Architectonic Cut Plywood Midcentury Cocktail Table

Boat-shaped coffee table with beveled edges in silvered walnut by the team of German-born American architects Oscar Stonorov and Willo von Moltke, designed for the Museum of Modern Art's 1941 Organic Design in Home Furnishings competition, and produced in very small numbers by Red Lion Furniture of Pennsylvania. Per the MoMA catalog, “a design may be called organic when there is an harmonious organization of the parts within the whole, according to structure, material, and purpose. Within this definition there can be no vain ornamentation or superfluity, but the part of beauty is none the less great—in ideal choice of material, in visual refinement, and in the rational elegance of things internded for use.” The suite of furnishings designed by Stonorov and von Moltke---including a vanity, coffee table, dining set, bed, nightstand, and case pieces--won honorable mention at the seminal competition and received a preferred placement at the MoMA exhibition itself. The winning entries in the competition, which included the iconic seating and unit furniture by Charles Eames and Eero Saarinen, were showcased at eleven department stores across the country--notably Bloomingdale's and Kaufmann's--and were intended for serial production, but America's entry into WWII a month after the opening of the exhibition, along with higher than expected price points across the board meant that few pieces were actually made outside the ones initially sent to the participating department stores. This was especially true for the Stonorov and von Moltke suite, which wound up being among the most expensive items...

Three-legged "Modern" chair in cut Douglas Fir plywood. A home construction project, based on a pattern by Arthur Collani, whose designs appeared in Home Craftsman Magazine in the early 1950s. Readers were provided with schematic drawings, written instructions, and pictures of the finished product. This organic design chair...

New Year’s greeting ushering in the year 1967 mailed out by renowned Italian artist and educator Eugenio Carmi (1920-2016). Folds out to a serigraph measuring 39.25” x 26.75”. This e...

First edition of Bernard Rudofsky’s idiosyncratic and iconoclastic discussion of modern living conditions in postwar America, published by Oxford University Press in 1955. 201 pages, 8vo, hardcover with pictorial dust jacket. Several black-and-white illustrations. Rudofsky (1905-1988), an Austrian/American architect, curator, critic, industrial designer, exhibition designer, fashion designer, and author is best-known for his controversial exhibitions and accompanying catalogs, including Are Clothes Modern? (MoMA, 1944), Architecture Without Architects (MoMA, 1964), and Now I Lay Me Down to Eat (Cooper-Hewitt, 1980). He is also famous for his mid-century Bernardo sandal designs, which are popular again today. Behind the Picture Window...

Stylish midcentury coffee or cocktail table. Chrome base, with a sizable piece of beveled glass serving as the tabletop. Please confirm item location with dealer (NJ or NY).

Fantastic Mid-Century Modern coffee cocktail table crafted from thick torch-cut iron in the brutalist style by Silas Seandel. The base measures 50 inches by 30 inches wide and features a biomorphic organic form sculpture...

Midcentury Lucite coffee table with glass top.

Italian Midcentury Coffee Table or with Brass and Mahogany Plywood 1950s Gorgeous tiny coffee table made of full brass legs and details and mahogany plywood, Italy, 1950s. The glass top is decorated partially with ornaments. On the wooden base you see ornaments of brass showing a cheerful image of a woman and a man carrying a large flower basket, as well as two jumping...