Unique Cocktail Table Designed by the Artist John Torreano

This faceted, geometric sculpture by the contemporary New York artist John Torreano dates to the mid-1980s.

This 1930s Italian bench is so over-scaled, and monumental in appearance, that it seems to have been made for the large room it was destined, rather than the comfort of a typical sitter. As such, it would function equally well as a low side table or a high cocktail table. We’ll allow the buyer to determine its use. The designer was Pierluigi Colli, and the fabricator Martinotti, the Turin furniture and interior decorating firm that was established in 1831, and exhibited at the 1876 Philadelphia Centennial Exhibition and the 1904 St Louis World’s Fair. Colli’s family owned a textile company that supplied Martinotti with upholstery fabrics, suggesting nepotism had something to do with his being hired as the firm's director in 1926. Nevertheless, he proved himself worthy as a designer and a businessman. Having studied in Paris at the Ecole des Arts Decoratifs, he befriended leading French designers, and arranged for Martinotti to retail Lalique glass and Jean Perzel lighting. In addition, the quality of their work, and Colli’s dedication to the modern design movement, prompted Carlo Mollino, Gio Ponti, and Gino Levi-Montalcini, among others, to have Martinotti fabricate some of their furniture. Colli’s claim to fame, however, is his own work as a designer, and his ability to master the vocabularies of every trend from Art Deco to midcentury modern. During the Great Depression, when nearly every nation floundered economically, fascist Italy...

The “Maximilian Lounge Chair” was John Vesey’s finest and most celebrated chair design — it was also his most expensive one to produce, and appeared in a 1959 issue of Vogue. The aluminum frame was wrought rather than cast, solid rather than assembled, and polished to a seamless satiny sheen. An industrial-aluminum screen supports the black-leather upholstery tufted in a pattern that harks back to the 19th century. So too does the chair’s form that’s based on low-slung Latin American planters’ chairs. One that belonged to the ill-fated Emperor Maximilian of Mexico...

From the 1890s until his death in 1914, John Bradstreet, the important American Arts and Crafts furniture and interior designer, worked from The Crafts House, his landscaped orientalist compound in Downtown Minneapolis. There, he also received his clients, and dealt in Asian art acquired on frequent trips to the Far East. He used similar bronze Japanese lotuses...

Our table was made of birch, solid and veneered, stained a rich brown, and topped off with a slab of Bohemian breccia marble. We date it to around 1928, and attribute the design to Fritz August Breuhaus de Groot, who coined the term Kultivierte Sachlichkeit (Cultured Objectivity) to describe his work, and distinguish it from the Neue Sachlichkeit (New Objectivity) practiced by his contemporaries Walter Gropius, Mies van der Rohe, and Lily Reich. The table bears a passing resemblance to a considerably simplified, marble-topped ovoid one that he designed for his 1934 Berlin living room. Breuhaus was a man on the make. The first of his three marriages was to the daughter of an industrialist, who financed the building of luxury villas and workers’ housing designed by his son-in-law. In 1929, Breuhaus, the son of a dentist, added “de Groot” to his name, falsely linking himself to a distinguished family of painters. By then, he’d been fudging his academic record for years. That didn’t prevent a teaching appointment at the State University of Bavaria, which allowed him to add the prestigious “Herr Professor” prefix to his name. Yet he never followed through on the teaching — he was far too busy designing more luxury villas (commissions he accepted only if he could furnish them as well), and products for his own company, which included furniture, textiles, wallpapers, lighting, and fine silver. In addition to designing aircraft interiors for Lufthansa, and pullman railroad...

According to Japanese folklore the fox, or kitsune, can assume human form to protect and trick humble country folk. Dating to the 18th century, this fox protects its own pup. Carved ...

This coffee table is part of a collection inspired by the nature created by the artist and designer Raoul Gilioli. The artist, to create this coffee table, was inspired by the waves ...

Here is a rare one of a kind custom design by the Late NYC designer Phillip Enfield. Its a beautifully made cocktail table constructed of solid walnut and...

Modernist bespoke Cerused oak and brass coffee /cocktail table designed and bench made by John Tracey, Rochester NY artist, amazing architectural Bauhaus d...

Joano coffe marble Design table Unique Piece Contemporary Artist Spain. Joano is a coffee table made in Spain, limited edition of a single piece collaboration between the artist and...

Sol cocktail table by Fakasaka Design. Dimensions: W 84 cm D 84 cm H 46.5 cm. Materials: polished bronze. FAKASAKA is a design company focused on production of high-end furnit...

John Vesey cocktail table X-base with brass detail and brushed steel. Glass top. Very good condition.