19th Century Italian Walnut Octagonal Table with Inlaid Trompe-L'œil Motifs

An Italian Neoclassical style faux marble painted center table from the 19th century with circular top and pedestal base. This 19th-century Italian faux-painted center table captures...

An English Regency period walnut center table from the 19th century, with round top, carved lion heads, tripod base and in-curving shelves. Created in England during the 19th century...

A French Napoléon III period mahogany center table from the mid 19th century with colorful marble top, pedestal base and carved giltwood lion paw feet on casters. Created in France during the reign of France's last Emperor...

An Italian walnut side table from the 19th century, with octagonal top and pedestal base. Created in Italy during the 19th century, this walnut side table features an octagonal top s...

19th century Italian carved walnut table. Stunning 19th century Italian carved walnut table or center table. This versatile rustic hand car...

A fine 19th century Italian inlaid center table.

Particular Italian table from the second half of the 19th century. Furniture carved and inlaid on solid wood in various precious woods including walnut, maple, beech, ebonized wood a...

A good centre table by Johnstone & Jeanes of London   Constructed in amboyna, with extensive marquetry inlays in specimen woods, and enhanced with parcel-gilt highlights. Rising from a cruciform platform base adorned with knops and having concealed castors, supporting the inlaid, and gently stepped and tapering centre column with stylized 'c' form brackets bracing the octagonal top, the outer guard band having English roses inlaid at the angles, with foliates with the national emblems of Scotland and Ireland, thistles and shamrocks. Stamped by the makers to the underside, 'Johnstone & Jeanes 67 Bond Street'. circa 1845 Published in “British Furniture 1820 to 1920” by Christopher Payne, 2023, p. 131, illustrated fig. 3.21. Johnstone, Jeanes & Co John Johnstone of Bond Street came to prominence after his collaboration with Robert Jupe, an 'upholder' of 47 Welbeck Street, Cavendish Square, London, who patented a remarkable design for a circular expanding dining table with a segmented top in 1835. After Jupe's death, the firm traded as 'Johnstone and Jeanes' from 1842 until 1880, having moved to 67 Bond Street and continuing the tradition of producing high quality furniture. After 1880, the company was re-named Johnstone & Norman. They exhibited at the Great Exhibition 1851, The International Exhibition of London in 1862, and The Paris Exhibition of 1878. Both the Royal Collection Trust and the Victoria & Albert Museum own stamped pieces of furniture in their collections. The company of Crace were designers and decorators to the Royal household from 1768 until 1899, working for every monarch from George the Third...