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Isamu Noguchi coffee table by Herman Miller.
About the Item
For your viewing is Isamu Noguchi Coffee Table produced between 1965 and 1980. Over all height is 15.75" and the thickness of the glass is 0.75" (19mm)
This table came out of a 35 years of seating in storage and the finish on the legs was not in the great shape.
We decided to sand existing finish as little as possible and re-coat the legs. During the sanding process we discovered that the wood looks like solid cherry.
Aluminum pivot does not have indexing pins.
There's no silk screen on the longer edge of the glass or the sticker.
Glass is older type green tint with flat bevel edge.
Glass has some scratches.
Based on dimensions, condition of the wood and the glass top, this is very likely Herman Miller version produced between 1965 and 1980.
- Attributed to:Isamu Noguchi (Designer)
- Dimensions:Height: 15.75 in (40.01 cm)Width: 36 in (91.44 cm)Depth: 50 in (127 cm)
- Style:Mid-Century Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1965-1980
- Condition:Refinished. Wear consistent with age and use. Legs were sanded and re-coated with black nitrocellulose lacquer.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421138813012
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
About the Seller
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