Leather Clad Trompe l’oeil Console Table by Marge Carson

Occasional table with round top supported by a criss-cross tripod base. Model no. 1742. By T.H. Robsjohn-Gibbings for Widdicomb. American, circa 1953. Very sculptural splayed tripod ...

Fantastic pair of modernist lounge chairs, model 637 Utrecht by the designer Gerrit Thomas Rietveld for Cassina from the 1990s. Fabric is a cool silvery blue. Check out the incredibl...

Rare set of four No. 4735 Dining Chairs by Edward Wormley for Dunbar. Chairs were acquired from estate with full Edward Wormley for Dunbar dining set. Rarely seen!

Baughman was inspired by the courageous young avant-garde designers known as the Memphis Group that burst on to the works stage in 1981 with a total disregard for the traditions and design tenants of restrained, idealized Modernism, Baughman designed a small collection of 11 colorful, post-modern pieces and convinced Coggin to put the collection into production by 1984. The unexpected designs made a splash upon their debut, with critics praising Baughman’s graceful and carefully considered take on the wild Italian ‘new design.’ The wider American audience and Coggin’s well-to-do yet conservative clientele did not take to Baughman’s experiment in exercising complete creative control. ''Only galleries bought it,'' Baughman told the NYT in the months after the collection’s release. Pieces from the 1984 Prisma collection are extremely difficult to come by. Literature: Oscar Fitzgerald, American furniture: 1650 to the Present , 2017. P 517; CH 19 Postmodern and AvantGarde Furniture...