19th Century Louis XVI Style Giltwood Console Table

This refined ten-light chandelier is a grand example of 19th century French opulence. Crafted in the Louis XV style, this fixture emits a soft glow thanks to a large central light su...

The exquisite details of this hand-carved Italian giltwood mirror are matched in grandeur by its notable size. Nearly 3 feet tall by 3 feet wide, this mirror is an extraordinary feas...

This English mahogany console table is a rare period example of the elaborate Chinese Chippendale style. A study in symmetry and balance, this table combines the restrained elegance of the Georgian period with the intricate artistry of the Orientalist aesthetic. Elaborate fretwork on the frieze and pierced supports are beautifully matched by fluted legs. As a whole, it represents a stunning marriage of Chippendale craftsmanship and Eastern design. Small, decorative tables such as this represented the great influence that China had in European decorative and Fine art beginning in the 1600s. Since the Restoration of the monarchy, there had been a growing interest in Chinese-style design forms in England. Called "chinoiserie" in French, this style had become extremely popular by the middle of the 18th century, and designers such as Thomas Chippendale eagerly adopted the elaborate Eastern designs. By the mid-1750s, the Vauxhall Pleasure Gardens were sporting "Chinese Pavilions...

Among the most beautiful examples of hardstone artistry that have ever entered our collection, these important Grand Ducal pietre dure console tables are in a class all their own. Their powerful architectural elegance, impressive size and rarity make them two of the finest hardstone masterpieces ever created and quite possibly the greatest pair of pietre dure tables in existence. With their naturalistically rendered flowers and birds, these tabletop panels showcase the particularly fine quality craftsmanship of the Grand Ducal workshops in Florence during the first quarter of the 17th century. Grand Duke Ferdinando I de Medici, one of the most important personages in the annals of art history, established the Grand Ducal Workshop in 1588. The workshop specialized in the art of pietre dure developed from the ancient art of opus sectile, giving rise to the most luxurious and detailed examples of hardstone artistry ever produced. Its patrons were the Popes and Royals of Europe, and the quality of the objects produced in the workshop is without equal. Typically, because of the high level of workmanship the art form requires, pietre dure plaques were crafted in small sizes. The great majority of known examples of pietre dure are a fraction of the size of our grand tables. The combination of pietre dure and extensive use of other rare decorative hardstones such as lapis lazuli and pietra paesina or “ruin marble” meant that these tabletops were surely produced for a wealthy collector. The tables are further distinguished by their superbly carved bases by Andrea Brustolon, known as the “Michelangelo of wood.” Brustolon was a Venetian wood sculptor known for his exuberant and intricate Baroque furniture. His high Baroque style was influenced by his years studying in Rome, where he was exposed to the sculpture of Gian Lorenzo Bernini. Crafted in the early 18th century, these bases display Brusolon’s unmatched talent for both figural and foliate work, combining cupids, masks and oversized scrolling vines for a grand, ornate effect. Similar furnishings by Brustolon are held in museums worldwide, including the Victoria & Albert Museum, the National Museum of Scotland and the Metropolitan Museum of Art, while the Ca' Rezzonico Museum in Venice features an entire room dedicated to the sculptor. For approximately 150 years, these tables were part of the famed Stoneleigh Abbey collection owned by the Lord Leigh family. This renowned English country estate inspired Jane Austen to write Mansfield Park. Lord Leigh eventually sold the tables at Christie’s London in 1962, and the pair have stayed in the collection of the same Florentine family who purchased them from Christie's until we recently acquired them. Our tables are prominently pictured in the important Saul Levy book Il Mobile Veneziano del Settencento. The pietre dure plaques date circa 1625-1650. The decorative tops likely would have originally been sold with a pair of plain stone columns to display them, and Lord Leigh would have commissioned the custom bases from Brustolon circa 1714 when he added the impressive four-story fifteen-bay Baroque West Wing to Stoneleigh Abbey. A similar single Grand Ducal tabletop is in the United Kingdom’s National Trust Collection, and a smaller tabletop resides in Buckingham Palace. The flower and bird panels in our examples relate to the famous Badminton Cabinet...

Fashioned in the Louis XVI style, this elegant kidney-shaped French marquetry side table is decorated with a rich diamond pattern inlay. The natural warm...

This exceptional Irish games table is as functional as it is beautiful. Crafted of Cuban mahogany, it serves as a console table when not in use, but the top folds out to reveal a gre...

Fabulous 19th century Louis XVI style finely carved giltwood console with marble top, all carved with floral and acanthus leaf...

An exceptional Louis XVI-style giltwood demi-lune console table, with a grey and white veined marble top. Fabulously carved throughout, it features an ornate floral frieze around its...

Italian late 19th century Louis XVI style giltwood console table and mirror. The table is finely hand carved in precise detail o...

ITEM: A FRENCH GILTWOOD CONSOLE SPECIAL FEATURES: OF LOUIS XVI STYLE MATERIAL: GILTWOOD PERIOD: LATE 19TH CENTURY "Dimensions: 35 in. (89 cm.) high, 73 ¾ in. (187.5 cm.) wide,...

An extremely elegant Italian 19th century Louis XVI st. giltwood and walnut console. The freestanding console is raised by lovely circular tapered fluted legs with fine topie shaped ...

This is a lovely 19th century French Louis XVI demilune gilt console. The gray marble top is over an ornamental frieze with swags representing be...