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19th Century English Victorian Rosewood Inlaid Envelope Card Table
About the Item
For sale is a good quality Victorian rosewood inlaid envelope card table, remaining in very good condition for its age.
Measures: Width: 53cm Depth: 53cm Height: 73cm.
- Dimensions:Height: 28.75 in (73 cm)Width: 20.87 in (53 cm)Depth: 20.87 in (53 cm)
- Style:Victorian (Of the Period)
- Materials and Techniques:
- Period:
- Date of Manufacture:1890
- Condition:Wear consistent with age and use.
- Seller Location:Chelmsford, GB
- Reference Number:Seller: S27-8101stDibs: LU2494327268542
About the Seller
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1stDibs seller since 2017
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- ShippingRetrieving quote...Shipping from: Chelmsford, United Kingdom
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Condition:
In excellent condition having been beautifully cleaned and polished in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 74 x Width 89 x Depth 48
Dimensions in inches:
Height 2 foot, 5 inches x Width 2 foot, 11 inches x Depth 1 foot, 7 inches
Marquetry
is decorative artistry where pieces of material (such as wood, pewter or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.
The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.
Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs.
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