Pair of Palatial Giltwood Console Tables with Marble Tops, circa 1870

A Pair of Regence Style Carved Giltwood Console Tables. These palatial console tables are finely carved, the frieze centred by a mask between pierced acanthus leaf plumes. The heav...

A fine transitional style carved giltwood console table with a Rouge de Rance marble top. French, circa 1880. Of impressive proportions this fine...

Pair of Louis XV Style Giltwood Carved Wall Console Tables with Marble Top. The serpentine shaped free-standing wall consoles with the apron centered with an intricately carved pierc...

A Large and Impressive Pair of Italian Early 20th Century Rococo-Style Gilt-Bronze Center Tables or Wall Consoles with Marble Tops, attributed to Luigi Ciampaglia, renowned for his leadership at the esteemed Fonderia (Foundry) Chiurazzi di Napoli (Naples). These tables boast intricately cast serpentine gilt bronze frames featuring an ornate apron adorned with bearded male masks flanked by swaged floral garlands, C-scrolls, and acanthus motifs. They stand on four elegantly curved cabriolet legs joined by an 'X' stretcher, all terminating in floral sabots, supporting luxurious veined green Verde Antico marble tops. Both tables are elegantly engraved with "Ciampaglia" on the apron, suggesting they were likely a special private commission by Luigi Ciampaglia, possibly crafted by either the Fonderia Ciampaglia or the Fonderia Chiurazzi. Circa: Naples, 1920-1940. Note: Another example of this model is currently on display at The Miramar Mansion in Newport, R.I Luigi Ciampaglia held the position of head artisan at the Fonderia (Foundry) Chiurazzi di Napoli. Established by Gennaro Chiurazzi (1840–1906), the Fonderia Chiurazzi originated from a modest foundry founded in Naples in 1870. It swiftly gained renown, expanding into a workshop within the Albergo dei Poveri, where a team of skilled craftsmen, known as formatori, diligently produced casts of numerous statues. Over time, the foundry secured the privilege of taking molds from prestigious collections, including those of the Museo Archeologico Nazionale in Naples, the Capitoline Museums, the Vatican, the Borghese Gallery in Rome, and the Palazzo Pitti and the Uffizi Gallery in Florence. This resulted in the creation of over fifteen hundred plaster piece molds, embodying the century-long legacy of the company—a feat that remains unparalleled today. Chiurazzi bronzes...