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Modernist Cherry Brass Side Table Coffee Table Josef Frank, 1950s, Sweden
About the Item
Modernist Mid-Century Modern vintage side table or coffee table from cherry wood and brass attributed to Josef Frank for Svenskt Tenn 1950s Sweden.
An absolutely stunning coffee table or side table from beautiful cherry wood and brass details in gorgeous shape with three slightly curved legs and brass details.
This table has an extremely modernist design, something what Josef Frank loved to do. Wonderful example of a range from tables.
This coffee table or side table features an amazing warm cherry wood and brass connections.
The curve shape structure and the elegant texture from cherry wood is very beautiful to look at and very useful in your interior.
Slightly curved three legs makes it easy to create an eclectic interior style and so to become your ideal table and core piece. This design creates an instant cosy atmosphere.
Very good condition with minor signs of age and use, nothing what takes away the beautiful look and feel.
Josef Frank ( 1885 - 1967 ) Viennese designer and architect, who is famed for his amazing furniture designs and architecture.
His interior philosophy from an eclectic mixture in the interiors is up to date and shows that Josef Frank had the pioneering role to mix high quality furnitures from different periods and styles in unexpected combinations.
Approx. measures:
width 109.3 cm
depth 55 cm
height 55 cm.
- Attributed to:Josef Frank (Designer)
- Dimensions:Height: 21.66 in (55 cm)Width: 43.04 in (109.3 cm)Depth: 21.66 in (55 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1950s
- Condition:Wear consistent with age and use.
- Seller Location:Vienna, AT
- Reference Number:1stDibs: LU1069833007212
About the Seller
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- ShippingRetrieving quote...Shipping from: Vienna, Austria
- Return Policy
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Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”.
Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design.
Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style.
What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist.
Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...
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