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Late 19th Century Gilt-Bronze and Sèvres Style Porcelain Mounted Center Table

About the Item

An Excellent Late 19th century Gilt-Bronze and Sèvres Style Porcelain Mounted Kingwood and Ebonized Wood Center Table. The rectangular shaped table with nine individual turquoise painted porcelain plaques, the large oval center plaque depicting a man and women at leisure, the surrounding large plaques with romantic scenes and the circular plaques with cherubs at play, the kingwood banded and ebonized base with two gilt bronze winged trumpet playing putti attached by floral swags. The center plaque signed by the artist Danjou. In late 1739 – early 1740 the Sèvres Porcelain Factory opened in the Royal Château of Vincennes, Sixteen years later in 1756 the factory moved to the village of Sèvres located outside of Paris and in route to Louis XV’s Palace of Versailles where it became the preeminent porcelain manufacturer in Europe. When the company ran into financial difficulties, the King who had become an avid client bought out the shareholders and became the sole owner. The factory remained in the royal family until it was nationalized following the French Revolution. The range of objects produced in the first half of the nineteenth century was enormous, as were the types of decoration that they employed. The Sèvres factory produced ninety-two new designs for vases. The factory is still in production today.

Creator:
Manufacture Nationale de Sèvres (Manufacturer)
Dimensions:
Height: 30 in (76.2 cm)Width: 39.5 in (100.33 cm)Depth: 32 in (81.28 cm)
Style:
Belle Époque (Of the Period)
Materials and Techniques:
Bronze,Porcelain,Wood,Gilt,Hand-Painted
Place of Origin:
France
Period:
Late 19th Century
Date of Manufacture:
circa 1880
Condition:
Refinished. Wear consistent with age and use.
Seller Location:
New York, NY
Reference Number:
Seller: CC14891stDibs: LU905631447862

Shop All Manufacture Nationale de Sèvres

Manufacture Nationale de Sèvres

A maker of exemplary European ceramics for hundreds of years, Manufacture Nationale de Sèvres has produced porcelain of the highest quality since 1740.

The factory enjoyed royal patronage from its earliest days, and its most prominent patrons in the late 1700s — King Louis XV of France and his mistress, Madame de Pompadour — commissioned some of the period’s most elegant and striking pieces (only the truly wealthy could afford porcelain at this time). The company was originally established in Vincennes but was moved at the request of Madame de Pompadour, in 1756, to Sèvres, near Versailles, so that its operations would be closer to her château.

Sèvres became a mighty and much-revered factory working under a special grant from King Louis XV — the company’s owner as of 1759 and whose abundance of orders for special state gifts put financial strain on the company. Madame de Pompadour is said to have commissioned Sèvres to create an entire indoor garden of porcelain botanicals, for example.

While Sèvres gained a sterling reputation for its soft-paste porcelain wares, the company was late in entering into the production of hard-paste porcelain.

Hard-paste porcelain is the most common type of Chinese porcelain, then a widely exported and profitable product that was not made in Europe until the 18th century. The resources at Sèvres were largely relegated to meeting the demands of Louis XV, and secondly, it did not acquire the secret formula for hard-paste porcelain until 1761. Until it obtained the coveted secrets behind hard-paste porcelain from a chemist named Pierre-Antoine Hannong — and, years later, gained access to the elusive raw materials to make hard-paste porcelain — Sèvres produced soft-paste porcelain for decades that was widely celebrated but is comparatively a far weaker type as opposed to the hard-paste productions of the company’s rival, Meissen, in Saxony, the first to produce true porcelain outside of Asia.

The artisans at Sèvres applied the rarest and most difficult-to-produce colors to their decorative objects and dinner services. One such color, the bright bleu de roi, became the manufacturer’s signature shade and is found on many of their objects. Sèvres also experimented with rarely glazed or unglazed works that bore no decoration at all — bisque porcelain, French for “biscuit,” refers to unadorned white porcelain sculptures made at Sèvres that resemble white marble after being kiln-fired.

Sèvres marks were applied over the glaze or rendered with cuts by a sharp tool — authentic Sèvres porcelain is most commonly marked with two interlaced Ls that are painted in blue and enclose a third letter. Painters and potters were tasked with affixing marks to record their role in the creation of a particular piece, and as a lot of these artisans’ names are recorded in archival factory materials — and there is also much to be learned at the Sèvres museum — it’s likely that you can accurately identify your Sèvres piece.

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