Exceptional C.A. Lion Cachet Attributed Center Table, Oak and Macassar, 1920s

This exceptional armchair was produced by a master cabinetmaker in Northern France in the late 1920s. The chair was designed for a private residence in the Roubaix region. The diffe...

This striking floor lamp was produced in Sweden in the mid-1920s. The elegant design is exemplary for the Swedish Grace style with its combination of the architectural octagonal patt...

This unique architect's desk was designed by Frits Spanjaard in 1932. With its generous proportions, striking asymmetry, contrasting woods and the large knobs in solid Macassar ebony, the desk can be considered as an important example of the Haagse School (The Hague School) style. The desk has four large drawers on the right, which can be simultaneously locked with a single key. The interior on the left features six drawers and additional storage, and can be locked altogether as well. Particularly noteworthy are the four cleverly incorporated pull-out shelves of different dimensions creating additional space: two on the front, one on the right side and one large shelf on the back side. The desktop is executed in dark stained oak and features a dark grey leather insert. in 1932, the prosperous Van Stolk & Reese company commissioned Spanjaard to design the interior and furniture of their offices located on the Ceintuurbaan in Rotterdam. This custom desk was most likely designed for the office of the company’s director, which was designed by Spanjaard in a radically modernist way, combining his own sumptuous designs with the functionalist tubular steel furniture made by W.H. Gispen. Between 1925 and 1935 the work of Spanjaard was strongly connected to the Haagse School movement of which he’d become a main proponent. This style was not so much inspired by the Classic European Art Deco capitals such as Paris and Vienna but more by other national and international architectural developments such as the work of Frank Lloyd Wright. The influential magazine Wendingen published a series of articles on Wright still relatively unknown at the time in 1925 and the renowned architect Jan Wils also played an important role in the orientation towards Wrights work in The Netherlands. In its particular application of geometric shapes, primary colours and its sophisticated cubist division of the surface, the Haagse School designers were also aware of De Stijl movement, lead by contemporaries such as Gerrit Rietveld and Piet Mondriaan. At the same time the geometry, the harmonious proportions and the understated decorations were primarily based on the rationalist design principles of H.P. Berlage, who would later become one of Spanjaard’s clients himself. Design had to meet the functional demands of the user but purely utilitarian ideas were certainly not the most important. Due to his frequent travels to Germany, Spanjaard was also familiar with the designs of Marcel Breuer and Mies van der Rohe, especially appreciating the simplicity and purity of their designs. Biography Frits Spanjaard (1889-1978) started his career as the artistic director of the LOV furniture...

This rare wall mirror was produced in the Netherlands in the 1930s. The shape, material, and craftsmanship of the piece are exemplary of the Amsterdam School movement. Originating in...

An oak center or side table produced by Nordiska Kompaniet, Sweden, c. 1920s. Dimensions: 27.5” H x 31.7” Diameter

Exceptional center table, unique piece of extreme beauty and utility. Made by wood master C.A Paudalho in the Brazilian northeast during the 1970's. This big artist made a few custom...

1920s modernist center coffee table, Pier Luigi Colli attributed, in gilt brass with top in shaped engraved glass. The crystal top is supported by four suction cups with height-adjus...

An oak and Macassar inlay center table or dining table designed and produced in Sweden, c. 1930s. Dimensions: 29.125” H x 58.125” W x 32.3” D