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Gabriella Crespi Unique and Important "Punto '83" Table 1982


Important "Punto '83" table in stainless steel with steel mesh tabletop with adjustable height and movable petals by Gabriella Crespi, Italy, 1982. "Punto '83" was created for Milan’s Museo della Scienza e della Tecnica as part of the exhibition "I Plurimi di Gabriella Crespi" introduced by Vanni Scheiwiller. This piece is an architectural tour de force and the most important table Crespi designed. Literature: "Gabriella Crespi, Il Segno E Lo Sprito", a book published by Electra for an Exhibition in Milan in 2011, texts and images provided by Gabriella Crespi, curated by Elisabetta Crespi and Cesare Cunaccia, photos pages 82-83, on page 63 it states "The last item in the "Plurimi" Series is the "Punto 83," from 1982. Only one specimen exists, but it is an object that sums up all of Gabriella Crespi's earlier experiences. It presents a structure divided into petals of stainless steel mesh and is fitted with a pump lift that allows it to be used at different heights. Locking spines allow the surfaces to adopt different geometric shapes . It is an example of technology applied to the functionality and dynamics of the object: the summation and grand finale of the path followed by the "Plurimi," which play a central role in the poetics of Gabriella Crespi." Table is 41 1/2 inches x 26 inches when closed.


  • Dimensions

    H 27 in. x Dm 51.5 in.

    H 68.58 cm x Dm 130.81 cm

  • Diameter
    51.5 in. (130.81 cm)
  • Seller location
    New York, NY
  • Seller reference number
  • Reference number

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About Gabriella Crespi (Designer)

Bronze discs that open up like clamshells for storage and fold back in to become side tables. Sleek cubes barely suspended off the ground that transform into full-size dining tables. Clean-lined boxes that contain multilevel shelving. Looking at the work of Italian designer Gabriella Crespi, born in 1922 and still producing furniture in her Milan studio, it’s hard to believe that many of these highly functional pieces — modernist Rubik’s Cubes of materials, colors and ergonomics — were created decades ago.

     Among her best-known creations, the bronze Ellisse table, 1976, and her bronze-and-lacquer Yang-Yin bar, 1979, encapsulate a designer who had a strong dualism in her vision, mixing humble and precious materials, for instance, or creating geometric shapes that were softened by sensual surfaces. Crespi began studying architecture in 1944 at the Politecnico, in Milan, where she was among just a handful of women, and became profoundly influenced by the work of Le Corbusier and Frank Lloyd Wright. After getting married and having children, she launched her own collections, from jewelry to furniture, and soon gained a loyal following, with design houses such as Maison Dior snapping pieces up for their own lines.

     She began work on her most iconic collection, “Plurimi,” in the late 1960s, and the series — including her Dama table, which plays on the themes of volume, light and adaptability that Crespi has explored throughout her career — flourished through the 1970s and early ’80s. Then there is her famed Z desk, from a mid-1970s series, which manages to be both stylish and humorous, looking like it’s ready to leap off the floor at any moment. Well-born and beautiful, Crespi garnered attention among the jet set. She was a muse to Valentino, and her pieces appeared in the homes of Princess Grace of Monaco, the Shah of Iran and Greek shipping magnate George Livanos. In 1987, with her children now adults, the designer surprised everyone when she moved to the foot of the Indian Himalayas to study with the guru Sri Muniraj. This turned into a 20-year self-imposed exile that, if anything, made her pieces even more sought-after by collectors. Read more in Introspective magazine

About the Seller

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