. Sculp, 1818. Sir Montagu-Roger Burgoyne, eighth baronet (d. 1817), army officer, was, like his father, a cavalry officer who rose to the rank of major-general. He entered the army as cornet in the Scots Greys in 1789, and in 1795 became lieutenant-colonel ofthe 32nd light dragoon guards. He was afterwards an inspecting field officer of yeomanry and volunteer corps. On 1 November 1791 he married Catherine (1772/3?1855), daughter of John Burton of Owlerton, Yorkshire; they had three sons and three daughters. Burgoyne died at his mother's house on Oxford Street, London, on 11 August 1817, whereupon the baronetcy passed to his eldest son, John-Montagu Burgoyne George Garrard ARA (31 May 1760 – 8 October 1826) was an English animal, landscape and portrait painter, modeller, sculptor, engraver and printmaker. He played a major role in lobbying Parliament to introduce legislation to protect the copyright of works by modellers of animal and human figures. Garrard came from a family of artists, tracing his descent back to Marcus Gheeraerts the Younger (c. 1561/62–1636) who was a painter to Queen Elizabeth I of England. He studied art first under a well-known drawing-master called Joseph Simpson,[3] then with Sawrey Gilpin, and in 1778 became a student of the Royal Academy, where, in 1781, he first exhibited some pictures of horses...

Circa 1780 George III serpentine form games table, English. Solid mahogany timber richly embellished with kingwood crossbanding on all top surfaces & on the apron, offset by satinwoo...

Fine pair of George III mahogany armchairs, the oval backs with fluted surrounds, the arms with scroll carved florish over shaped ...

Saltglaze Teapot with portrait of Frederick the Great of Prussia and the Prussian Eagle, Circa 1760 The ermine ground teapot has an enamelled portra...

19th century German style small Bedermeier armoire/wardrobe with burl wood cherry. One long drawer at the top. Interior has shaves and three drawers. Sits on top of carved legs with ...

Six mid-century English Chippendale / Georgian-style dining chairs by Norris Reproductions of Richmond, Virginia. Made from mahogany with scalloped crest rail, pierced back splat, a...

Fine Georgian period mahogany chest on chest, the dentil molded top with reeded canted corners having three short and three wide drawers over lower section having secretary drawer an...

Hallmarked in London in 1800 by Robert & David Hennell, this handsome, George III period, Antique Sterling Silver Tea Caddy, is plain in design, with bead borders and an engraved cre...

George I entry table made in England in the early 1700s using oak and pegged construction. This is a beautiful and old piece that is in fantastic shape and ready to be used on a dail...

With rectangular top over a long drawer flanked by a single drawer, apron carved with scrolls and central cartouche, raised on square tapered legs, block feet.

This is an antique West Country Cream Skimmer. An English, pierced brass milk stirrer, dating to the Georgian period, circa 1800. Attractive cream skimmer with an appealing decorat...

This very large and substantial antique wine bottle's exact origins are unknown, but it is presumed to be English or possibly Dutch and dating from the early 1700's. The bottle was hand blown and formed and uses a very thick deep olive green glass. The slightly bent neck has a very thick stem and top which leads to a large bulbous or flask shaped base. The front and back sides have been slightly flattened which was likely done for packing and stability during shipping. The capacity of this bottle has not been tested, but presumed to be in the 2 Imperial gallon...

A stylish traditional Georgian or Chippendale style carved mahogany framed wall mirror In the manner of Baker Furniture By Pulaski USA, Circa 1980s Measures: 26.88"W x 2.5"D x 49...

21st Century Black Marble Mantlepiece. This English Made Unique Fireplace Mantelpiece Is Made From Deep Italian Nero Marquino Marble With a Polished Finish. The Design Is Based On A ...

This is, without doubt, the largest and most impressive English longcase/grandfather clock we have ever encountered, standing at three meters twenty (10.5ft/321cm) and it is quite possibly the largest from the entire 18th century. The golden age. As you might expect, no expense was spared when this clock was commissioned circa 1710-1720, using only the very finest cuts of burr/burl walnut to adorn the case and cross-grain mouldings throughout, leading up to the sensational month going, quarter chiming movement by James Markwick, London. Once wound, the clock will run for one month, chiming the quarters on six bells...

English Georgian (18/19th century) green painted and carved gilt wall plaque of coat of arms with unicorn & lion and broken pediment top.

With a rectangular hinged top with brass lift handle opening to a leather writing surface over three small drawers over three drawers all with ring handles raised on bracket feet. T...

George 2nd Virginia walnut Tallboy/chest on chest with fluted canted corners on bracket feet circa 1750. Retaining its original brass handles, escutcheons and iron locks. The drawer ...

A large and elegant -Scottish (Edinburgh’s New Town) 19th Century Georgian carved pine and lime wood fireplace surround. A break front top shelf with a carved repeating rope cornice...

Pretty 18th C English painted oak one drawer lamp table. 1740. Dimensions 30 inches (76 cms) Wide 22 inches (56 cms) Deep 25.5 inches (65 cms) High.

This is a beautiful pair of antique English mirrors in the Georgian style with carved shells and gorgeous gilded frames. They are antique and will have minor age related cracks here ...

Pair Of Antique George 1V Silver Wine Coasters Dated 1821 S C Younge Of Sheffield Beautiful flower and scroll border around the top of each on with converging fluting around the midd...

A George III sterling silver cake basket made by William Plummer in London, 1786. The basket is of Classic oval form with bead borders and an engraved pierced gallery and foot. Ther...

This is a superb hand-blown example of an Irish made, mid-Georgian, cordial wine drinking glass with a thick double series opaque twist (DSOT) stem, dating from the middle of the 18th century, circa 1765 to 1770. These glasses are very collectable. It is made from English lead glass which is relatively heavy and has a soft grey colour, with slight age related wear as expected with over 200 years of use. The glass has the usual striations, inclusions and tiny bubbles you would expect to see in 18th Century glass, which gives these glasses their unique charm. This glass has a bucket bowl which sits on a tall, unusually thick, double series opaque or cotton twist...

This is a late 18th century porcelain Tea Cup and Saucer in pattern 128 by the Derby factory, Circa 1795. This is a rare Derby pattern that we have not come across or seen previou...

An early George III period bureau bookcase with fretwork swan neck pediment, 30-paned bookcase, slant front enclosed leather writing surface, fitted...

An exceptional example of a late George I English secretary desk in walnut, its upper case with a molded broken arch pediment with urn finials surmounting two arched paneled doors, o...

18th century English oak handkerchief table with a beveled edge around the top, surrounding a glorious top, which has all original hand carved decoration. The apron is scalloped and...

Pair of mounted Georgian decorative brass objects in the form of florals and bows. The brass was hand stamped and is mounted on modern steel stands, which were custom made by a loca...

A very fine small Georgian longcase domestic regulator. Twelve inch silvered dial signed ‘John Byard, London’, with original blued steel hands and subsidiary seconds dial. M...

A rare Georgian pearlware pottery jug commemorating the Treaty of Paris on 30th May, 1814. The Treaty of Paris ended the Napoleonic wars between France and Great Britain, Russia, A...

Beautiful set of three Georgian fireplace tools made of polished steel with a brass stand. Made in England, 18th-19th century. The companion set is in a good condition and is fully f...

English Georgian style (20th century) mahogany open armchair with shaped back and upholstered in a leather style blue/grey.

This elegant fall-front bureau is a beautiful example of late 18th-century English craftsmanship in the Georgian style, dating circa 1780–1800. Traditionally made in mahogany, this p...

A Georgian-style barrel back linen and burlap wingchair with deconstructed back and sides. The interior of this chair is tufted in traditional ivory linen. It has a unique exposed wo...

We are delighted to this very rare pair of Thomas Chippendale era circa 1760 Library chairs with period embroidered upholstery These are a very rare and highly collectible pair of Library chairs, they were made in the Chippendale era and closely after his designs, the fret work carving, ornate legs, all very finely executed by a master craftsman The upholstery is all original embroidery, the colours are very much of the period and not seen on later reproduction pieces. These are an exceptional example and would be highly prized in any collection The chairs have been lightly restored to include some work to the carvings, the timber has been sympathetically French polished to ensure none of the original charm and patina has been lost A period pair of Chippendales by the great man himself (which these could be) would retail for the high hundreds of thousands, however alas Chippendales are only originals if they come with iron clad provenance, a difficult thing to keep hold of for nearly 250 years. One of the chairs has a plaque to the base for Charles Tozer of 25 Brook street London, Mr Tozer was a very well respected Antiques dealer in the early 20th to mid 20th century that specialised in 18th century furniture Dimensions: Height 97cm Width 64cm Depth 65cm Please note all measurements are taken at the widest point Thomas Chippendale (1718–1779) was born in Otley in the West Riding of Yorkshire, England in June 1718. He became a cabinet-maker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs, titled The Gentleman and Cabinet Maker's Director, upon which success he became renowned. The designs are regarded as representing the current British fashion for furniture of that period and are now reproduced globally. He was buried 16 November 1779, according to the records of St Martin-in-the-Fields, in the cemetery since built upon by the National Gallery. Chippendale furniture is much valued; a padouk cabinet that was offered for auction during 2008 sold for £2,729,250. Life "A Design for a State Bed" from the Director, 1762. Chippendale was born the only child of John Chippendale (1690–1768), joiner, and his first wife Mary (née Drake) (1693–1729). He received an elementary education at Prince Henry's Grammar School. The Chippendale family had long been involved with the wood working trades and so he probably received his basic training from his father, though it is believed that he was also trained by Richard Wood in York, before he relocated to London. Wood later ordered eight copies of the Director. On 19 May 1748 he married Catherine Redshaw at St George's Chapel, Mayfair and they had five sons and four daughters. During 1749 Chippendale rented a modest house in Conduit Court, near Covent Garden. In 1752 he relocated to Somerset Court, off the Strand. In 1754 Chippendale relocated to 60–62 St Martin's Lane in London, where for the next 60 years the family business operated, until 1813 when his son, Thomas Chippendale (Junior), was evicted for bankruptcy. During 1754 he also began a partnership with James Rannie, a wealthy Scottish merchant, who put money into the business at the same time as Chippendale produced the first edition of the Director. Rannie and his bookkeeper, Thomas Haig, probably cared for the finances of the business. His wife, Catherine, died during 1772. After James Rannie died in 1766, Thomas Haig seems to have borrowed £2,000 from Rannie's widow, which he used to become Chippendale's partner. One of Rannie's executors, Henry Ferguson...

This is a large antique decorative firedog. An English, cast iron fireplace andiron, ideal for large candles, dating to the Georgian period, circa 1800. Appealing fireside decor ...

These are new traditional mahogany dining chairs. Their design was inspired by the English Chippendale style straight leg dining cha...

Antique George III style mahogany and oak bedside commode, 19th century. With tooled leather steps, nicely figured mahogany panels on the front and oak sides. The top step is hinged ...

A George IV period gilt bronze chandelier In the Régence Manner By Messenger & Phipson The 8-light chandelier of gilt bronze constructed around a central baluster and vasiform s...

With a rectangular hinged top with molded edge over a conforming case with deep well over a long drawer. The base with two drawers over a central carved scallop shell...

A fine quality George III brass banded mahogany octagonal wine cooler or cellarette of large scale retaining its original lead lined interior. This lovely piece rests on its original...

For sale is a good quality George III mahogany bureau bookcase. Having two glazed doors in the top, both opening to reveal adjustable shelves. Below this is the bureau section, with ...

Late 18th century small scale Georgian mirror, English. Walnut & parcel gilt. Well shaped with gilt Prince of Wales Plumes central upper crest. Gilt border mirror plate. Some discolo...