
19th century Sheraton revival inlaid mahogany card table
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19th century Sheraton revival inlaid mahogany card table
About the Item
- Dimensions:Height: 30.5 in (77.47 cm)Width: 36 in (91.44 cm)Depth: 18.6 in (47.25 cm)
- Style:Sheraton (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1880
- Condition:Wear consistent with age and use. Minor fading.
- Seller Location:Debenham, GB
- Reference Number:Seller: EA5791stDibs: LU878637024032
About the Seller
5.0
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Established in 1964
1stDibs seller since 2009
906 sales on 1stDibs
Associations
LAPADA - The Association of Arts & Antiques Dealers
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THE BOTANICAL NAME FOR THE MAHOGANY THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION.
Condition:
In excellent condition having been beautifully cleaned and polished in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 74 x Width 89 x Depth 48
Dimensions in inches:
Height 2 foot, 5 inches x Width 2 foot, 11 inches x Depth 1 foot, 7 inches
Marquetry
is decorative artistry where pieces of material (such as wood, pewter or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.
The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.
Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs.
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