Tony Duquette for Baker Biomorphic Console, Silver Leaf Finish

One of the great style icons of the 20th century, Tony Duquette (1914–99) created pieces with a singularly ebullient elegance. Through his private interior-decorating commissions and his work as a stage and movie-set designer, Duquette made his name synonymous with flamboyance, fantasy and glamorous originality. 

Duquette was born in Los Angeles and studied at the Chouinard Art Institute. But his true education began in the mid-1930s, first as an assistant to an aging Elsie de Wolfe — the eminent interior designer who many say created the profession — and later as a colleague of William Haines, the famed movie-star-turned-decorator. Duquette’s clients would come to include many Hollywood luminaries — he decorated “Pickfair,” the fabled home of actress Mary Pickford, and homes for producer David O. Selznick and director Vincent Minnelli — and a robust roster of the rich and powerful, among them Doris Duke, J. Paul Getty, Norton Simon and the Duke and Duchess of Windsor. All the while, Duquette was designing film and theater sets and costumes. He worked on such films as Kismet, Ziegfeld Follies and Can-Can; he won a Tony award in 1961 for costume design for the original Broadway production of Camelot.

Theatricality is the keynote of the best of Duquette’s designs. He made things that would get attention. Duquette was no purist — he appreciated the spare and sleek as much as the baroque and elaborate — but everything had to provide a visual effect, if not necessarily perform a function. Apart from the furnishings and objects he designed for his grandest decorating commissions, Duquette rarely used precious materials. “Beauty, not luxury, is what I value” was his often-repeated motto. Duquette pieces priced at $10,000 and above tend to be either intricately made or super-scaled or have an interesting ownership provenance. Most of his works are marked at about $5,000.

As you will see on 1stDibs, Tony Duquette created something for anyone who likes big-statement design — providing a showstopper for a lean, modernist decor or an alluring element in a lush, more-is-more interior. A Duquette design says: On with the show!

Owing to the company’s collaborations with many leading designers and artists over time, vintage Baker furniture is consistently sought after today. The heritage brand’s chairs, dining tables, desks and other pieces are widely known to collectors and design enthusiasts for their fine craftsmanship and durability.

Within a few decades of its launch, Baker Furniture Company evolved into one of the largest and most important furniture manufacturers in the United States and became known for its high-quality production standards. Siebe Baker and business partner Henry Cook founded the original iteration of Baker Furniture Company in 1890 in Allegan, Michigan, after immigrating to the United States from the Netherlands. Allegan is a small town west of Grand Rapids, which, at that time was home to Widdicomb Furniture Co. and more and was known as America’s furniture capital. The company manufactured doors and interior moldings and introduced a combination desk and bookcase in 1893. In the early 1900s, Siebe became the sole owner of the business.

Among others, stage designer Joseph Urban and modernist designer Kem Weber contributed designs to Baker in the 1920s. In 1932, under the leadership of Siebe’s son, Hollis, who started at the company as a salesman but took the reins when his father passed in 1925, Baker Furniture introduced bedroom pieces and debuted its Manor House collection, which made reproductions of European furnishings available to the American market. (Hollis was an avid traveler and procured antiques overseas for the company to reproduce in the United States.) Soon, Baker Furniture Company moved to Holland, Michigan, and eventually opened showrooms in Grand Rapids and elsewhere.

Pioneering Scandinavian designer Finn Juhl created a Danish modern line for Baker in 1951, and the company produced his award-winning Chieftain chair for a short time. In the late 1950s, Baker introduced the Milling Road label to reach a younger audience with stylish but less costly furnishings like console tables, walnut dining chairs and more, and in 1961, British furniture designer T.H. Robsjohn-Gibbings introduced a modern neoclassical line at Baker.

The 1960s and ’70s saw the introduction of historic reproduction furniture lines such as Woburn Abbey and the Historic Charleston collection, which remain very popular to this day. In 1990, Baker was licensed to produce a furniture line from Colonial Williamsburg. That same year, the Smithsonian Museum introduced Baker’s Chippendale chair into its permanent collection and the Grand Rapids Art Museum dedicated an exhibition to Baker’s 100th anniversary, a showcase that included 150 pieces of furniture Siebe Baker had collected as part of a larger assortment that had served as inspiration for his designs.

Today, vintage Baker furniture, such as its elegant mahogany nightstands and teak credenzas — particularly those crafted by Finn Juhl — sees high demand online and elsewhere. The company continues to produce contemporary collections with well-known designers such as Bill Sofield, Barbara Barry and Kara Mann and remains on par with some of the highest quality furniture in the industry.

Browse vintage Baker armchairs, sofas, coffee tables and other furniture on 1stDibs.