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Stacklab Jupiter Coffee Table - Acrylic Top, Oval

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Stacklab, 'Mura, ' Contemporary Glass and Bronze Coffee Table, Canada, 2018
By Jeff Goodman, STACKLAB
Located in New York, NY
Mura low table is created in collaboration with Toronto-based glass design and fabrication atelier Jeff Goodman Studio (JGS). It pairs STACKLAB’s signature solid-bronze Jupiter leg castings with a droplet-shaped top of kiln-fused Temple glass. The table’s name derives from the Japanese word for “unevenness, irregularity, inequality” Temple glass is a handmade product invented by JGS for the Bahá’í Temple of South America, capable of withstanding the rigorous weather fluctuations and seismic activity of the Andes mountains near Santiago, Chile. In the proprietary fabrication process, rods of glass are broken. The glass fragments are arranged in the kiln bed in JGS’s randomized River Rock pattern, then fired and cooled for a week. This process yields a distinctive mottled motif of milky translucent veils within a transparent field. The slab is polished, then cut to size with a water jet. Because the glass is handmade, each table top takes three weeks to carve and polish, a process that is impossible to duplicate, making each Mura table unique. “Our studios share a love of controlled, but partially unknown, outcomes,” says STACKLAB Founder and Creative Director Jeffrey Forrest. “Our disciplined methods allow us to ‘let go’ as we approach the finish line and observe what happens, from a careful arrangement of glass rods settling in the kiln to a computer code interpreting inputs about form.” “STACKLAB came to us with the idea of shaping the edge of Temple glass with a beautiful ribbon line,” says JGS Executive Director Sylvia Lee. “This is the first piece we’ve done in carved, sculptural Temple glass; earlier applications were always with straight edges. STACKLAB is helping push us into exploring the material more deeply and at a large scale. That’s exciting.” As for the Jupiter leg, it is a study in creating a completely asymmetrical, yet aesthetically cohesive, geometry. The shape is readily castable, yet differs in every elevation, section and plan view. The sand-casting process produces faintly perceptible irregularities that enhance the leg’s tactile appeal. The planetary name pays homage to the subtitle of Mozart’s last symphony, a favorite of the client who commissioned the first Jupiter table...
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2010s Canadian Coffee and Cocktail Tables

Materials

Bronze

Stacklab, 'Mura, ' Contemporary Glass and Bronze Coffee Table, Canada, 2018
By STACKLAB, Jeff Goodman
Located in New York, NY
Mura low table is created in collaboration with Toronto-based glass design and fabrication atelier Jeff Goodman Studio (JGS). It pairs STACKLAB’s signature solid-bronze Jupiter leg castings with a droplet-shaped top of kiln-fused Temple glass. The table’s name derives from the Japanese word for “unevenness, irregularity, inequality” Temple glass is a handmade product invented by JGS for the Bahá’í Temple of South America, capable of withstanding the rigorous weather fluctuations and seismic activity of the Andes mountains near Santiago, Chile. In the proprietary fabrication process, rods of glass are broken. The glass fragments are arranged in the kiln bed in JGS’s randomized River Rock pattern, then fired and cooled for a week. This process yields a distinctive mottled motif of milky translucent veils within a transparent field. The slab is polished, then cut to size with a water jet. Because the glass is handmade, each table top takes three weeks to carve and polish, a process that is impossible to duplicate, making each Mura table unique. “Our studios share a love of controlled, but partially unknown, outcomes,” says STACKLAB Founder and Creative Director Jeffrey Forrest. “Our disciplined methods allow us to ‘let go’ as we approach the finish line and observe what happens, from a careful arrangement of glass rods settling in the kiln to a computer code interpreting inputs about form.” “STACKLAB came to us with the idea of shaping the edge of Temple glass with a beautiful ribbon line,” says JGS Executive Director Sylvia Lee. “This is the first piece we’ve done in carved, sculptural Temple glass; earlier applications were always with straight edges. STACKLAB is helping push us into exploring the material more deeply and at a large scale. That’s exciting.” As for the Jupiter leg, it is a study in creating a completely asymmetrical, yet aesthetically cohesive, geometry. The shape is readily castable, yet differs in every elevation, section and plan view. The sand-casting process produces faintly perceptible irregularities that enhance the leg’s tactile appeal. The planetary name pays homage to the subtitle of Mozart’s last symphony, a favorite of the client who commissioned the first Jupiter table...
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2010s Canadian Coffee and Cocktail Tables

Materials

Bronze

Oval Coffee Table With Veneer Wood Top & Metal Footer
By Ginger & Jagger
Located in NEW YORK, NY
This coffee table is filled with quiet details, combining sumptuous veneers and a minimalistic footer. This piece embodies one of Nature’s paramount attributes – simplicity. Top: Bir...
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2010s Portuguese Modern Coffee and Cocktail Tables

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Metal

Tapered Faux Bamboo Leg Oval Top Coffee Table
By Kittinger
Located in Rockaway, NJ
Mid-Century Modern decorative tapered faux bamboo coffee table. Carved in leaf top design.
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20th Century American Mid-Century Modern Coffee and Cocktail Tables

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Hardwood

Double Lucite Pedestal Oval Glass Top Coffee Table
By Karl Springer
Located in Rockaway, NJ
Mid-Century Modern Lucite and machined brass "gills" form pedestal bases oval glass top coffee table.
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20th Century American Mid-Century Modern Coffee and Cocktail Tables

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Brass

Large Oval Glass Top Solid Carved Wood Coffee Table
By Isamu Noguchi, Adrian Pearsall
Located in Rockaway, NJ
Mid-Century Modern oval glass top coffee table Pearsall, Noguchi, Kagan decor match. Organic forms solid wood base.
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20th Century American Mid-Century Modern Coffee and Cocktail Tables

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Glass, Ash

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