Revival Furniture

I can't think of a more elegant way to be served a morning egg whether you like it hard or soft boiled than in this handled silver plate egg holder. It is decorated with a lovely cut...

Antique Alabaster Chandelier / Pendant w. Bronze Godd Sculptures & Rose Shades. If you're looking for a lighting piece that truly tells a story — one that combines artistry, craftsm...

Gorgeous mid/late 1800 religious art for the collectors and enthousiasts. In antiques it very often is the case that how older the piece is, the better the quality and the details. ...

Illuminate your space with this exquisite Half Shade Wall Lighting. Crafted with the finest natural materials, this elegant piece adds a touch of luxury to any room. Handcrafted to p...

A pair of monumental rusted steel classical obelisks with ball finial tops, trellised sides, rosettes on cross members of the bases, ball finial feet- some have been partially rusted...

Antique Swedish chest of drawers in colonial style. The chest is tall and narrow with five drawers. The frame is made from solid Swedish pine and the exterior is covered with rattan ...

Rococo Revival Walnut Living Room Set From the Early 20th Century - 3 Pieces Presenting an elegant and timeless three-piece living room set in the refined Neo-Rococo style, dating b...

An English bleached oak Gothic Revival desk with linenfold motifs from the first half of the 19th century. This English desk features a rectangular top over three drawers and two sid...

A very fine and large 19th century Louis XV style Whimsical Neoclassical Revival style Oil on Canvas "The Triumph of Flora" attributed to Ferdinand Wagner II (German, 1847-1927), school of François Boucher (French, 1703-1770). The impressive artwork depicting a semi-nude Flora hovering through the clouds surrounded by playful cupids, cherubs, love doves and a seated maiden, within white and grey clouds, offering her Spring flower bouquets and floral wreaths, within a banded giltwood frame. Note: Previously used as a ceiling painting. Unsigned, Circa 1870. Measures: Canvas height: 91 3/4 inches (233 cm) Canvas width: 59 inches (150 cm) Frame height: 61 3/8 inches (155.9 cm) Frame width: 93 1/2 inches (237.5 cm) Depth: 2 3/8 inches (6 cm) Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld...

Masterfully carved & most impressive Italian Vanitas bust in solid marble from late 19th century. White Carrara marble skull combined with a Belgian Bla...

An impressive 20th-century octoganal shaped vintage Italian mirror. Its frame is meticulously sculpted from textured giltwood in Art Deco style. This beautiful piece is a testament t...

Beautiful gold-plated chandelier Sweden, 1970s. The chandelier is build up out of six rings and two crowns filled with faceted crystal, total diameter of the fixture is 44cm or 17". ...

English silver-plated metal icebox with ram's heads on the sides, made in the early 20th century Ø cm 25 h cm 26 Aries is rich in symbolism, intertwining astrological, mythological...

Antique 19th Century Figural French Renaissance Revival / Elizabethan style Dining or Library Table. A rectangular form made from oak with a quartersawn top. Features a thick gadrooned apron with ""S"" scrolls, gothic arches, drop finials and carved lions heads along each corner. The table is supported by hand turned robust baluster supports leading to an ornate carved base featuring Delphin (Dolphin) feet. Includes original draw leaf style extensions and make shift table...

Antique oil paint on tin, know as a retablo. The painting is of Mary, Mother of Jesus and is framed in a hand made shadow box frame.

Those wonderful and elegant sconces are renovated, five flames, originally used with candles, later electrified Suitable for the US.   

Perfect size and shape church bench. This very well crafted, solid oak bench is a perfect example of quality made European furniture from the late 1900's. We felt very fortunate to ...

Gorgeous Early 1900s Antique Italian Renaissance Revival, Walnut, Foliate Sideboard! Antique Sideboard, Italian Renaissance Revival, Walnut, Foliate, Early 1900's, 20th Century! Th...

Belgium / 1850 / panel / oak / Neo-Gothic / Antique Highly decorative 19th century Flemish panel with hand carved Neo-Gothic decorations in oak. The panel consist of four rectangle ...

Precious 1930s Venetian Baroque cupboard wardrobe, by Testolini Freres Venice, in hand-carved walnut yellow decored and burl walnut, with central mirror . Interior upholstered in ora...

Magnificent 1960’s Italian Gothic Revival walnut toned wood and glass extra-large bookcase or display cabinet with plastic accents. Comprised of 2 pieces, a top hutch with glass shel...

Exceptional mid 19th century Italian Renaissance Revival Savonarola Curule Arm Chair. Features a meticulously carved walnut frame with leather seat. The back is showcased by a winged...

A very good pair of antique mid 19th century Meissen porcelain compotes or footed bowls, circa 1850. The bowls are very finely made of open pierced work, with a band of diamond shape...

19th Century Italian Painting of The Virgin of the Fish done in the Purisimo Style. Revivalist piece of a Raphael Painting. The Virgin Mary & baby Jesus with Saint Jerome and Arc Angel...

The source of carpet comes from the book Museo Calouste Gulbenkian, Printed by Gulbenkian Museum Lisbon, in 2015, nr.52. This is a vase-technique carpet design in the 17th century in the Kerman region, of Persia. In the 16th century, in Safavid Persia, medallion rugs were among the most appreciated, but at the end of the century and the beginning of the next, a taste for decoration with floral motifs, coils, and palmettes gradually emerged, covering the entire field. This is the case, for this example design, with rugs from eastern and southern Persia. Among the latter are the famous vase-type rugs attributed to the Kerman region, to which our design belongs. Considered by some specialists to be quite atypical, this rug made in Persia, probably in Kirman in the time of Shah Abbas (1587-1625), presents, on a dark blue background, an exuberant and dynamic vegetal decoration in which horizontal and vertical rows of palmettes and stand out, due to their dimension and spiral movements, large sickle-shaped leaves, alternating with branches and flowers. The very narrow rim, with a red background, is filled with a frieze of coils and flowers. It’s a famous carpet design as ‘Kerman Vase Technique Rug, The Most Expensive Rug...

Elevate your tablescape or mantel with this beautifully cast gilded brass candelabra, featuring a rich Rococo revival design that exudes old-world charm. With sweeping acanthus leave...

20th century hand carved folk art wooden cat form sculpture or statue. Features a knockdown design with elegant form. Features pointy claws, curled tale an...

It does not come with an insert. Linen in the back. Zipper closure. Dry Cleaning only.

19th century low pair of console tables or nightstands in mahogany Price per item. Low table Console table Nightstand Side table End table.

Flit Top Chess Board Backgammon Tooled Leather Top Two Drawers Game Table Brass Claws Feet & Castors MINT!

In the style of A W N Pugin probably made by Gillows. A large cavernous good quality Gothic Revival oak and burr oak bookcase. The upper section with subtle carved floral details and...

A Fine French Empire Revival Style Late 19th/Early 20th Century Mahogany and Gilt-Bronze Mounted Planter or Jardiniere. This elegant circular planter features a mahogany structure ad...

Antique French Carved Oak Gothic Sacristy Vestry Altar Wine Bar Cabinet~~c. 1880s In 18th and 19th century Europe, sacristy or vestment cabinets ...

Gorgeous Antique Early 1900s Italian Renaissance Revival, Carved, Walnut Sideboard! Antique Sideboard, Italian Renaissance Revival, Carved, Walnu...

Very elegant and charming demi-lune round folding table, that can be used as a console table and transformed in dining or games table. The wooden top part is decorated and gilt frame...

This is a superb quality heavily patinated Venetian mirror from the 1940s era. The mirror was made in Italy and shows significant patina underneath the silvering of the glass which c...

PRESENTING A LOVELY Wedgwood Jasperware Pale Blue Centerpiece Bowl. Made by Wedgwood in England in 1957 and fully and properly marked/stamped on base...

Meissen porcelain set from the opulent Golden Baroque series handmade in Germany. The set includes 1 tea cup, 1 saucer, and 1 dessert plate. The cup, saucer, and dessert plate have...

A fine pair of Italian 19th century Baroque Revival style carved walnut Sgabello figural side-chairs, each backrest with carvings of winged male figures, the base with female figures...

Masterfully carved Italian Vanitas / Memento Mori bust in solid marble from late 19th century. White Carrara marble skull combined with masterfully...

Vintage Egyptian Revival carved wood sculpture depicting a pair of reclining goats / rams facing opposite directions, decorated with intricate necklaces and beards, finished in black...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Antique solid walnut wardrobe that can also be used as a bookcase, completely disassembled. Furniture restored and waxed. Missing any int...

Origin and Inspiration: This stunning revival of the Akstafa Kazak Rug is a modern creation deeply rooted in the rich weaving traditions of the Caucasus, specifically inspired by the...

A lovely 19th century Italian neoclassical oil on leather folding screen room divider. Born in Italy, circa 1860, featuring patinated brass hinged three panel wooden frame wrapped in leather canvas hand painted with fantastical classical design depicting grotesque arabesque motif including putti cherub medzallions, floral wreaths, trailing foliage and ribbons on a pale olive green ground, accented by bronze stud tack trim sides and shaped top. Dimensions: (approx) 73" High, 66.5" Wide, 1" Deep Each panel: 22.25 Wide Folded closed: 3" Deep Detailed Condition Report: In overall great antique condition. Beautifully aged distressed patina. Wear consistent with age and use, retaining original antique character...

Large Meissen openwork compote decorated with polychrome flowers. Approx. 1900. Measurements: H 22.0 cm. x D 23.0 cm. In good condition. Older prof...

For your consideration: an Italian Picture Frame. The frame is brass with beautiful ornamentation . It has a light green backdrop and brown velvet on the back. Unmarked, no informa...

Beautifully decorative and very rare, gold leaf gilt Banci Firenze triple pendant light, in the form of large flower heads, the three e14 lamp holders sit behind opaque glass globes....

Ferdinand Wagner II (German, 1847-1927) A very fine and charming triptych group of three oil on canvas laid on board titled "An Allegory to Spring" each panel depicting different playful and joyous scenes of putti and a cherubs reminiscent of spring, love and peace. The center panel depicting a seated putto, crowned with flowers, a standing putto behind him holding a sack of arrows and a seated cherub facing him next to a watchful peace dove on top resting of a flower bouquet. The left panel depicting a seated putto next to a standing putto with a freshly harvested apple. The right side panel depicting a standing cherub holding a fig branches with leaves. All three-in-one panels within individually carved giltwood frames. All panels signed at the lower left: Ferd. Wagner, circa 1890. Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr...

Exquisite 19th Century Brazilian Colonial Settee — Rare Inlaid Hardwood Bench with Cane Seat An exceptional example of Brazilian Colonial furniture from the early to mid-19th century...

Buffet deux corps French cabinet, circa 1830 Renaissance style, solid oak Nice patina Good antique condition Shipping: 2packs: Pack 1: P 64/L 149/H 94 cm 62 kg Pack 2: P 49/L 49/H...

Extremely beautiful and rare 24-carat gold-plated chandelier made by Rejmyre Armaturfabrik Rejmyre, Sweden, 1960s. The chandelier is build up out of six rings and a crown filled with...

Beautiful antique bench, made of carved oak, with a green vinyl seat, this object probably comes from a church, Renaissance Revival style, circa 1890. Unique bench, gracefully and e...

Charles Joshua Chaplin (French, 1825-1891) 'The Bird's Nest' A very fine and charming Rococo revival style oil on canvas depicting a young girl, dressed in 18th century costume and r...

We present you with a large jewellry chest crafted in bronze with medal patina in the neo-gothic style and hailing from the Napoleon II period. It boasts practical dimensions (34cm x 35cm) and intricate ornamentation. Its entrance is concealed by a mechanism, rendering it invisible. The chest's decoration features figures, columns, friezes, and repeating motifs reminiscent of techniques employed during the era of Violet le Duc...

Good size and impressive make, Gothic church altar crucifix. This ornate and all hand-crafted, bronze table crucifix comes with a good quality made a...

This antique hand-carved alabaster sculpture of lamp is unsigned, but being attributed to Umberto Stiaccini of Italy and dates to approximately 1890 and done in a Neoclassical Reviva...

Truly impressive and great workmanship, hexagonal Gothic light fixture. If you are a collector of truly amazing Gothic antiques then this large a...

This impressive pedestal showcases a captivating blend of Renaissance and classical motifs. Crafted from bronze, the central column showcases intricate figures and foliage, adding de...

An impressive Pair of stained glass windows of the highest quality, painted with grisaille and enamels on cathedral glass, circa 19th century. Representing two Renaissance Halberdier...