French Art Deco Raymond Subes Console Table

A charming antique American kitchen range warming oven wood stove converted into a unique table with lots of storage! Born around the turn of the late 19th / early 20th century, repurposed and fashioned it a one-of-a-kind table (or kitchen island) in the second half of the 20th century, having a divided top fitted with a later pair of glass panels over decorative cast iron burner hot plates, flanking an enameled hard work surface center, over patinated metal frame case fitted with two large cabinet doors featuring etched glass windows, well aged crackle paint and white porcelain pulls, opening to reveal a large and spacious single storage compartment in updated wood finished interior. The old fashioned wood burning cooking stove with utilitarian rectangular shaped body, sculptural silhouette in early Art Deco taste with simple clean lines, smooth rounded edge and corners, single scrolling decorative element mounted on slated faux vent, rising on four substantial cast metal cabriole legs with stylized decoration. circa 1920 Versatile: Finished on all sides so it can be placed anywhere in the room. Strong and sturdy, yet lightweight enough to easily move or put away when not in use, ideal size and proportions for a variety of different ways, including as use as a playful card games table, kitchen island, add chopping / cutting board and use as butcher block stand in a home, cafe or restaurant, breakfast buffet...

A large and most impressive vintage French Louis XVI style painted parcel gilt console table / server attributed to legendary Parisian design house Maison Jansen. *Rare opportunity!...

An Italian Rococo Neoclassical console table, dating to the mid-20th century, having a black lacquered rectangular shaped base prominently featuring fantastical avian giltwood carvin...

A fabulous pair of American mid-century sculptural paint decorated wooden console tables by the iconic luxury designer Phyllis Morris (United States; 1925-1988) Executed in timeless mid-20th century glitz and glam Hollywood Regency Moderne taste, the rare, possibly custom one-of-a-kind design, having a demi-lune red lacquered top, over conforming fluted apron, rising on elegant carved figural swan form legs, terminating in claw and ball feet, finished in parcel gilt antiqued cream paint finish. Bold, large scale, statement pieces, these extraordinary tables are sure to add a touch of sophisticated whimsical elegance, warmth, opulence, and comfort to any space! circa 1970 Signed, "Phyllis Morris" to the rear support in typical stylized font (under later metal wall mount brackets) Provenance / Acquisition: From an important Guadalajara, Mexico Estate Acquired from highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas. Dimensions: (approx) 31" High, 49" Wide, 24.75" Deep (each) Phyllis Morris was one of the design industry’s first multitaskers. She wore many hats: furniture designer, businesswoman, civic leader, legendary hostess, humanitarian, wife and mother. Phyllis Morris is known for them all, but mostly that last one. The legendary interior designer of the 1950s and ’60s wrote her own rules and lived a life as large and colorful as the designs she favored. Morris began her design career in 1953 in Los Angeles, California by creating the "Poodle Lamp," a sculpture of her own poodle topped with a little flared shade. Dubbed “The Marilyn Monroe of the furniture industry” — she took charge of her destiny with her famous poodle lamp. After sculpting the original, based on her own pink-dyed pup, Morris left it on consignment in a Beverly Hills shop. She had friends place orders for it; the shop asked for a dozen models, and Morris was in business. “I knew I was not a homemaker,” she said. What transformed Morris from lamp designer to “designer to the stars” may have been her instinct for publicity. She reportedly delivered two of the lamps to Liberace, her first big-name customer, in a pink Cadillac convertible, while wearing a mink cape. Morris was a pro at offering provocative quips or outrageous photo-ops, which often made headlines around the globe. “My mom was a marketing genius,” says Morris’ daughter Jamie Adler, who now runs the brand and reintroduced the poodle lamp for Currey & Company last year. “She understood branding and how to get press. She was so brave and fearless as a woman in a male-dominated industry.” At a time when most women stayed home, Morris was a furniture designer, businesswoman, civic leader, legendary hostess, humanitarian, wife and mother. “She was multitasking long before the word was invented,” Adler says. With her colorful and eclectic interiors and over-the-top furnishings, Morris turned the interior design world upside-down, and celebrities came calling. She designed hotel suites frequented by Frank Sinatra, Jackie Kennedy Onassis and Elvis. Her opulent canopied beds became a status symbol for the likes of Cher and Sonny Bono, the Who’s Keith Moon, Gladys Knight and Jerry Vale, according to a 1978 People magazine story. A typical Morris room setting during the mid-1960s would find Pop art accessories...

French Art Deco bronze, steel and wood console with black glass top by Raymond Subes, circa 1925.

French Art Deco steel console table with a verde antico / green marble top and conforming base joined by scrolling apron & legs (Attribute...

French Art Deco wrought iron bracket console table with scroll design front supports & apron with black marble top and small shelf at base (Attributed to RAYMOND SUBES)

A French Art Deco console table attributed to Raymond Subes, with scrolling leg and portoro gold marble top, together with a tall piriform beveled mirror, created circa 1930s.