Pair of Early 19th Century Demilune Tables

Pair of wonderful early 19th century mahogany game tables from England. This is a gorgeous pair of game tables that can be used as ...

Pair of elegant mid-century modern side tables from France. The frames of the tables are made from brass, and have finials at the top corners. The legs are simple and are connected...

19th century English demilune table made from oak. The top is made from two boards, and follows down to a simple apron. The table is supported o...

19th century set of three nesting side tables from England. The tables have burl walnut tops with scalloped and beveled edges on the front and back for added design detail. The table...

A very fine pair of late 18th century pier / console tables of neat proportions, the shaped serpentine Gonzalez Alves top within a satinwood border, above a plain frieze rising from ...

Pair of English Georgian-style (19th Century) satinwood demilune shaped console tables with mahogany banding inlaid with scrolling design over a gilt & applied floral carved apron & ...

Antique A Pair of Venetian Demilune Console Tables with inlay patterns, 19th Century Single: 30" H x 32" W x 16" D Pair: 30" H x 32" Diameter

A Fine Pair of Late 19th Century Demilune Satinwood and Inlaid Side or Console Tables in the Neoclassical Style Attributed to Edwards and Roberts This fine pair of neoclassical-style tables are of demilune, or semicircular, shape and veneered principally in satinwood. Large-scale panels of satinwood have been laid on the carcass of the frieze to give a segmented effect, which is very attractive. The tapering square-sectioned legs and contrasting spade toes are all classic Sheraton design features, being reused here a century later. The most impressive parts of the tables are undoubtedly the beautiful tops, with the central feature being an inlaid fan-shaped patera, centered by a smaller example of the same form with additional penwork foliage on it. This, in turn, centers on a semicircular feathered boss. Around the edge of the tabletops is a wide crossbanding upon which a repeating neoclassical design featuring penwork scrolling foliage and urns is delicately executed and highly attractive. Footnote: The quality of the present tables indicates that they would have been produced in one of the leading workshops of the period. On stylistic grounds, the most likely maker is Edwards and Roberts. Particularly adept at producing furniture in the inlaid Sheraton style, the firm had an elite clientele and, as such, was able to make the finest furniture without cutting corners. For an example of a Carlton House table...