"Trias" Pedestal Table with Chrome Columns by Hugo de Ruiter for Leolux, 1980s

Beautiful marble pedestal table with massive sunburst patterned table top, a fat chrome post and a thick white marble base. The top, not original to the table, was found in a Dutch e...

Dutch Mid-Century pedestal side table with attractively sleek steel base and a gray laminate plywood top. Reminiscent of the work of Eero Saarinen. The table is in original condition...

A rare and captivating Dutch post-modern "Memphis" style dining table, model 'TH001', produced in the 1980s by the renowned Castelijn furniture manufacturing company. While Castelijn...

Rare "Rotunda" coffee table by Friso Kramer for Ahrend de Cirkel. Black enameled metal base with magazine shelf, glass top and fat rubber feet. In original condition with signs of we...

Elevate your collection with this magnificent vintage 1970s Romeo Rega pedestal dining table. This piece is the epitome of High Italian Glamour, a bold yet elegant statement that exp...

Mid Century Modern Stainless Steel Pedestal Italian Granite Round Top Table by Brueton The Mid Century Modern Stainless Steel Pedestal Table by Brueto...

Italian modern Round dining table Cidonio by Antonia Astori for Cidue, 1970s Dining table mod. Cidonio with round smoked glass top. The cylindrical base is in chromed metal. Produced...

Round pedestal dining table model UFO with a base in brushed steel and tabletop in thick glass with a black enamel decorative circle. Designed by Luigi Saccardo and manufactured by Maison Jansen in the 1970s. Maison Jansen was a Paris-based interior decoration office founded in 1880 by Dutch-born Jean-Henri Jansen. From its beginnings, Maison Jansen combined traditional furnishings with influences of new trends including Anglo-Japanese style, the Arts and Crafts movement, and Turkish style. The firm paid great attention to historical research with which it attempted to balance clients' desires for livable, usable, and often dramatic space. Within ten years the firm had become a major purchaser of European antiques, and by 1890 had established an antique gallery as a separate firm that acquired and sold antiques to Jansen's clients and its competitors as well. In the early 1920s Jean-Henri Jansen approached Stéphane Boudin, who was then working in the textile trimming business owned by his father and brought him on board. Accounts of the arrangement vary. Speculation existed that Boudin was able to provide financial solvency to the prominent but capital-poor atelier. Boudin's attention to detail, concern for historical accuracy, and ability to create dramatic and memorable spaces brought increasing new work to the firm. Boudin was made director and presided over an expansion of the firm's offices and income. Not originally equipped with its own workrooms for producing furniture the firm began by relying upon antiques and the furniture contracted to outside cabinetmakers. By the early 1890s Maison Jansen had established its own manufacturing capacity producing furniture of contemporary design, as well as reproductions, primarily in the Louis XIV, Louis XVI, Directoire, and Empire styles. Throughout the firm's history, it employed a traditional style drawing upon European design, but influence of contemporary trends including the Vienna Secession, Modernism, and Art Deco has also appeared in Jansen interiors and in much of the custom furniture the firm produced between 1920 and 1950. Under Boudin's leadership, Maison Jansen provided services to the royal families of Belgium, Iran, and Serbia; Elsie de Wolfe, and Lady Olive Baillie's Leeds Castle...