Serenissimo board room / XL dining table by Massimo & Lella Vignelli for Acerbis

Designed by Lella and Massimo Vignelli for Casigliani, this iconic statement coffee table features two carved black marble arcs and a single st...

Statement coffee table comprising 3 white marble pieces and a contrasting black glass top. The trio of sculptural pieces include a pyramid, con...

The Lola Mundo chair / side table is distinctive for both its adaptability and for its nod to Louis XV-style with the cabriole legs. With statement cast alu...

Round Rail bed by designer Ron Arad in double size, with enamelled tubular steel, wire-mesh panels, kee-klamps and six strut horizontal supports. Ron Arad, RDI is a British-Israeli ...

A white-grey, vintage Mid-Century modern Italian large dining table made of hand crafted marble, designed by Massimo Vignelli in good...

A singular form with a monolith’s silhouette, the Creso table experiments with a sole pedestal of support to transform a table into the kind of vigorous geometry that defined the eye...

A singular form with a monolith’s silhouette, the Creso table experiments with a sole pedestal of support to transform a table into the kind of vigorous geometry that defined the eye...

This exceptionally rare and large 'Kono' table, which works excellent as either a dining table or a desk, by Lella Vignelli and Massimo Vignelli was designed in 1984 and this example created in the mid-to-late 1980s by Casigliani in Pisa, Italy. This rare example of the 'Kono' design features a monumental Black Granite slab for the top, two thick slabs of Imperial Red Granite which connect together to form one of the bases, and the Vignellis signature Patinated Copper cone which forms the other base. The 'Kono' design was normally made as coffee tables so it is quite rare to find examples made scaled up in dining table size. In addition, typical Kono tables were made with glass tops and a single slab granite base. This example however, the Vignellis selected Black Granite instead of the typical glass tops. Also, rather than using a rectangular single-slab base, this example features an L-shaped base constructed with two slabs that connect together along one angled edge. It still employs the cone-shaped patinated copper base typical of Kono tables, however this example is much larger of course than cocktail table versions. The Vignelli Center for Design Studies, which houses the artists’ archive, confirmed this table to be one of two known drawings by the Vignellis (a copy of the Vignelli sketch, which they provided, is included in the photo gallery) though it is unknown if the other table was ever produced, making this table potentially an important one-of-a-kind. The Black Granite top in lower light settings is dark, deep and mysterious. With direct sunlight its luminosity is intense - see the photo gallery for images of the table in direct sunlight from our skylight above. It glows, shines and shimmers with incredible vibrancy, similar to diamonds - to see it in person is quite exquisite and remarkable. While we only had it set up under our skylight for a couple hours, I would describe the experience as recharging - I felt like I had just spent a couple hours meditating, this would be incredible to wake up to every day before leaving to work. The Vignellis described the 'Kono' table as: “This design exploits the relationship between geometrical figures and material finishes." Over the course of their four-decade-long design practice, Lella and Massimo Vignelli collaborated on projects that ranged from product design and brand identity to interior and furniture design. Whether designing New York City’s subway map...