Lella & Massimo Vignelli Italian Slate and Marble Console Model Ambiguità, 1980s

Lella and Massimo Vignelli were influential and prolific Italian designers and architects. This husband-and-wife couple made important contributions to graphic design and industrial ...

An iconic sculptural coffee table designed by Massimo and Lella Vignelli for Casigliani. This striking piece embodies the designers’ signature clarity, while maintaining its graphic ...

Ara console table with a wooden structure and a glass top, was designed by Lella and Massimo Vignelli and manufactured by Driade in 1974. Licterature: G. Gramigna, Repertorio del De...

Massimo & Lella Vignelli "Metafora" Italian Travertine Stone Coffee Table

This Kono table is made out of white Carrara marble base and of an chrome plated metal cone and a clear glass top of 120 cm resting on the chrome cone and t...

The Kono coffee table, designed by renowned designers Massimo and Lella Vignelli for Casigliani, is a striking piece of furni...

Sculptural Metafora travertine coffee table designed by Lella and Massimo Vignelli. in the 1970s. Inspired by the four forms of Euclidean geometry, the cube, the pyramid, the cylinde...

Custom made triangle marble base console table in the style of Massimo Vignelli.

Designed by Lella and Massimo Vignelli for Casigliani, this iconic statement coffee table features two carved black marble arcs and a single st...

This exceptionally rare and large 'Kono' table, which works excellent as either a dining table or a desk, by Lella Vignelli and Massimo Vignelli was designed in 1984 and this example created in the mid-to-late 1980s by Casigliani in Pisa, Italy. This rare example of the 'Kono' design features a monumental Black Granite slab for the top, two thick slabs of Imperial Red Granite which connect together to form one of the bases, and the Vignellis signature Patinated Copper cone which forms the other base. The 'Kono' design was normally made as coffee tables so it is quite rare to find examples made scaled up in dining table size. In addition, typical Kono tables were made with glass tops and a single slab granite base. This example however, the Vignellis selected Black Granite instead of the typical glass tops. Also, rather than using a rectangular single-slab base, this example features an L-shaped base constructed with two slabs that connect together along one angled edge. It still employs the cone-shaped patinated copper base typical of Kono tables, however this example is much larger of course than cocktail table versions. The Vignelli Center for Design Studies, which houses the artists’ archive, confirmed this table to be one of two known drawings by the Vignellis (a copy of the Vignelli sketch, which they provided, is included in the photo gallery) though it is unknown if the other table was ever produced, making this table potentially an important one-of-a-kind. The Black Granite top in lower light settings is dark, deep and mysterious. With direct sunlight its luminosity is intense - see the photo gallery for images of the table in direct sunlight from our skylight above. It glows, shines and shimmers with incredible vibrancy, similar to diamonds - to see it in person is quite exquisite and remarkable. While we only had it set up under our skylight for a couple hours, I would describe the experience as recharging - I felt like I had just spent a couple hours meditating, this would be incredible to wake up to every day before leaving to work. The Vignellis described the 'Kono' table as: “This design exploits the relationship between geometrical figures and material finishes." Over the course of their four-decade-long design practice, Lella and Massimo Vignelli collaborated on projects that ranged from product design and brand identity to interior and furniture design. Whether designing New York City’s subway map...