Burl Center Tables

A Library Centre Table in the Louis XVI Manner Constructed in amboyna, with purpleheart banding with gilt bronze mounts; of elliptical form, with gently everted angles; rising from ...

19th century French Restoration period gueridon/center table made of burled walnut and cherrywood topped with a stunning disc of brecciated marble. The surface of the stone is carved...

American Victorian mahogany center table with a burl wood top containing an inlaid central cartouche depicting a decorative perfume ves...

This a wonderful burl and bronze neo-classical gueridon. Note the ram to hoof bronze legs. It has beautiful banding. It is unmarked and in very good condition.

Chairs measurements: H 36.65in height to the seat 20.66in W 31.88in D 20.86in.

Excellent quality late 19th Century Plum Pudding mahogany centre table with gilt metal mounts and gold leaf greek key design to the drawer and reverse frieze. French - Louis XVI revi...

Mid-19th century neoclassic coffee centre table walnut, burl walnut, polished to wax Measure cm: H 75, W 116, D 72.

Mid-Century Modern massive burl wood frame glass top square coffee table. Gorgeous burl wood grain pattern. Nice design proportions.

Elegant travertine and burl walnut game table by John Widdicomb. Octagonal base is banded with brass and veneered with beautifully grained burl walnut. The top is travertine over woo...

A very fine French early 20th century Empire style ormolu and figural patinated bronze-mounted amboyna and veined Verde d'Alps marble top "Gueridon" attributed to François Linke (185...

Swedish Mid-Century Modern burl wood tri legged side end table stand 1949 mint.

Mid-Century Modern Dornes coffee table, contemporary collection, handcrafted in Portugal - Europe by Greenapple. The Dornes coffee table was crafted to tell a story of scenic beauty...

Sphere table by Studio Christinekalia Dimensions: W 70 x D 70 x H 35 cm. Materials: Wood, burl veneer. Derived from the element of the sphere, this l...

Karl Johan style center table of flame birch and masurbjork, birch root burl from Sweden with drop-leaf table top on gracefully shaped pedestal base. The Swedish Karl Johan style is ...

This square center table dates to the mid-19th century and wonderfully exemplifies Qing-dynasty furniture design. Found at the center of social activity, Chinese square tables such a...

Continental possibly Baltic (circa 1850s) burl wood and mahogany trim center table with an octagonal base supported on a triangular base with a top having a scalloped apron.

Burl walnut birdseye maple two tone square cut corner coffee center table MINT!.

Tessellated marble coffee table with a burl wood edge and inlaid brass border. This piece makes for a great center table and will surel...

Early French Art Deco (transitional) tiered table by Leon Jallot in pearwood and camphor wood burl, circa 1910-12. 28” diameter x 29” high. Leon Jallot (1874-1967) Born in Nantes, July 24, 1874, Leon Jallot studied in Paris but did not go to any school of art. Without any formal training, other than a general refined sense of culture, he opened his own workshop at age 16 and began wood sculpting and making his own furniture.Strictly self-disciplined, he began as a wood carver. By 1899, at the age of just 24, he had worked his way to become Director of the Art Nouveau workshop of the collector, Siegfried Bing, for his shop called l’Art Nouveau in Paris. He remained there until 1901, overseeing production for the shop as well as Bing’s installation at the 1900 Paris Universal Exposition. Jallot therefore participated in the creation of some of the Art Nouveau movement’s most prized works – those designed by the firm’s renowned threesome: Georges de Feure, Eduoard Colonna, and Eugene Gaillard. In 1901 Jallot became one of the founding members of the first Salon of Societe des Artistes Decorateurs – an organization which produced highly anticipated annual exhibitions through the first half of the 20th Century. In 1903 he established his own decorating workshop where he designed and fabricated furniture, fabrics, carpets, tapestries, glassware, lacqueer and screens. Jallot was the first of the Art Nouveau designers to turn away from floral ornamentation and to pursue linearism – as early as 1904 his decoration was limited to the natural grain of the wood – and he was an advocate of rich materials rather than over-wrought forms to suggest luxury. Jallot’s work was shown at the Salons of Societe Nationale des Beaux-Arts from 1908, Salon d’Automne from 1919, and at the SAD throughout. A review of his exhibit at the 1921 Salon des Artistes Decorateurs, in Art et Decoration, said: “His furniture has the easy elegance of ideas created in a flash and then mulled over – ingenuity, savoir-faire, and patience are all combined in his work.” He created furniture for the Grand Salon of Une Ambassade Francaise and Hotel du Collectionneur at the 1925 Paris Exposition Internationale des Arts Decoratifs et Industriels Modernes (which would, years later, launch the term “Art Deco”). From 1921, Leon Jallot partnered with his son, Maurice (see Maurice Jallot’s biography elsewhere on the Calderwood Gallery...

Circular marquetry inlaid top raised on a fluted standard resting on a tripartite base with slightly under scrolled feet.

A very rare unusual table with a double u base produced by Jean Fauré in Toulouse France in the 1930’s, smothered in tight burr golden Amboyna and is of exc...

Circular marquetry inlaid top raised on a fluted standard resting on a tripartite base with slightly under scrolled feet.

Antique English burl walnut ormolu mount table, circa 1850.  

The circular top veneered in extremely well figured amboyna having a cross banded outer border. The top supported on a octagonal column, similarly veneered in amboyna, resting on a t...

Loius XVI Style Inlaid Centre Table the brass banded top with amboyna and rosewood crossbanding and diamond inlay, curved X-Stretcher and the base decorated with ormalu - English c18...

A FINE REGENCY AMBOYNA AND OAK TILT-TOP CENTRE TABLE, Circa 1825.

An early Victorian amboyna, burr walnut, ebonized, harewood and purplewood centre table possibly by Holland & Sons inlaid with fruitwood stringing, the circular tilt-top with harewoo...

A Fine Louis XVI Style Patinated and Gilt-Bronze Mounted Centre Table After The Fontainebleau Model with a Verde Patricia Marble Top, by Zwiener Jansen Successeur. The bronze mounts...

A remarkable, twelve sided, intricately veneered and inlaid, 18th c. Italian, marquetry center table. The mother-of-pearl embellished top medalli...

This early 19th century square table from northern China expresses Ming-dynasty tastes with clean lines and a simple silhouette. The table stands on four straight legs stabilized by ...